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A row of six people, all but one dressed in varied togas. Two of the men raise their right hands in an oratorical gesture. Above each person is the name of a character in the Phormio.

Blog: Paternalism and the “Good Slave” in the Speech for Phormion and the Legacies of Slavery

Javal Coleman | Monday, June 20, 2022
A beige terracotta vessel shaped like a long tear drop. A dark-skinned figure faces left wearing striped pants and a draped mantle holds an ax and an arrow.

Blog: Call It What It Is: Racism and Ancient Enslavement

Javal Coleman | Monday, December 13, 2021

Blog: Women in Classics: Froma Zeitlin

Claire Catenaccio | Friday, June 12, 2020

Blog: Women in Classics: An Interview with Dee Clayman

Claire Catenaccio | Friday, April 10, 2020

Blog: Women in Classics: A Conversation with Judith Hallett

Claire Catenaccio | Tuesday, February 18, 2020

Blog: Women in Classics: A Conversation with Shelley Haley: Part II

Claire Catenaccio | Monday, January 13, 2020

Blog: Women in Classics: A Conversation with SCS President-Elect Shelley Haley: Part I

Claire Catenaccio | Thursday, January 9, 2020

Blog: Women in Classics: A Conversation with Sarah B. Pomeroy

Claire Catenaccio | Thursday, December 12, 2019

Blog: How Do We Record the History of Women in Classics?

Claire Catenaccio | Friday, November 15, 2019

The bitter cup in Lucretius and in the Incidents in the Life of a Slave Girl of Harriet Jacobs

T. H. M. Gellar-Goad | Tuesday, May 20, 2014