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A black woman in an orange dress raises her hands forward towards a black man with glasses in a purple suit, who grins back at her open-mouthed

Blog: Ancient Worlds, Modern Communities: Exploring Violence, Gender, and Race through New Works in Film, Art, and Theater

Nina Papathanasopoulou | Thursday, November 2, 2023
A collection of small statues of ancient women in various poses

Blog: (Re)habilitating Old Woman A, or: Reading female bad language in Aristophanes’ Assemblywomen as a 40-something woman

Amy Coker | Monday, November 7, 2022
A pink flyer titled "A Conversation with Luis Alfaro." Shows a hand holding up an illustration of a theater, with images of theater lights behind it.

Blog: The Luis Alfaro Residency Project

Young Kim | Friday, May 27, 2022
The poster for RU an Antígone? A black background with a Parthenon marble cast in the center, shaped like a headless male body reclining on its left side, propped up on its left arm, which is covered in drapery. The text reads: RU an Antigone?

Blog: RU an Antígone?

Yoandy Cabrera Ortega | Monday, January 24, 2022

Classics Everywhere: Engaging with Antiquity through Film and Theater at Home

Nina Papathanasopoulou | Monday, September 28, 2020

Review: Recogito: Visualizing, Mapping, and Annotating Ancient Texts

Kilian Mallon | Thursday, November 21, 2019

Review: ORBIS: The Stanford Geospatial Network Model of the Roman World

Chiara Palladino | Thursday, September 5, 2019
Header Image: Athena looks on as Oedipus slays the Sphinx (Attic red-figured lekythos, 420-400 BCE now at the British Museum).

Blog: Luis Alfaro at the Two SCSs

Young Kim | Thursday, January 10, 2019

Review: Roman Inscriptions of Britain

Rebecca Benefiel | Monday, October 16, 2017
Map of Ancient Rome Illustrating Major Monuments and the Seven Hills

Review: Digital Augustan Rome

Scott Arcenas | Monday, July 17, 2017

Review: The Atlas Project of Roman Aqueducts (ROMAQ)

Jacqueline DiBiasie Sammons | Monday, June 19, 2017

Review: Pompeii Bibliography and Mapping Project

Gabriel Moss | Monday, February 13, 2017