Summer 2018 Seminar on Material Culture: Nominations for Graduate Student Participants

Call for Nominations

The Use of Art and Material Culture in Scholarship and Teaching

A Seminar in Material Culture for Graduate Students in Classics and Ancient History

Directed by Professors Antony Augoustakis and Daniel Leon

University of Illinois at Urbana-Champaign

21 May – 29 June 2018

University of Illinois at Urbana-Champaign, Urbana IL

Supported by generous grants from the Leon Levy Foundation and the School of Literatures, and Cultures and Linguistics of the University of Illinois at Urbana-Champaign

The Society for Classical Studies (SCS) invites doctoral programs in Classics or Ancient History to nominate a student to participate in a 6-week seminar that will introduce participants to the use of material culture in their scholarship and teaching. The aim of the seminar is to familiarize students with archaeological material that goes hand in hand with the historical and literary records, and how to incorporate such evidence into historical or philological research. This will be the third of three planned seminars with the same purpose, although each had a different focus.  The first took place at the J. Paul Getty Museum in 2016, and the second at Emory University in 2017.

Background. Despite new awareness of the scope of material evidence, and the ready availability of excellent images, all too often literary scholars treat images as decoration or illustration, while historians exploit the material record only gingerly. Probably more important than “literature” was the oral tradition, and the essential web of images that arose from it. Conversely, it has been wisely said of archaeology that it is a branch of ancient history.

This seminar offers students an opportunity to engage with the material record on a daily basis. Over the six weeks, every effort will be made to introduce the widest range of possibilities encountered in the archaeological record. Not only pottery and sculpture in bronze and marble will be considered, but also works in precious or exotic materials like ivory, gold, silver, amber, gems, glass, faience, and colored stones. Questions of manufacture and circulation will predominate: how these objects were made, by whom, for whom, why, and how to recognize them in the literary, historical and epigraphic record.

Resources and Faculty. Participants will have access to the University’s two teaching and research museums which hold extensive Greek and Roman collections. The Krannert Art Museum has a fine collection of Attic vases dating from the middle Archaic to the early Classical periods (http://kam.illinois.edu/collection/ancient/), published as a fascicule in the Corpus Vasorum Antiquorum (USA, fasc. 24, 1989). The Spurlock’s Museum Workman Gallery of the Ancient Mediterranean Cultures features an extensive collection of artifacts (pottery, sculpture, coins) from Greece and Rome, as well as an incomparable collection of plaster casts reproducing the whole Parthenon frieze, the Ara Pacis and numerous individual sculptures (http://www.spurlock.illinois.edu/exhibits/permanent/med/).

Furthermore, the Classics Library Collection is among the three largest libraries of its kind in the nation, and one of the most important in the world (http://www.library.illinois.edu/clx/). The collection was initially enriched by the acquisition of the libraries of Dittenberger and Vahlen. Perhaps more than any other American institution of higher learning, the University of Illinois has tied its academic enterprise to the cultivation of its research library, and the Classics collection is one of its jewels: it is autonomous (all books and journals located in one space), on the second floor of the Main Library, adjacent to the primary Reading Room and the Main Stacks.

The course is co-ordinated by Professors Antony Augoustakis and Daniel Leon together with a group of scholars from the University and neighboring schools: Professor Susan Rotroff (Greek Archaeology, Washington University in St. Louis), Professor Sinclair Bell (Etruscan and Roman Archaeology, Northern Illinois University), Professor James Dengate (Greek Archaeology and Numismatics, UIUC), Professor Susan Frankenberg (Coordinator of Museum Studies, UIUC), Dr. Katherine Kreindler (Etruscan Archaeology, UIUC), Professor John Senseney (Greek and Roman Architecture, UIUC), Dr. Maureen Warren (Curator of European and American Art, Krannert Art Museum, UIUC).

Proximity to Chicago and St. Louis will allow participants to benefit from two excursions to visit the Art Institute of Chicago and the St. Louis Art Museum in order to study additional artifacts.

