44.3 |
The Bucolic Challenge: Continuity and Change in Later Latin Pastoral Poetry |
The Commodification of Carmina in Baptista Mantuanus’s Eclogues |
Caleb M. X. Dance |
147 |
40.2 |
The Future of Classical Education: A Dialogue |
Trends in Teachings the Classics to Undergraduates |
Mary Pendergraft |
147 |
38.2 |
Cicero across Genres |
Cum solitudine loqui: Ciceronian Solitude across Generic Lines |
Aaron Kachuck |
147 |
2.4 |
Republican Literature |
Cicero’s Paternal Grief: Public Commemoration for a Personal Loss |
Aaron Seider |
147 |
22.3 |
Perception and the Senses |
Ancient Greek Lullabies: Magic or Mundane? |
Abbe Walker |
147 |
41.1 |
Marx and Antiquity |
Ode on a Grecian Printing-Press: Marx and the possibility of antiquity |
Adam Edward Lecznar |
147 |
30.1 |
Euripides |
The Death of the King: Mythological Innovation in Euripides' "Erechtheus" |
Adam Rappold |
147 |
27.5 |
Objects and Affect: The Materialities of Greek Drama |
Material Ghosts: Recycled Theatrical Equipment in Fifth-Century Athens |
Al Duncan |
147 |
26.3 |
Markets and the Ancient Greek Economy |
Middlemen: the Villains and Secret Heroes of the Ancient Greek market |
Alain Bresson |
147 |
6.4 |
The List as Genre |
Consular Lists as Genre |
Alan Cameron |
147 |
47.4 |
The Emperor Julian |
In Search of a Western Julian: Ammianus and the Latin Tradition |
Alan Ross |
147 |
48.2 |
Inscribing Song: Archaic and Classical Greek Poetry |
Between Oral and Written: Archaic Epigram & Elegiac Formulae |
Alan Sheppard |
147 |
67.3 |
The Commentary and the Making of Philosophy |
Commentary and doctrinal integration: Olympiodorus on self-knowledge in the First Alcibiades |
Albert Joosse |
147 |
52.6 |
Roman Dance Cultures in Context |
Pantomime Dancing and the Development of New Modes of Subjectivity |
Alessandra Zanobi |
147 |
48.1 |
Inscribing Song: Archaic and Classical Greek Poetry |
A Trader in Song: Hesiod at the funeral games for Amphidamas |
Alexander Dale |
147 |
54.1 |
Greek and Latin Linguistics |
A New Type of Ring Composition? Toward a Technique of Inherited Poetics |
Alexander Forte |
147 |
20.6 |
How (Not) to Write |
Whose Hymns?: The Architecture and Authorship of the Homeric Hymn Collection |
Alexander Hall |
147 |
77.1 |
Gender Trouble in Latin Narrative Poetry |
Camilla and the Name and Fame of Ornytus the Beast-rouser at Aeneid 11.686-689 |
Alexandra Daly |
147 |
48.4 |
Inscribing Song: Archaic and Classical Greek Poetry |
Pindar, Hieron and the Persian Wars. An Intertextual Reading of Pi. Pyth. 1.71-80 |
Almut Fries |
147 |
17.3 |
Rome: The City as Text |
Reproducing Rome: Campania and the Imperial City in Statius' Silvae |
Amanda Klause |
147 |
38.5 |
Cicero across Genres |
Cicero the Satirist? Generic Variation and Allusion in the Letters |
Amanda Wilcox |
147 |
49.3 |
Athenian Unity? |
Unanimous Gods, Unanimous Athens? Voting and Divinities in the Oresteia |
Amit Shilo |
147 |
77.4 |
Gender Trouble in Latin Narrative Poetry |
Non opus est verbis: An Imperial Reading of Lucretia in Fasti 2 |
Amy Koenig |
147 |
10.3 |
Ancient Music and the Emotions |
When Sounds Become Song: Thauma as a Response to Musical Transformations |
Amy Lather |
147 |
11.2 |
Prophecy |
"Trusty" Oracles of Zeus? The Pragmatics of Prophecies in Sophocles' Trachiniae |
Amy Pistone |
147 |
13.1 |
Performance, Politics, Pedagogy |
