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A mosaic depicting a crowd of male soldier on horseback brandishing spears. One man sits atop a chariot higher that the others, wearing a crested helmet and reaching out with his right hand.

Blog: How often do you think about the Roman Empire?

Jordan Mitchell | Tuesday, October 3, 2023
Two images of a cartoon Hades. Left, from the Hercules movie, a large, fat, gray man wearing a gray tshirt and black toga. His face is long and narrow, his eyes yellow, and his hair looks like a blue flame coming off the top of his head. Right, a blue-skinned man that looks like a human wearing a black suit and tie and white shirt, his hair is short and silvery.

Blog: Bad Boys and Worse Verse: Hades and Persephone in Translation, from Ovid’s Metamorphoses to Young/New Adult Fiction

Piper Hays | Tuesday, September 26, 2023
A screenshot from the Ugarit website showing a passage from the Odyssey in Ancient Greek on the left and an English translation by Murray on the right

Blog: Review: The UGARIT Translation Alignment Editor

Clifford Robinson | Monday, July 24, 2023
A rust-colored mosaic of a man's face with shaggy hair and a beard

Odysseus Shot First: Signs of Differing Traditions in Odyssey 16-22

Ben Winnick | Wednesday, July 5, 2023
An old book opened to show a page entitled "The Twenty-Second Book of the Iliad"

Blog: Translation at the SCS

Richard Armstrong, Elizabeth Vandiver | Wednesday, February 15, 2023
A pink flyer titled "A Conversation with Luis Alfaro." Shows a hand holding up an illustration of a theater, with images of theater lights behind it.

Blog: The Luis Alfaro Residency Project

Young Kim | Friday, May 27, 2022
A man in a light blue toga hugs a woman with black hair, seen only from the back, who buries her head in his shoulder and raises her left hand in lament.

Blog: I Love You, I Hate You: A Student’s Perspective on Learning Latin

Riya Juneja | Monday, March 21, 2022
People sit around a table playing a board game. Two women on the left reach their arms across the board. One is pointing with her index finger.

Blog: Immersivity and (Other) “Fantasies of Antiquity”

Benjamin Stevens | Monday, December 6, 2021
An engraving showing a muscly man in a helmet carrying an elderly, also muscly man in his arms. A woman with long hair and a small child are also in motion. The figures are moving over fallen statues and weapons inside a large building next to a staircase

Blog: Whose Aeneid? Imperialism, Fascism, and the Politics of Reception

SamAgbamu | Monday, November 29, 2021
A white circle on a black background with green leaves and white flowers. Around the circle is a yellow vine border, and in the middle there is a palm tree. On the left side of the tree, an abstract figure in drapery stands, and on the right side, a simil

Blog: Dissertation spotlight: A Tale of Four Cities: Exploring Classical Reception in Modern Hebrew

Giacomo Loi | Friday, October 22, 2021
Cover of Euripides' The Trojan Women: A Comic, by Rosanna Bruno and Anne Carson

Blog: “Can We Strangle the Muse?”: Carson and Bruno’s The Trojan Women

Christopher Trinacty, eglen, Emily Hudson | Friday, July 23, 2021

Blog: The Grammar of our Discontent: Ovid, Wishes, and the Virtual Term

Hilary Lehmann | Monday, September 7, 2020

Blog: The Art of Translation: An Interview with Jinyu Liu

Adrienne Rose | Wednesday, April 15, 2020

Blog: Are We Orpheus or Eurydice? Singing Salvation in Popular Music

Eleonora Colli | Thursday, January 30, 2020

Blog: Can a New Journal Modify the Way We Teach and Understand Classical Translations?

Adrienne Rose | Friday, November 8, 2019

Blog: Horror and Self Reflection: Jordan Peele's Us, Plato, and Modern America

Justin Biggi | Thursday, August 29, 2019
The Sphinx of Naxos. Archaeological Museum of Delphi. Picture by Yoandy Cabrera

Blog: Dissertation Spotlight: Understanding Mythological Embodiments of Emotion

Yoandy Cabrera Ortega | Thursday, June 13, 2019

Blog: The Art of Translation: An Interview with Poet Aaron Poochigian

Christopher Trinacty | Friday, March 29, 2019
Pieter Coecke van Aelst, the elder (Flemish, 1502-1550). 'Saint Jerome in His Study,' ca. 1530. oil on panel. Walters Art Museum (37.256): Acquired by Henry Walters. Image via Wikimedia under Public Domain.

Blog: Valuing Classical Translations for Outreach, Diversity, and Art

Diane Rayor | Thursday, January 31, 2019

Blog: Ale Caesar! Classical Reception and the Art of the Beer Label

Sarah Bond | Friday, December 7, 2018