Schedule. The seminar is structured in broadly chronological terms, from Greece and the Near East to Rome and the West, including lectures on museum studies and modern technological advances. Three two-hour classes are planned around an over-arching theme each week, outlined in the synopsis. Additional two-hour sessions will provide students with guided study regarding their projects. Excursions to local artists’ workshops and to Chicago/St. Louis are planned for the end of each week.  Click here for a synopsis of the schedule.

Expectations of Students. Students will be evaluated based on a combination of exercises on each week’s instruction and a larger research project developed on an individual basis. We expect students to identify a project that suits their interests and uses University of Illinois resources. Each student will pursue their project under the supervision of one of the leading discussants in the seminar and in collaboration with Professors Augoustakis and Leon. The seminar will include mini-presentations on objects from the collections as well as on the individual projects of the students. At the conclusion of the seminar the directors will submit a written report to each student’s home department, assessing the student’s progress in working with material culture.

Logistics and Funding. Students selected for the seminar will be offered free accommodation at the University of Illinois (furnished apartments). Bus service is provided for transportation to the Museums and classrooms/library. As a campus of about 50,000 students, options for food and entertainment are many and multicultural. The University is located 130 miles south of Chicago. Champaign-Urbana is accessible by airplane (University of Illinois Willard airport, serviced by American Airlines and United with several daily flights to and from Chicago and Dallas), as well as Amtrak trains and numerous bus routes. In addition, thanks to the generosity of the Leon Levy Foundation, the SCS will provide a stipend of up to $2,000 to cover the cost of travel to and from Illinois, and modest out of pocket expenses. The SCS believes that these arrangements will offset many but by no means all of the costs of attendance at the seminar.

Nomination Process. Each doctoral program may nominate only one student for the seminar. The focus of the student’s academic work should be classical languages, literatures, and/or history and not archaeology or other areas of material culture. Preference will be given to graduate students who are still taking coursework or in the early stages of writing their dissertation. Nominators should elicit from potential applicants a CV and a statement of the value that the student expects to derive from attending the seminar, choose one applicant to nominate, and forward the CV and statement to the SCS Executive Director (xd@classicalstudies.org), along with a brief endorsement. The student’s statement should be 500 to 700 words in length and should describe how the seminar would advance the applicant’s education and scholarly interests. The student him or herself should also email the Executive Director (xd@classicalstudies.org) with full name, mailing address, phone number.

A committee consisting of Professors Antony Augoustakis and Daniel Leon as co-chairs and Professors Mary English (SCS Vice President for Education) and Donald Mastronarde (SCS VP for Publications and Research) will select participants from ten different academic institutions and a variety of countries of origin. Although many applicants from North America are expected, students from all countries are equally welcome. Reasonable fluency in English is the only requirement.

Nominations by departments and emails from student nominees including their full contact information should be submitted electronically to xd@classicalstudies.org no later than 15 February 2018. The SCS will announce the decisions of the selection committee by the end of February. Questions about the seminar program may be directed to Professor Augoustakis at aaugoust@illinois.edu or by telephone at 217 333 7327.

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(Photo: Marble Head of Empress Fausta. Gift of Betty Campanile, 1982.07.000. Image courtesy of the Spurlock Museum, University of Illinois at Urbana-Champaign)


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Animal/Language: An Interdisciplinary Conference

In conjunction with the art exhibition “Assembling Animal Communication” Texas Tech University, Lubbock, TX
21-23 March 2019

Animals and language have a complicated relationship with one another in human understanding. Every period of history evinces a fascination with the diverse modes of communicative exchange and possibilities of linguistic community that exist both within and between species. Recent critics of anthropocentrism are far from the first to question the supposed muteness of the “dumb animal” and its ontological and ethical ramifications. Various cultures have historically attributed language to animals, and we have developed an increasingly sophisticated scientific understanding of the complex non-verbal communicative systems that animals use among themselves. New research complements millennia of human-animal communication in the contexts of work, play, and domestic life.

View full article. | Posted in Calls for Papers on Mon, 09/17/2018 - 1:59pm by Erik Shell.

