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Links for the abstracts for the annual meeting appear below. To see the abstract of a paper to be delivered at the annual meeting, click on the abstract's title. To find a particular abstract, use the search field below. You can also click on the column headers to alter the order in which the information is sorted. By default, the abstracts are sorted by the number of the session and the order in which the papers will be presented. Please note the following apparent anomalies: Not all sessions and presentations have abstracts associated with them. Panels in which the first abstract is listed as .2 rather than .1 have an introductory speaker.

Enter some terms to find a particular abstract or abstracts in a particular field.
Session/Paper Number Session/Panel Title Title Name Annual Meeting
44.3 The Bucolic Challenge: Continuity and Change in Later Latin Pastoral Poetry The Commodification of Carmina in Baptista Mantuanus’s Eclogues Caleb M. X. Dance 147
40.2 The Future of Classical Education: A Dialogue Trends in Teachings the Classics to Undergraduates Mary Pendergraft 147
38.2 Cicero across Genres Cum solitudine loqui: Ciceronian Solitude across Generic Lines Aaron Kachuck 147
2.4 Republican Literature Cicero’s Paternal Grief: Public Commemoration for a Personal Loss Aaron Seider 147
22.3 Perception and the Senses Ancient Greek Lullabies: Magic or Mundane? Abbe Walker 147
41.1 Marx and Antiquity Ode on a Grecian Printing-Press: Marx and the possibility of antiquity Adam Edward Lecznar 147
30.1 Euripides The Death of the King: Mythological Innovation in Euripides' "Erechtheus" Adam Rappold 147
27.5 Objects and Affect: The Materialities of Greek Drama Material Ghosts: Recycled Theatrical Equipment in Fifth-Century Athens Al Duncan 147
26.3 Markets and the Ancient Greek Economy Middlemen: the Villains and Secret Heroes of the Ancient Greek market Alain Bresson 147
6.4 The List as Genre Consular Lists as Genre Alan Cameron 147
47.4 The Emperor Julian In Search of a Western Julian: Ammianus and the Latin Tradition Alan Ross 147
48.2 Inscribing Song: Archaic and Classical Greek Poetry Between Oral and Written: Archaic Epigram & Elegiac Formulae Alan Sheppard 147
67.3 The Commentary and the Making of Philosophy Commentary and doctrinal integration: Olympiodorus on self-knowledge in the First Alcibiades Albert Joosse 147
52.6 Roman Dance Cultures in Context Pantomime Dancing and the Development of New Modes of Subjectivity Alessandra Zanobi 147
48.1 Inscribing Song: Archaic and Classical Greek Poetry A Trader in Song: Hesiod at the funeral games for Amphidamas Alexander Dale 147
54.1 Greek and Latin Linguistics A New Type of Ring Composition? Toward a Technique of Inherited Poetics Alexander Forte 147
20.6 How (Not) to Write Whose Hymns?: The Architecture and Authorship of the Homeric Hymn Collection Alexander Hall 147
77.1 Gender Trouble in Latin Narrative Poetry Camilla and the Name and Fame of Ornytus the Beast-rouser at Aeneid 11.686-689 Alexandra Daly 147
48.4 Inscribing Song: Archaic and Classical Greek Poetry Pindar, Hieron and the Persian Wars. An Intertextual Reading of Pi. Pyth. 1.71-80 Almut Fries 147
17.3 Rome: The City as Text Reproducing Rome: Campania and the Imperial City in Statius' Silvae Amanda Klause 147
38.5 Cicero across Genres Cicero the Satirist? Generic Variation and Allusion in the Letters Amanda Wilcox 147
49.3 Athenian Unity? Unanimous Gods, Unanimous Athens? Voting and Divinities in the Oresteia Amit Shilo 147
