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A hand-drawn map on yellowed parchment with drawings of buildings and an aqueduct. In the center, a togaed man sits on a throne with a spear in his right hand and a halo behind him, indicating his sainthood. Red text behind his head reads ANTIOCHIA.

Blog: Power to Punish and Authority to Forgive: Imperial State and Imprisonment in 4th-Century Antioch

Alberto De Simoni | Friday, March 18, 2022
Three Roman votive offering representing faces. Credit: Wellcome Collection. CC BY 4.0: https://wellcomecollection.org/works/vy2engnk

Blog: Tiny Blessings: A New Digital Project Focused On Votives

Emma-Jayne Graham | Thursday, March 14, 2019

Amphora: The Stakes are High—Tragedy and Transformation within Prison Walls

Elizabeth Bobrick | Monday, November 6, 2017
Sketchbook: Souvenir of Naples

Blog: Roman Fire, Texan Flood—Discussing Ancient Disasters in the Classroom

Jane Millar | Monday, October 30, 2017

Amphora: Editing for Good

Wells Hansen | Monday, July 10, 2017
Detail of bust in the Centrale Monemartini Museum

Amphora: The Metal Age—The Use of Classics in Heavy Metal Music

Kristopher Fletcher | Monday, June 12, 2017

Amphora: Tartarus and the Curses of Percy Jackson (or Annabeth’s Adventures in the Underworld)

Tom Kohn | Monday, April 10, 2017

Blog: Wrestling with Rhapsodes

William Duffy | Monday, April 3, 2017

Blog: Science and the Study of the Classics

Garret FitzGerald | Monday, January 30, 2017

Blog: A Liberal Art for the Future

Nigel Nicholson | Sunday, October 16, 2016

Todd Akin, the Greek doctor Soranus, and "legitimate rape"

T. H. M. Gellar-Goad | Friday, March 14, 2014

From Euterpe to YouTube: Popular music and the classics

T. H. M. Gellar-Goad | Tuesday, November 5, 2013