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A Greek red-figure cup depicting the disembodied torso of a man, arms outstretched, and women on either side holding the torso

Blog: Ancient Worlds, Modern Communities: Greek Tragedy for Audiences Today

By Nina Papathanasopoulou | Friday, October 8, 2021
A black krater vase with red-figure depicts Zeus caressing Io while Hermes slays Argus

Blog: Ancient Worlds, Modern Communities: Reimagining Greek and Roman literature for our Present Times

By Nina Papathanasopoulou | Thursday, September 16, 2021
Sappho reading one of her poems to a group of friends. Red-figure vase by the Group of Polygnotos, ca. 440–430 BCE. National Archaeological Museum in Athens.

Blog: Ancient Worlds, Modern Communities: Inclusivity and Accessibility in the Study of the Literature and History of Ancient Greece and Rome

By Nina Papathanasopoulou | Monday, August 2, 2021
Asclepius, his sons, daughters, and Hygeia in the background with a family of worshippers. Votive Relief from the 4th cent. BCE. National Archaeological Museum of Athens.

Blog: Ancient Worlds, Modern Communities: Connecting to the Ancient Greeks through Medicine, Sociology, Literature and Philosophy

By Nina Papathanasopoulou | Thursday, June 24, 2021
Broken Statue of Ramses II

Blog: Ancient Worlds, Modern Communities: Ozymandias and Nero Inspire New Podcasts

By Nina Papathanasopoulou | Wednesday, June 2, 2021
Header Image: Etruscan Alabaster Cinerary Urn with bas-relief that represents Odysseus and the Sirens. 3rd-2nd Cent. BCE. Museo Guarnacci, Volterra, Italy.

Blog: Ancient Worlds, Modern Communities: Making Personal Experiences Part of the Study of the Ancient World

By Nina Papathanasopoulou | Friday, April 9, 2021
Header image: Gold death-mask, known as the ‘mask of Agamemnon’. Mycenae, Grave Circle A, Grave V, 16th cent. BC. National Archaeological Museum of Athens.

Blog: Ancient Worlds, Modern Communities: Ancient Worlds through Modern Podcasts

By Nina Papathanasopoulou | Friday, March 26, 2021
Goddess Demeter and her daughter Persephone give grain to Triptolemos and teach him the art of agriculture. Marble Relief from Eleusis. ca. 430 BCE. Roman copy. ca. 27 BCE – 14 CE. Photo courtesy of the Metropolitan Museum of Art.

Blog: Classics Everywhere: Fostering Interaction and Engagement in School-Aged Children

By Nina Papathanasopoulou | Friday, February 26, 2021
The creation of Pandora by the Olympic gods. Courtesy of Creative Commons.

Classics Everywhere: Building Intergenerational Communities Around the Study of Antiquity

By Nina Papathanasopoulou | Friday, January 29, 2021

Classics Everywhere: Websites Giving Diverse Voices and Students A Platform

By Nina Papathanasopoulou | Wednesday, November 25, 2020

Classics Everywhere: Bringing Knowledge of the Ancient World to Rural Italy

By Nina Papathanasopoulou | Wednesday, October 28, 2020

Classics Everywhere: Engaging with Antiquity through Film and Theater at Home

By Nina Papathanasopoulou | Monday, September 28, 2020

Blog: Classics Everywhere: Promoting a Passion for the Ancient World in the Midst of a Pandemic

By Nina Papathanasopoulou | Monday, August 31, 2020

Blog: Classics Everywhere: Recreating Ancient Drama for the Modern (and Digital) Stage

By Nina Papathanasopoulou | Wednesday, July 22, 2020

Blog: Can Studying Classics Encourage Empathy and Equity?

By Nina Papathanasopoulou | Friday, June 26, 2020

Blog: Engaging with Digital Classics Projects during COVID-19

By Nina Papathanasopoulou | Friday, May 29, 2020

Blog: Classics Everywhere: Sustaining Classics in the time of COVID-19

By Nina Papathanasopoulou | Friday, April 24, 2020

Blog: Classics Everywhere: Bringing Science, Archaeology, and Creativity to the study of Classics

By Nina Papathanasopoulou | Friday, March 27, 2020

Blog: Classics Everywhere: Classics through the Eyes of Black Communities Worldwide

By Nina Papathanasopoulou | Friday, February 28, 2020

Blog: Black Classicisms in the Visual Arts

By Nina Papathanasopoulou | Thursday, January 23, 2020