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A white marble stele featuring two standing women and two seated women. The central standing woman holds the hand of the central seated woman.

Blog: “Deeply rooted in history”: Teaching abortion ancient and modern in a post-Roe v. Wade world

richlin | Wednesday, June 29, 2022
Stone relief in which the body of a child lies on a couch, surrounded by people in various gestures of mourning.

Blog: Queer Eye for the Dead Guy

Jessica Tilley | Monday, October 25, 2021

Blog: Creating a Coalition to Empower Classicists of Color

Samuel Flores | Friday, June 19, 2020

Blog: Women in Classics: Froma Zeitlin

Claire Catenaccio | Friday, June 12, 2020

Blog: Black Classicisms in the Visual Arts

Nina Papathanasopoulou | Thursday, January 23, 2020

Blog: How Do We Record the History of Women in Classics?

Claire Catenaccio | Friday, November 15, 2019

Blog: Can a New Journal Modify the Way We Teach and Understand Classical Translations?

Adrienne Rose | Friday, November 8, 2019
A mosaic showing three people, one dark skinned and two light skinned, with long hair

Blog: What Do We Mean When We Say “Diversity”? Addressing Different Kinds of Inequity

Joy Reeber, Arum Park | Friday, October 4, 2019

Blog: Working Toward a Just and Inclusive Future for Classics

Joy Connolly | Friday, February 15, 2019
Pieter Coecke van Aelst, the elder (Flemish, 1502-1550). 'Saint Jerome in His Study,' ca. 1530. oil on panel. Walters Art Museum (37.256): Acquired by Henry Walters. Image via Wikimedia under Public Domain.

Blog: Valuing Classical Translations for Outreach, Diversity, and Art

Diane Rayor | Thursday, January 31, 2019

Blog: Pygmalion, Polychromy, and Inclusiveness in Classics

Aimee Hinds | Thursday, January 24, 2019
Header Image: Athena looks on as Oedipus slays the Sphinx (Attic red-figured lekythos, 420-400 BCE now at the British Museum).

Blog: Luis Alfaro at the Two SCSs

Young Kim | Thursday, January 10, 2019
Tondo showing the Severan dynasty: Septimius Severus with Julia Domna, Caracalla and Geta, whose face has been erased, probably because of the damnatio memoriae put against him by Caracalla, from Djemila (Algeria), circa AD 199-200, Altes Museum, Berlin.

Blog: Diversifying Latin in High School and Middle School Classrooms

Danielle Bostick | Thursday, November 29, 2018

Blog: Diversifying Classics II: The University of Michigan’s Bridge MA

Arum Park | Wednesday, October 3, 2018
Roman Era Mummy Portraits from the Getty, Met, Wikimedia.

Blog: Diversifying Classics: A New Initiative at Princeton

Arum Park | Monday, August 13, 2018
Figure of the heavenly bodies - Illuminated illustration of the Ptolemaic geocentric conception of the Universe by Portuguese cosmographer and cartographer Bartolomeu Velho (?-1568). From his work Cosmographia, made in France, 1568 (Public Domain).

Blog: What Is "The West"? Addressing The Controversy Over HUM110 at Reed College

Sarah Bond | Friday, May 11, 2018

Blog: Anno Domini: Computational Analysis, Antisemitism, and the Early Christian Debate Over Easter

Sarah Bond | Friday, March 30, 2018
Terracotta plaque with King Oinomaos and his charioteer, 27 B.C.–A.D. 68. Terracotta. The Metropolitan Museum of Art. Fletcher Fund, 26.60.31. Licensed under CC BY 1.0.

Blog: Independent Scholarship: Process, Venues, and Social Media

Edward Butler | Wednesday, March 7, 2018