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Displaying 1 - 12 of 12 results. Use the filters to limit the results.
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A collection of small statues of ancient women in various poses

Blog: (Re)habilitating Old Woman A, or: Reading female bad language in Aristophanes’ Assemblywomen as a 40-something woman

Amy Coker | Monday, November 7, 2022
Logo of the Women's Classical Caucus

Blog: An Interview with Peopling the Past, Recipient of the WCC 2020–2021 Public Scholarship Award

Caroline Cheung, Suzanne_Lye | Tuesday, March 9, 2021
Women's Classical Caucus logo

Blog: An interview with the AAACC, Recipient of the WCC 2020-2021 Professional Equity Award

Suzanne_Lye, Caroline Cheung | Wednesday, February 10, 2021

Blog: Come and Take It: The End of Eidolon

Sarah Bond | Friday, December 4, 2020

Blog: Can Studying Classics Encourage Empathy and Equity?

Nina Papathanasopoulou | Friday, June 26, 2020

Blog: Creating a Coalition to Empower Classicists of Color

Samuel Flores | Friday, June 19, 2020

Blog: Women in Classics: Froma Zeitlin

Claire Catenaccio | Friday, June 12, 2020

Blog: How Do We Record the History of Women in Classics?

Claire Catenaccio | Friday, November 15, 2019
A mosaic showing three people, one dark skinned and two light skinned, with long hair

Blog: What Do We Mean When We Say “Diversity”? Addressing Different Kinds of Inequity

Joy Reeber, Arum Park | Friday, October 4, 2019

Blog: Pygmalion, Polychromy, and Inclusiveness in Classics

Aimee Hinds | Thursday, January 24, 2019

Blog: Global Feminism and the Classics at the SCS Sesquicentennial

Andrea Gatzke | Thursday, December 20, 2018
Image of A.E. Stalling’s new book of poetry, Like, and a scarf with its cover printed on it (Image used by permission and taken by John Psaropoulos).

Blog: The Art of Translation: An interview with A.E. Stallings

Adrienne Rose | Thursday, September 27, 2018