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A row of six people, all but one dressed in varied togas. Two of the men raise their right hands in an oratorical gesture. Above each person is the name of a character in the Phormio.

Blog: Paternalism and the “Good Slave” in the Speech for Phormion and the Legacies of Slavery

Javal Coleman | Monday, June 20, 2022
A beige terracotta vessel shaped like a long tear drop. A dark-skinned figure faces left wearing striped pants and a draped mantle holds an ax and an arrow.

Blog: Call It What It Is: Racism and Ancient Enslavement

Javal Coleman | Monday, December 13, 2021

Blog: Classics Everywhere: Sustaining Classics in the time of COVID-19

Nina Papathanasopoulou | Friday, April 24, 2020

Blog: A Short Note on the Renovated Epigraphic Museum in Athens

Laura Gawlinski | Monday, December 10, 2018
Rebecca Futo Kennedy teaching in Rome. Photo courtesy of Rebecca Futo Kennedy.

Blog: A Day in the Life of a Classicist and Museum Director

Ayelet Haimson Lushkov | Thursday, September 13, 2018
Header Image: Detail of a fresco from the Temple of Isis, representing a sea dragon and a dolphin, 1st century AD (Fourth Style), Museu Nacional, Brazil (Image via Wikimedia under a CC-BY-SA 4.0).

Blog: Brazil’s National Museum: Raising Ourselves from the Ashes

Juliana Marques | Monday, September 10, 2018
A sculpture of a man's face, missing a nose

Blog: Teaching and Learning at the Museum, A Liberal Arts College Perspective

Andaleeb Banta, Christopher Trinacty | Sunday, March 4, 2018

The bitter cup in Lucretius and in the Incidents in the Life of a Slave Girl of Harriet Jacobs

T. H. M. Gellar-Goad | Tuesday, May 20, 2014