11.4 |
Episodes, Portraits, and Literary Unity in Cassius Dio |
From salvation to catastrophe: the biographical narrative of the Flavian dynasty |
Jesper Madsen |
148 |
11.5 |
Episodes, Portraits, and Literary Unity in Cassius Dio |
The narrative function of Julia Domna in Cassius Dio's Roman history |
Andrew Scott |
148 |
12.1 |
Gods and the Divine in Neoplatonism |
'Our endeavor…is to be a god:’ Humans as Visible Gods in Plotinus |
Eric Perl |
148 |
12.2 |
Gods and the Divine in Neoplatonism |
Holy Places: Some Theorizations of Sacred Space |
Radcliffe Edmonds III |
148 |
12.3 |
Gods and the Divine in Neoplatonism |
Proclus’ Paeonian Chain: Healing the World from Body to body |
Svetla Slaveva-Griffin |
148 |
13.1 |
The Next Generation: Papers by Undergraduate Classics Students |
Rehabilitating Legal Rule in Statesman and Laws |
Joshua Blecher-Cohen |
148 |
13.2 |
The Next Generation: Papers by Undergraduate Classics Students |
Thucydides’ Use of Counterfactuals in the Pylos Narrative |
Anne Begin |
148 |
13.3 |
The Next Generation: Papers by Undergraduate Classics Students |
Harry Potter and the Descent to the Underworld: Katabasis in the Final Installment of J.K. Rowling's Septology |
Joseph Slama |
148 |
14.2 |
Neo-Latin Around the World |
"Out of Greeke into Latin Verse": Nicholas Allen’s Latin Translation of the Phaenomena of Aratus (1561) and its Predecessors |
Anne-Marie Lewis |
148 |
14.3 |
Neo-Latin Around the World |
Count Zinzendorf’s Philadelphia Oratio |
Tom Keeline |
148 |
14.4 |
Neo-Latin Around the World |
Michael Serveto vs. John Calvin: a Deadly Conflict |
Albert Baca |
148 |
14.5 |
Neo-Latin Around the World |
The Poetry of Paradox: Book I of Petrus Lotichius' Elegies |
Joseph Tipton |
148 |
16.1 |
Genre and Style |
Post Longa et Tristia Dyaboli Bella: Allegory and the End of the Aeneid |
Luca D'Anselmi |
148 |
16.2 |
Genre and Style |
Kata Moiran: Ideology and Style in the Odyssey |
Ben Radcliffe |
148 |
16.3 |
Genre and Style |
Much Food in Fallow Ground? Nemean 7 and the Enigmatic Tradition |
Kyle Sanders |
148 |
16.4 |
Genre and Style |
Situating the Problemata Genre in the Context of Hellenistic Exegesis |
Kenneth Yu |
148 |
16.5 |
Genre and Style |
Longinus' Architectural Metaphor at περὶ ὕψους 10.7: Problems and Solutions |
James Arieti |
148 |
16.6 |
Genre and Style |
Trust and Charm: Late Hellenistic Authors on the Value of Poetry |
Kathryn Wilson |
148 |
17.1 |
Political and Social Relations |
Acting Your Age on the Roman Stage: The Plautine adulescens in Middle Republican Rome |
Evan Jewell |
148 |
17.2 |
Political and Social Relations |
Quibus patet curia: Livy 23.23.6 and the Middle Republican Aristocracy of Office |
Cary Barber |
148 |
17.3 |
Political and Social Relations |
Not Set in Stone: The Asculum Bronze and the Durability of Political Alliances in the late Republic |
Kathryn Steed |
148 |
17.4 |
Political and Social Relations |
Restoring Libertas: The Plebeian Class Advantage over the Patricians in Livy’s Account of the Second Decemvirate (AUC 3.36-55) |
David West |
148 |
17.5 |
Political and Social Relations |
Freedmen as Magistrates in the Late Roman Republic and Empire |
Amanda Coles |
148 |
17.6 |
Political and Social Relations |
Where have all the fabri tign(u)arii gone? CIL XIV 4365 & 4382, a reassessment of the fabri tign(u)arii in Rome and Ostia in the early 4th century CE. |
John Fabiano |
148 |
18.1 |
Translation and Reception |
The Callias of Aeschines Socraticus and the Meaning of διαφορά at Athenaeus 5.220b |
Kevin Muse |
148 |
18.2 |
Translation and Reception |
Translating Ovid into Musical Pictures: The Metamorphosen Symphonies of Karl Ditters von Dittersdorf |
Rebecca Sears |
148 |
18.3 |
Translation and Reception |
Not a Gadfly: When a Crucial Reading Goes Wrong |
Laura Marshall |
148 |
18.4 |
Translation and Reception |
How to Gamble in Greek: The Meaning of Kubeia |
Stephen Kidd |
148 |
18.5 |
