76.3 |
Where Does it End?: Limits on Imperial Authority in Late Antiquity |
Vetranio and the Limits of Legitimacy in the Danubian Provinces |
Craig Caldwell |
150 |
84.4 |
Vergil |
Virgil in the theatre: poets, oratory and performance in Tacitus' Dialogus de oratoribus |
Talitha E. Z. Kearey |
150 |
10.4 |
Classical and Early Modern Epic: Comparative Approahces and New Perspectives |
Virgil’s Venus-virgo in Christian Early Modern Epic |
Viola Starnone |
150 |
77.2 |
Herculaneum: Works in Progress |
Virtual Unwrapping of Herculaneum Material: Overcoming Remaining Challenges |
Brent Seales |
150 |
92.4 |
Homer and Hesiod |
Voice, Mortals, and Muses in the Hesiodic Aspis 272-86 |
Stephen A Sansom |
150 |
30.5 |
Ovid |
Watch Janus Looking at Cranaë: A Reconsideration of Janus in Ovid’s Fasti |
Anastasia Belinskaya |
150 |
38.5 |
What Can Active Latin Accomplish |
What Can Active Latin Accomplish? Well, Let Me Just Show You...Facts, Figures, and Artifacts Demonstrating the Benefits of Active Instruction |
Gregory P. Stringer |
150 |
6.4 |
Mapping the Classical World since 1869: Past and Future Directions |
What Difference Has Digitization Made? |
Tom Elliott |
150 |
65.2 |
The Digital Latin Library |
What does a (digital) critical edition look like? |
Hugh Cayless |
150 |
4.1 |
Satire |
What Does Lucilius Mean by Saturae? |
James Faulkner |
150 |
6.5 |
Mapping the Classical World since 1869: Past and Future Directions |
What has the Ancient World Mapping Center Done for Us? |
Lindsay Holman |
150 |
86.2 |
What's in a Name?: Race Ethnicity and Cultural Identity in the Poetry of Vergil |
What's Past is Prologue: Roman Identity and the Trojan Cycle in the Aeneid |
Jennifer Weintritt |
150 |
84.3 |
Vergil |
What’s in an Allusion? A New Examination of Vergil’s Use of Homer |
James Gawley, Caitlin Diddams, Elizabeth Hunter, Tessa Little |
150 |
85.3 |
Medical Communities in the Ancient Mediterranean |
Where Medicine and Religion Meet: Honorific Inscriptions in the Asklepieion at Kos |
Tara Mulder |
150 |
34.2 |
Political Enculturation |
Where's the Beef? The Athletic Diet and its Resentment in Antiquity |
Emmanuel Aprilakis |
150 |
86.3 |
What's in a Name?: Race Ethnicity and Cultural Identity in the Poetry of Vergil |
Who Framed the acer Halaesus? The Unspoken Memory of the Faliscan People in Virgil's Aeneid |
Anna Maria Cimino |
150 |
86.1 |
What's in a Name?: Race Ethnicity and Cultural Identity in the Poetry of Vergil |
Whose Fatherland? The Use of patria and patrius in Vergil |
Kevin Moch |
150 |
25.2 |
Greek Semantics |
Who’s afraid of wonder? θαῦμα and θάμβος. |
Rik Peters |
150 |
30.4 |
Ovid |
With Clashing Bronze and Shrieking Pipes: Ovid’s Representation of the Sound of (Mystery Cult) Music |
Rebecca A. Sears |
150 |
90.5 |
Materiality of Writing |
Wrapping Up the Book: Membrana in Horace Sat. 2.3.2 and Ars P. 389 |
Stephanie Ann Frampton |
150 |
67.2 |
Ancient Mediterranean Literatures |
Writing in the Achaemenid Empire |
Elspeth Dusinberre |
150 |
34.4 |
Political Enculturation |
Youthful Military Service and Aristocratic Values in the Late Roman Republic. |
Noah A.S. Segal |
150 |
48.2 |
Searching for the Cinaedus in Classical Antiquity |
Κιναίδων βίος: The impossible praise of a lifestyle in Athenian erotic culture. |
Giulia Sissa |
150 |
25.3 |
Greek Semantics |
ΣΥΝΕΣΙΣ: Insight into (its) Deeper Meaning in Classical Greece |
Carlo DaVia |
150 |
61.2 |
Literature of Empire |
‘Even When Sappho is Sung’: Taste in Sapphic and Anacreontic Performance in Early Imperial Symposia |
David F. Driscoll |
150 |
74.3 |
Graphic Display: Form and Meaning in Greek and Latin Writing |
‘Game-used Equipment’: Reading Inscribed Athletic Objects |
Peter J. Miller |
150 |
15.5 |
Playing with Time |
‘To Be Completed: The Poetry of July to December in Neo-Latin Fasti-poems’ |
Bobby Xinyue |
150 |
52.1 |
Greek Language |
“Easily He Wielded It”: Paronomasia in Homer’s Lexical Ring Structures |
Megan O'Donald |
150 |
59.1 |
A Century of Translating Poetry |
“Exquisite classics in simple English prose”: Theory and Practice in the Poets’ Translation Series (1915-1920) |
Elizabeth Vandiver |
150 |
50.4 |
The Romance of Reception |
“Full of Marvels:” The Early Modern Reception of Heliodorus and the New World |
Robert L. Cioffi |
150 |
21.4 |
Re-evaluating Herakles-Hercules in the Twenty-first Century |
“I shall sing of Herakles”: writing a Hercules oratorio for the twenty-first century |
Emma Stafford |
150 |
70.2 |
Geospatial Classics: Teaching and Research Applications of GIS Technology |
“Is that a place or a person?” Teaching classics with a digital annotation platform |
Valeria Vitale |
150 |
31.5 |
Epigraphic Approaches to Multilingualism and Multilingual Societies in the Ancient Mediterranean |
“It seems that they are using the Carian Language”: Multilingualism, Assimilation, and Acculturation in Caria |
Georgios Tsolakis |
150 |
47.4 |
Varro the Philosopher |
“Si Homo Est Bulla: Varro’s Roman Cynicism and de Rebus Rusticis” |
Sarah Culpepper Stroup |
150 |
59.3 |
A Century of Translating Poetry |
“Tools” of the Trade: Euphemism and Dysphemism in Modern English Translations of Catullus |
Tori Lee |
150 |
64.2 |
Turning Queer: Queerness and the Trope |
“ἦλθον Ἀμαζόνες ἀντιάνειραι,” or, Going Amazon: Queering the Warrior Women in the Iliad |
Rowan Ash |
150 |