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A white marble stele featuring two standing women and two seated women. The central standing woman holds the hand of the central seated woman.

Blog: “Deeply rooted in history”: Teaching abortion ancient and modern in a post-Roe v. Wade world

richlin | Wednesday, June 29, 2022
Stone relief in which the body of a child lies on a couch, surrounded by people in various gestures of mourning.

Blog: Queer Eye for the Dead Guy

Jessica Tilley | Monday, October 25, 2021

Blog: Women in Classics: Froma Zeitlin

Claire Catenaccio | Friday, June 12, 2020

Blog: How Do We Record the History of Women in Classics?

Claire Catenaccio | Friday, November 15, 2019

Amphora: The Stakes are High—Tragedy and Transformation within Prison Walls

Elizabeth Bobrick | Monday, November 6, 2017
Sketchbook: Souvenir of Naples

Blog: Roman Fire, Texan Flood—Discussing Ancient Disasters in the Classroom

Jane Millar | Monday, October 30, 2017

Amphora: Editing for Good

Wells Hansen | Monday, July 10, 2017
Detail of bust in the Centrale Monemartini Museum

Amphora: The Metal Age—The Use of Classics in Heavy Metal Music

Kristopher Fletcher | Monday, June 12, 2017

Amphora: Tartarus and the Curses of Percy Jackson (or Annabeth’s Adventures in the Underworld)

Tom Kohn | Monday, April 10, 2017

Blog: Wrestling with Rhapsodes

William Duffy | Monday, April 3, 2017

Blog: Science and the Study of the Classics

Garret FitzGerald | Monday, January 30, 2017

Blog: A Liberal Art for the Future

Nigel Nicholson | Sunday, October 16, 2016

Todd Akin, the Greek doctor Soranus, and "legitimate rape"

T. H. M. Gellar-Goad | Friday, March 14, 2014

From Euterpe to YouTube: Popular music and the classics

T. H. M. Gellar-Goad | Tuesday, November 5, 2013