Raising the Stakes: Mary-Kay Gamel and the Academic Stage |
Amy R. Cohen |
147 |
24.1 |
Voicing Slaves in the Greco-Roman World |
Political Culture from Below in the 200s BCE |
Amy Richlin |
147 |
25.3 |
Thinking through Recent German Scholarship on the Roman Republic |
Publicity, öffentlichkeit, and the Populus Romanus: Finding ‘the public’ in English and German Scholarship on the Late Republic |
Amy Russell |
147 |
10.1 |
Ancient Music and the Emotions |
Is the Idea of “Musical Emotion” Present in Classical Antiquity? |
Andreas Kramarz |
147 |
12.1 |
Money Matters |
Patronage and the Athenian Democracy |
Andrew Alwine |
147 |
35.4 |
Standardization and the State |
State Standards and Metrological Culture in Imperial Rome |
Andrew M. Riggsby |
147 |
7.3 |
Globalizing the Field: Preserving and Creating Access to Archaeological Collections |
Online Coins of the Roman Empire: An Open Resource for Roman Numismatics |
Andrew Robert Meadows |
147 |
82.1 |
Women and Water |
Well-washed Whores: Prostitutes, Brothels and Water Usage in the Roman Empire |
Anise K. Strong |
147 |
77.5 |
Gender Trouble in Latin Narrative Poetry |
Reporting an Underreported Crime: Arethusa in the Metamorphoses |
Anna Beek |
147 |
82.3 |
Women and Water |
Fluid Dynamics: Interpreting Reproductive Risk in Greco-Roman Medicine |
Anna Bonnell-Freidin |
147 |
51.6 |
Roman Imperial Ideology and Authority |
Tertullian the "Jurist" and the Language of Roman Law |
Anna Dolganov |
147 |
27.4 |
Objects and Affect: The Materialities of Greek Drama |
Noses in the Orchestra: Sense and Substance in Athenian Satyr Drama |
Anna Uhlig |
147 |
33.4 |
Livy and the Construction of the Past |
Between senatus and populus: Contested contiones in Livy’s Third Decade |
Anne Truetzel |
147 |
69.2 |
Language and Meter |
The Poetics of Syntax: Pindar and the Vedic Rishis |
Annette Teffeteller |
147 |
36.6 |
Fides in Flavian Poetry |
Response/Conclusion. haec pietas, haec fides: Permutations of Trust in Statius’ Thebaid |
Antony Augoustakis |
147 |
42.4 |
Fragments from Theory to Practice |
Sifting through the textual ruins of antiquity: fragment and body in Montaigne's "On some lines of Virgil" |
Ariane Schwartz |
147 |
65.2 |
Grammars of Government in Late Antiquity |
“A Splendid Theater”: Courtly Epithets in a Provincial Society |
Ariel Lopez |
147 |
40.1 |
The Future of Classical Education: A Dialogue |
Classical Education in the UK: Boom or Bust? |
Arlene Holmes-Henderson |
147 |
6.1 |
The List as Genre |
Divergent Series: A Poetics of Greek Inventories |
Athena Kirk |
147 |
29.1 |
Responses to Homer’s Iliad by Women Writers, from WW2 to the Present |
Simone Weil’s Iliad: Misunderstanding Homer? |
Barbara Gold |
147 |
45.4 |
Happy Golden Anniversary, Harvard School! |
Vergil's Pessimism: A Reappraisal of the Harvard School and Augustan Poetry |
Barbara P. Weinlich |
147 |
52.4 |
Roman Dance Cultures in Context |
Dancing on the Borders of Empire: The Wandering Thiasus in Catullus 63 |
Basil Dufallo |
147 |
30.3 |
Euripides |
Likely Story: Narrative and Probability in Euripides’ Troades |
Benjamin Sammons |
147 |
60.2 |
Poetry and Place |
‘Here we lie’: The Landscape of Actium and Memories of War in The Greek Anthology |
Bettina Reitz-Joosse |
147 |
42.4 |
Herodotus’ “Constitutional Debate” From the Inside Out |
Herodotus and the “Constitutional Debate” (3.80-82) |
Brian M. Lavelle |
147 |