Skip to main content

Filter(s)

Displaying 21 - 40 of 413 results. Use the filters to limit the results.
Title
A stone sculpture of Sabina's head from the front. She has a subtle smile and wears a fillet on her hair, which is styled into an updo.

Blog: Dissertation Spotlight: The Portraits of the Roman Empress Sabina: A Numismatic and Sculptural Study

By Fae Amiro | Tuesday, May 31, 2022
A pink flyer titled "A Conversation with Luis Alfaro." Shows a hand holding up an illustration of a theater, with images of theater lights behind it.

Blog: The Luis Alfaro Residency Project

By Young Kim | Friday, May 27, 2022
 A neoclassical, Beaux-Arts-style building with columns in front. In front of it is a green lawn.

Blog: Contingent Faculty Series: An Interview with Victoria Austen

By victoriaaustenperry | Monday, May 23, 2022
A white marble statue of a nude man holding a smaller old man on his shoulder with a child behind his legs. The old man carries a statue.

Blog: Two Years Later: “Classics” after Coronavirus?

By Nandini Pandey | Wednesday, April 13, 2022
Four stone columns in the shape of women dressed in drapery stand at the front of a stone building with a green, domed roof.

Blog: Ancient Worlds, Modern Communities: Increasing Accessibility for the Study of the Ancient World

By Nina Papathanasopoulou | Friday, April 8, 2022
A man in a light blue toga hugs a woman with black hair, seen only from the back, who buries her head in his shoulder and raises her left hand in lament.

Blog: I Love You, I Hate You: A Student’s Perspective on Learning Latin

By Riya Juneja | Monday, March 21, 2022
A hand-drawn map on yellowed parchment with drawings of buildings and an aqueduct. In the center, a togaed man sits on a throne with a spear in his right hand and a halo behind him, indicating his sainthood. Red text behind his head reads ANTIOCHIA.

Blog: Power to Punish and Authority to Forgive: Imperial State and Imprisonment in 4th-Century Antioch

By aldesimoni | Friday, March 18, 2022
A shirtless black man with tattoos and a red bandana sits on a box of records facing right. He looks at a black boy in a red and white striped shirt. Both of their shadows are visible on the wall behind them.

Blog: Sampling Epic in Kendrick Lamar’s “Mortal Man”

By justine.mcconnell | Monday, March 14, 2022
Four women in white tunics sit and lie in a landscape of ferns. Some play instruments.

Blog: Reflections on the First Ancient Worlds, Modern Communities Panel during the 2022 SCS Annual Meeting

By Chelsea Gardner | Friday, March 11, 2022

Blog: You Will Never Visit Snake Island

By Christopher Parmenter | Thursday, March 3, 2022
The top half of a page from a Greek-English dictionary containing the entry for logos.

Blog: Review: Cambridge Greek Lexicon

By thomas.hendrickson | Tuesday, February 15, 2022
A woodcut of a black and white manuscript page with Latin text at the bottom. Above the text is an image of a woman covered in feathers with the wings and feet of a bird, thebreasts and face of a human woman, and long hair. A banner above her reads "FAMA"

Dissertation Spotlight: Vicinitas in Urbe: Neighborliness and Urban Community in Mid-Republican Rome

By Jordan Rogers | Monday, February 7, 2022
The poster for RU an Antígone? A black background with a Parthenon marble cast in the center, shaped like a headless male body reclining on its left side, propped up on its left arm, which is covered in drapery. The text reads: RU an Antigone?

Blog: RU an Antígone?

By Yoandy Cabrera Ortega | Monday, January 24, 2022
An illustration of an infographic titled "How UVM Admin Manufactured the Arts & Sciences Budget Crisis"

Blog: News from Vermont: The Ambrose Graduate Fellowship in Classical Languages

By John Franklin | Friday, January 21, 2022
The logo for Asterion. A wide oval with a black background filled with stars. In the middle is a red circle with a Greek meander pattern, and inside the circle text reads "Asterion: Neurodiverse Classics."

Blog: Asterion: Making Neurodiversity Visible in Classics

By Cora Beth Fraser | Tuesday, January 18, 2022
A brightly colored manuscript page. On the left is calligraphy in Sanskrit; on the right is a woman in printed garb sitting in a carriage pulled by two white horses. She makes a gesture with her two palms press together. A black figure looks back at her.

Blog: Inclusive and Culturally Responsive Teaching in Classics

By Dora Gao | Sunday, January 9, 2022
A Macbook sits on a wooden desk showing a Zoom screen filled with faces. Left of it, a turquoise mug sits on the desk.

Blog: A Digital Ethnography of a Conference in a Crisis

By apistone | Friday, January 7, 2022
A painting of Rome featuring a crowd of men fighting on a hill. Behind them is an obelisk, a column, and a toppled white marble statue of a nude man.

Blog: Ista Tempora! Isti Mores!: January 6th, A Year Later

By Joel Christensen | Thursday, January 6, 2022
A monochromatic stone statue of a man with short hair wrapped in a toga and sitting in a large chair. His right arm is leaning on the back of the chair, and his left hand holds a writing tablet on his lap. The base of the statue reads "SALLVSTIVS"

Blog: Sallust at the Insurrection

By Ayelet Haimson Lushkov | Wednesday, January 5, 2022
New WCC logo reading WCC 50th, 1972-2022. Beige font on a dusty pink background.

Blog: The WCC at 50: Fostering Communities of Care

By Suzanne_Lye | Monday, January 3, 2022