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A row of six people, all but one dressed in varied togas. Two of the men raise their right hands in an oratorical gesture. Above each person is the name of a character in the Phormio.

Blog: Paternalism and the “Good Slave” in the Speech for Phormion and the Legacies of Slavery

Javal Coleman | Monday, June 20, 2022
A beige terracotta vessel shaped like a long tear drop. A dark-skinned figure faces left wearing striped pants and a draped mantle holds an ax and an arrow.

Blog: Call It What It Is: Racism and Ancient Enslavement

Javal Coleman | Monday, December 13, 2021
Sousse Mosaic, CC BY-SA 3.0, Ad Meskens

Blog: Classics on Stage: Collaborating with Theatre Colleagues

Christopher Bungard | Monday, May 14, 2018
Mosaic depicting theatrical masks of Tragedy and Comedy

Blog: Teaching Comedy through Performance

Serena Witzke, T. H. M. Gellar-Goad | Monday, November 27, 2017

Amphora: Eurydice by Sarah Ruhl—The Power of Pretense

Victoria Pagán | Monday, May 8, 2017

The bitter cup in Lucretius and in the Incidents in the Life of a Slave Girl of Harriet Jacobs

T. H. M. Gellar-Goad | Tuesday, May 20, 2014