77.4 Gender Trouble in Latin Narrative Poetry Non opus est verbis: An Imperial Reading of Lucretia in Fasti 2 Amy Koenig 147
10.3 Ancient Music and the Emotions When Sounds Become Song: Thauma as a Response to Musical Transformations Amy Lather 147
11.2 Prophecy "Trusty" Oracles of Zeus? The Pragmatics of Prophecies in Sophocles' Trachiniae Amy Pistone 147
13.1 Performance, Politics, Pedagogy Raising the Stakes: Mary-Kay Gamel and the Academic Stage Amy R. Cohen 147
24.1 Voicing Slaves in the Greco-Roman World Political Culture from Below in the 200s BCE Amy Richlin 147
25.3 Thinking through Recent German Scholarship on the Roman Republic Publicity, öffentlichkeit, and the Populus Romanus: Finding ‘the public’ in English and German Scholarship on the Late Republic Amy Russell 147
10.1 Ancient Music and the Emotions Is the Idea of “Musical Emotion” Present in Classical Antiquity? Andreas Kramarz 147
12.1 Money Matters Patronage and the Athenian Democracy Andrew Alwine 147
35.4 Standardization and the State State Standards and Metrological Culture in Imperial Rome Andrew M. Riggsby 147
7.3 Globalizing the Field: Preserving and Creating Access to Archaeological Collections Online Coins of the Roman Empire: An Open Resource for Roman Numismatics Andrew Robert Meadows 147
82.1 Women and Water Well-washed Whores: Prostitutes, Brothels and Water Usage in the Roman Empire Anise K. Strong 147
77.5 Gender Trouble in Latin Narrative Poetry Reporting an Underreported Crime: Arethusa in the Metamorphoses Anna Beek 147
82.3 Women and Water Fluid Dynamics: Interpreting Reproductive Risk in Greco-Roman Medicine Anna Bonnell-Freidin 147
51.6 Roman Imperial Ideology and Authority Tertullian the "Jurist" and the Language of Roman Law Anna Dolganov 147
27.4 Objects and Affect: The Materialities of Greek Drama Noses in the Orchestra: Sense and Substance in Athenian Satyr Drama Anna Uhlig 147
33.4 Livy and the Construction of the Past Between senatus and populus: Contested contiones in Livy’s Third Decade Anne Truetzel 147
69.2 Language and Meter The Poetics of Syntax: Pindar and the Vedic Rishis Annette Teffeteller 147
36.6 Fides in Flavian Poetry Response/Conclusion. haec pietas, haec fides: Permutations of Trust in Statius’ Thebaid Antony Augoustakis 147
42.4 Fragments from Theory to Practice Sifting through the textual ruins of antiquity: fragment and body in Montaigne's "On some lines of Virgil" Ariane Schwartz 147
65.2 Grammars of Government in Late Antiquity “A Splendid Theater”: Courtly Epithets in a Provincial Society Ariel Lopez 147
40.1 The Future of Classical Education: A Dialogue Classical Education in the UK: Boom or Bust? Arlene Holmes-Henderson 147
6.1 The List as Genre Divergent Series: A Poetics of Greek Inventories Athena Kirk 147
29.1 Responses to Homer’s Iliad by Women Writers, from WW2 to the Present Simone Weil’s Iliad: Misunderstanding Homer? Barbara Gold 147
45.4 Happy Golden Anniversary, Harvard School! Vergil's Pessimism: A Reappraisal of the Harvard School and Augustan Poetry Barbara P. Weinlich 147
52.4 Roman Dance Cultures in Context Dancing on the Borders of Empire: The Wandering Thiasus in Catullus 63 Basil Dufallo 147
30.3 Euripides Likely Story: Narrative and Probability in Euripides’ Troades Benjamin Sammons 147
60.2 Poetry and Place ‘Here we lie’: The Landscape of Actium and Memories of War in The Greek Anthology Bettina Reitz-Joosse 147
42.4 Herodotus’ “Constitutional Debate” From the Inside Out Herodotus and the “Constitutional Debate” (3.80-82) Brian M. Lavelle 147