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An illustration of a woman standing under a portico against a gold background. She is fully covered in a long, draped dress and veil, with only her face showing and her hands raised.

Blog: Women in Roman Higher Education: Marginal(ized) Learners, Teachers, and Intellectuals

Sinja Küppers | Thursday, November 9, 2023

Blog: Thesis Spotlight: Furor and Elegiac Conventions in Vergil’s Depiction of Female Characters in the Aeneid

Lindsay Herndon | Monday, August 22, 2022
A white marble stele featuring two standing women and two seated women. The central standing woman holds the hand of the central seated woman.

Blog: “Deeply rooted in history”: Teaching abortion ancient and modern in a post-Roe v. Wade world

richlin | Wednesday, June 29, 2022
A painting of four women sitting in a room weaving. One woman is spinning wool, two are arranging wool, and one is picking up tools off the floor. In the background is another room filled with women.

Blog: Auia Loca. An Interview with the Steering Committee of Hesperides

Rosa Andújar, Julia Hernández, Erika Valdivieso, Adriana Vazquez | Monday, September 13, 2021
Penelope and the Suitors, by John William Waterhouse. Image courtesy of Wikimedia Commons.

Blog: Weaving Humanity Together: How Weaving Reveals Human Unity in Ancient Times

Anika T. Prather | Wednesday, June 2, 2021

Blog: Women in Classics: A Conversation with Sarah B. Pomeroy

Claire Catenaccio | Thursday, December 12, 2019

Blog: Ancient Worlds—Defining Global Antiquity in Singapore

Mira Seo | Monday, October 9, 2017

Blog: Nondum Arabes Seresque Rogant: Classics Looks East

Kathleen Coleman | Sunday, October 16, 2016

A New Incarnation of Latin in China, by Yongyi Li

Ellen Bauerle, Yongyi Li | Monday, August 4, 2014