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A hand-drawn map on yellowed parchment with drawings of buildings and an aqueduct. In the center, a togaed man sits on a throne with a spear in his right hand and a halo behind him, indicating his sainthood. Red text behind his head reads ANTIOCHIA.

Blog: Power to Punish and Authority to Forgive: Imperial State and Imprisonment in 4th-Century Antioch

Alberto De Simoni | Friday, March 18, 2022
A painting of four women sitting in a room weaving. One woman is spinning wool, two are arranging wool, and one is picking up tools off the floor. In the background is another room filled with women.

Blog: Auia Loca. An Interview with the Steering Committee of Hesperides

Rosa Andújar, Julia Hernández, Erika Valdivieso, Adriana Vazquez | Monday, September 13, 2021
14th century illustrated manuscript of Omne Bonum (by James le Palmer – British Library MS Royal 6 E. VI, fol. 301ra); it shows a bishop instructing clerics with leprosy.

Blog: “Disease Discourse” as a Phenomenon: Classical, and Christian, and Contemporary

Carson Bay | Friday, May 21, 2021

Blog: Ancient Worlds—Defining Global Antiquity in Singapore

Mira Seo | Monday, October 9, 2017

Blog: Nondum Arabes Seresque Rogant: Classics Looks East

Kathleen Coleman | Sunday, October 16, 2016

A New Incarnation of Latin in China, by Yongyi Li

Ellen Bauerle, Yongyi Li | Monday, August 4, 2014