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A shirtless black man with tattoos and a red bandana sits on a box of records facing right. He looks at a black boy in a red and white striped shirt. Both of their shadows are visible on the wall behind them.

Blog: Sampling Epic in Kendrick Lamar’s “Mortal Man”

Justine McConnell | Monday, March 14, 2022
A mosaic featuring two rows of light-skinned women wearing brown bikinis. On top, two women are running, one hold a large object, and one stands still. On the bottom, one holds a crown, one holds a branch, and two play catch with a ball.

Blog: Ancient Worlds, Modern Communities: Interpreting the Ancient World through Music, Art, and Photography

Nina Papathanasopoulou | Friday, December 3, 2021
A painting of four women sitting in a room weaving. One woman is spinning wool, two are arranging wool, and one is picking up tools off the floor. In the background is another room filled with women.

Blog: Auia Loca. An Interview with the Steering Committee of Hesperides

Rosa Andújar, Julia Hernández, Erika Valdivieso, Adriana Vazquez | Monday, September 13, 2021

Blog: Are We Orpheus or Eurydice? Singing Salvation in Popular Music

Eleonora Colli | Thursday, January 30, 2020

Blog: Why is Heavy Metal Music Obsessed with Ancient Sparta?

Jeremy Swist | Friday, December 27, 2019
Photo by Christopher Trinacty and used by permission.

Blog: Music and Mythology: A Classics Playlist for the End of Summer

Christopher Trinacty | Thursday, September 6, 2018

Blog: Ancient Worlds—Defining Global Antiquity in Singapore

Mira Seo | Monday, October 9, 2017
Detail of bust in the Centrale Monemartini Museum

Amphora: The Metal Age—The Use of Classics in Heavy Metal Music

Kristopher Fletcher | Monday, June 12, 2017

Blog: Nondum Arabes Seresque Rogant: Classics Looks East

Kathleen Coleman | Sunday, October 16, 2016

A New Incarnation of Latin in China, by Yongyi Li

Ellen Bauerle, Yongyi Li | Monday, August 4, 2014

From Euterpe to YouTube: Popular music and the classics

T. H. M. Gellar-Goad | Tuesday, November 5, 2013