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A nude, light-skinned man with a cloth tied around his waist sits inside a large, overturned pot holding a lantern. Four dogs sit outside the pot watching him. He sits in front of a large pedestal, behind which is a city scene.

Blog: From Diogenes the Cynic to China’s Lying-Flat Movement

Ximing Lu | Monday, July 11, 2022

Blog: Are We Orpheus or Eurydice? Singing Salvation in Popular Music

Eleonora Colli | Thursday, January 30, 2020

Blog: Metamorphoses into Chinese

Wei Zhang | Monday, October 23, 2017

Amphora: A New Incarnation of Latin in China

Yongyi Li | Monday, August 14, 2017

Eurydice by Sarah Ruhl: The Power of Pretense

Ellen Bauerle, Victoria Pagán | Saturday, August 8, 2015