Translation and Reception |
Nishiwaki’s Ambarvalia: Reimagining Catullan Poetics in Modern(ist) Japan |
Akira Yatsuhashi |
148 |
18.6 |
Translation and Reception |
Plutarch’s “curiosity” in the Attic Nights of Aulus Gellius |
Joseph Howley |
148 |
19.2 |
From Plants to Planets: Human and nonhuman Relations in Ancient Medicine |
Seneca’s Corpus: A Sympathy of Fluids, Passions, Plants, and Planets |
Michael Goyette |
148 |
19.3 |
From Plants to Planets: Human and nonhuman Relations in Ancient Medicine |
Animals and the Development of Ancient Pharmacopias |
Julie Laskaris |
148 |
19.4 |
From Plants to Planets: Human and nonhuman Relations in Ancient Medicine |
Fabricated Elephants and Confused Horses: How Smell Constructs Non/Humanity |
Clara Bosak-Schroeder |
148 |
19.5 |
From Plants to Planets: Human and nonhuman Relations in Ancient Medicine |
Nature, Organism and Disease in Ancient Greek Medical Texts and German Idealism. A “New Materialist” Perspective |
Vasiliki Dimoula |
148 |
20.2 |
Theorizing Ideologies of the Classical: Turning Corners on the Textual, the Masculine, the Imperial, and the Western |
In aedibus Aldi: classical places and classical texts in Bembo’s De Aetna |
Luke Roman |
148 |
20.3 |
Theorizing Ideologies of the Classical: Turning Corners on the Textual, the Masculine, the Imperial, and the Western |
Gender and Focalization in the Reception of Classical Myth |
Lillian Doherty |
148 |
20.4 |
Theorizing Ideologies of the Classical: Turning Corners on the Textual, the Masculine, the Imperial, and the Western |
#ClassicsMustFall? Monument-mindedness in contemporary South Africa |
Grant Parker |
148 |
20.5 |
Theorizing Ideologies of the Classical: Turning Corners on the Textual, the Masculine, the Imperial, and the Western |
Occidentalism, or Why the Phoenicians Matter: Scholarly Approaches to Cultural Contact from Greece to Iberia (ca. 800–600 BCE) |
Carolina López-Ruiz |
148 |
21.1 |
Learning from War: Greek Responses to Victory and Defeat |
Beyond the Universal Soldier: Combat Trauma in Classical Antiquity |
Jason Crowley |
148 |
21.2 |
Learning from War: Greek Responses to Victory and Defeat |
We Were Warned! Omens and Portents Foretelling Victory and Defeat |
Michael Flower |
148 |
21.3 |
Learning from War: Greek Responses to Victory and Defeat |
Financial Indemnities: A Greek Economic Aftermath of War |
Matthew Trundle |
148 |
21.4 |
Learning from War: Greek Responses to Victory and Defeat |
Educational “Moments”: Didactic Spectacle and the Bolstering of Spartan Socio-Political Structures in the Aftermath of War |
Ellen Millender |
148 |
22.1 |
Theatre, Performance, and Audiences: Ways of Spectating in Antiquity |
Ghosts, cross-dressing and puny gods: Towards a conceptual frame of spectating comic khoroi |
Hanna Golab |
148 |
22.2 |
Theatre, Performance, and Audiences: Ways of Spectating in Antiquity |
Dressing up for the festival: ritual dress in ancient Greek tragedy |
Gloria Mugelli |
148 |
22.3 |
Theatre, Performance, and Audiences: Ways of Spectating in Antiquity |
Coroplastic Commemoration of Performance: Dramatic Identity and Viewership in Ancient Corinth |
Justin Dwyer |
148 |
22.4 |
Theatre, Performance, and Audiences: Ways of Spectating in Antiquity |
Plautus’ Painted Stage |
Marden Nicols |
148 |
22.5 |
Theatre, Performance, and Audiences: Ways of Spectating in Antiquity |
Changing Perspectives: Catullus, Lucretius, and Architectural Transformations in the Palatine Magna Mater Sanctuary |
Jennifer Muslin |
148 |
23.2 |
Mothers and Daughters in Antiquity |
Like Mother, Like Daughter: Rhea and Demeter as Models of Subversion in the Homeric Hymn to Demeter |
Suzanne Lye |
148 |
23.3 |
Mothers and Daughters in Antiquity |
Mothers and Daughters in the Epigrams of Anyte |
Ellen Greene |
148 |
23.4 |
Mothers and Daughters in Antiquity |
Tough Love: Loyalties and Tensions among Ptolemaic Queens and their Daughters |
Walter Penrose |
148 |