The presence of Plotinus: The self, contemplation, and spiritual exercise in the Enneads

Poznań, Poland, 9th-10th June 2020
An international conference organized by the Scientific Committee on Ancient Culture of the Polish Academy of Sciences and the Department of Classical Studies of  Adam Mickiewicz University in Poznań

In the center of “The School of Athens”, the famous fresco by Raphael, we can see Plato and Aristotle, the two philosophers who may indeed have been the greatest thinkers of antiquity. However, the scholarly endeavor of the last century has demonstrated with increasing consistency that Plotinus – although his name and legacy are not so popular – could well stand next to them, especially so because he attempted to synthetize the views of those great masters of the past. His presence in  Western philosophy was, perhaps a more silent one, but also very influential. Since Late Antiquity, Christian, Jewish and Muslim philosophers were inspired by him as well as Renaissance Platonists and German idealists. In year 2020, 1750 years will have passed by since his solitary death in a Campanian villa or, in his view, since his final ascent from “the divine in us to the divine in the All”. On this occasion, we want to celebrate Plotinus’ presence by organizing an international conference.

View full article. | Posted in Calls for Papers on Mon, 09/17/2018 - 9:48am by Erik Shell.
Rebecca Futo Kennedy teaching in Rome. Photo courtesy of Rebecca Futo Kennedy.

A Day in the Life of a Classicist is a monthly column on the SCS blog written by Prof. Ayelet Haimson Lushkov celebrating the working lives of classicists. If you’d like to share your day, let us know here.

Rebecca Futo Kennedy is Associate Professor of Classics and Administrative Director, Denison Museum

Since being tenured in 2015, I have actually held two separate positions at my university - professor of Classics and director of the Denison Museum. As a result, my time is now split between the department and the museum (and, if you have to ask - no, I had no experience running a museum before they asked me to do it, and, no, I don’t intend to do it forever; I’d like to go back to full-time teaching someday). So, my average day(s) look something like this:


Rebecca Futo Kennedy teaching students. Photo courtesy of Rebecca Futo Kennedy.
Rebecca Futo Kennedy with students. Photo courtesy of Rebecca Futo Kennedy.

View full article. | Posted in on Thu, 09/13/2018 - 10:40am by Ayelet Haimson Lushkov.

The Institute for the Study of the Ancient World will hold a conference, co-hosted by the SCS, on digital pedagogy:

"Digital resources have become an essential part of studying the languages, history, and material culture of the Ancient Mediterranean. This one-day conference looks at how this disciplinary turn is being integrated into both undergraduate and graduate courses. There will be sustained attention during the day on current practice in recent courses, and the speakers all have considerable teaching experience. Speakers will also address the goals of using digital methods, tools and resources in a wide range of pedagogic and institutional settings. Digital approaches to teaching do not merely replicate earlier methods so that new possibilities for the expanding the scope of curricula will be an important topic. The day will end with a panel discussion and we will welcome input from all who are in attendance."

The conference will take place at their New York headquarters on October 26th, 2018 beginning at 9:15am. To see the full schedule and RSVP you can visit the conference webpage here.

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View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 09/12/2018 - 11:08am by Erik Shell.
CFP: Failure and Flaws in Classical Antiquity
January 25-26, 2019, UCLA
 
In the poem “Failing and Flying”, Jack Gilbert appeals to classical imagery to reconfigure the notion of failure: “Icarus was not failing as he fell,” the poem concludes, “but only coming to the end of his triumph.” Throughout antiquity, numerous forms of literary and material culture, as well as forms of reception, have grappled with real or imagined failure and flaws. The concept of failure is especially pressing because modern society persistently looks back to antiquity’s failures in order to understand its own. By interrogating the use and meaning of failure both within classical works and in discussions about canon, genre, and reception, we aim to explore the interpretive value of failure for our understanding of the classical world.
 
View full article. | Posted in Calls for Papers on Tue, 09/11/2018 - 2:29pm by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

Oedipus: A Greek Tragedy by Sophocles

Director: Donna L. Clevinger
Date: 6:00pm on Tuesday, September 25 & Wednesday, September 26
Location: Griffis Hall Courtyard in Zacharias Village

Oedipus

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(Photo: "Empty Theatre (almost)" by Kevin Jaako, licensed under CC BY 2.0)

View full article. | Posted in Performances on Tue, 09/11/2018 - 12:02pm by Erik Shell.
Header Image: Detail of a fresco from the Temple of Isis, representing a sea dragon and a dolphin, 1st century AD (Fourth Style), Museu Nacional, Brazil (Image via Wikimedia under a CC-BY-SA 4.0).

Last Thursday, I began class with a caveat, “The class today will be really tough to deliver...” And it was. It was the first time I had taught after the fire and destruction of Brazil’s National Museum, and it was a particularly hard and ironic moment.

I’m teaching a topic on Pompeii, so when classes started, a month ago, I mentioned to my students that there were some frescoes and items from Pompeii at the National Museum, located in a park in central Rio de Janeiro which used to be the imperial family’s property in the nineteenth century. The collection was part of the dowry from empress Teresa Cristina of Bourbon, daughter of the king of the Two Sicilies, a gift that was particularly in tune with the interest that emperor Dom Pedro II had in history and sciences.

Together with objects such as Greek and Etruscan pottery and terracottas, and some Egyptian mummies (including a rare unopened one), the collection was the biggest for Antiquity in Latin America, but not many people were aware of it. The museum, home also to extensive collections in ethnography, paleontology, zoology and geology, happened to have less visitors last year than the number of privileged Brazilians who visited the Louvre. When I asked my History undergrads in our first class whether they had ever visited the National Museum, they all said “no”.

View full article. | Posted in on Mon, 09/10/2018 - 3:54pm by Juliana Bastos Marques.

Poetics and politics. New approaches to Euripides

View full article. | Posted in Calls for Papers on Mon, 09/10/2018 - 1:43pm by Erik Shell.

We wanted to update you on some upcoming prize, award, and nomination deadlines:

Outreach Prize

The Outreach Prize of the Society for Classical Studies (SCS) recognizes outstanding projects or events by an SCS member or members that make an aspect of classical antiquity available and attractive to an audience other than classics scholars or students in their courses.

The deadline for nominations is September 14.

Forum Prize

The Forum Prize - presented by the the SCS Committee on Public Information and Media Relations - recognizes outstanding contributions to public engagement made by non-academic works about the ancient Greek and Roman world. It empowers the SCS to build bridges with a broader public by rewarding the best public-facing essays, books, poems, articles, podcasts, films, and art produced each year by someone (either a classicist or a non-classicist) working primarily outside of the academy.

Deadline for nomination is October 1. You can nominate a person or project here.

Excellence in Precollegiate Teaching Award

View full article. | Posted in SCS Announcements on Mon, 09/10/2018 - 11:22am by Erik Shell.

Edwin P. Menes (February 2, 1939 - August 25, 2018)

Born in Gary, Indiana, Edwin Peter Menes grew up in Cleveland, Ohio. Stricken with polio when he was three, Ed was always fiercely independent and never let his disability slow him down.

He graduated from St. Ignatius High School at fifteen years of age (1954)—the youngest graduate in school history and class valedictorian. He next attended Xavier University, earning his A.B. in the Classics Honors Program (1958). His M.A. (1960) and Ph.D. (1968) were from Princeton, the latter completed with a dissertation on Propertius (Cynthia as Symbol: Love, Patriotism, and Poetry in the Elegies of Propertius). Meanwhile he spent two years (1960–1962) teaching at Tabor Academy, Marion, Massachusetts, before accepting a position in the Department of Classical Studies at Loyola University Chicago (1963).

He taught at Loyola's Rome Center of Liberal Arts (now the John Felice Rome Center) three times and traveled all over Europe, most notably on a Vespa through Eastern Europe; the scooter caught fire in Belgrade, putting an end to that adventure and forcing him to take a train back to Rome. Back in Chicago he served as associate director of the Rome Center (1975–1979) and chairman of the Department of Classical Studies (1984–1995). He retired in 2009.

View full article. | Posted in In Memoriam on Mon, 09/10/2018 - 10:23am by Erik Shell.

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