Follow SCS News for information about the SCS and all things classical.
For this installment of the SCS Blog, Chris Waldo asked Nandini Pandey and Ethan Ganesh Warren to compare notes about their experiences as South Asians in classics. Ethan, a current classics Ph.D. student at UT Austin, started Latin at the Brookfield Academy in Wisconsin and earned a B.A. from Rochester. Nandini is currently transitioning to a position at Johns Hopkins after seven years as an Associate Professor of Classics at the University of Wisconsin-Madison. She and Ethan first met years ago over coffee in Madison. This transcript has been lightly edited for length and clarity.
Nandini: Ethan, it’s a great pleasure to get to speak to you today…because you and I first interacted in 2018. You’d grown up in Wisconsin, and you were finishing your undergrad at Rochester, and you had just read an article of mine on Eidolon on “turning the tables on dominance and diversity in Classics.” And it meant so much to me that you reached out.
(From the University of Washington website)
Daniel P. Harmon
May 3, 1938 – July 25, 2021
The colloquium that I organized for the AIA annual meeting this past January, “Nudity, Costume, and Gender in Etruscan Art,” was intended to be a venue for current research on gender, dress, and the body in Etruscan art. It soon became clear, however, that the presenters’ work owed a tremendous debt to the scholarship of one of the premiere Etruscan scholars, Larissa Bonfante. Consequently, the session became a memorial to her and her contributions to the field.
Bonfante passed away in August of 2019, much to the shock of her family, friends, and colleagues. Though in her late 80s, Bonfante kept a busy research schedule as if she were a newly hired assistant professor working towards tenure. She was a versatile scholar who wrote on a diversity of topics, including the Etruscan language (usually with her father Giuliano, a well-known and respected linguist); representations of clothing in Etruscan and Roman art; influence of the Etruscans beyond Etruria; Etruscan identity; depictions of marriage, couples, and motherhood in Etruria; as well as the lack of dress in some Etruscan art.
Art and Migration
The theme of migration has remained an inherent subject of art ever since some modern humans began to move across the planet, bringing their objects and technologies with them. Whether in Mesoamerica, the ancient Mediterranean, or medieval Africa, war, invasion, colonialism, enslavement, resettlement, and trade have fundamentally altered cultural production, reception, and rituals. In light of the many recent migration crises throughout the world, artists and scholars have responded to the critical movement of people and artifacts in myriad ways.
This year's theme encompasses questions of memory, destruction of cultural heritage, provenance and repatriation, and the complex lives of movable objects, traditions, and practices. How does art that concerns migration contribute to or detract from ideas about belonging and community; assimilation and isolation; tradition, innovation, and legal or cultural boundaries? How are patterns or processes of movement made visible or invisible through the artworks, objects, and communities that are created, adapted, abandoned, or destroyed? Furthermore, what happens when mobility is brought to a halt?
Applicants may also consider representation, identity, and hybridity, as well as recent genetic research and long-term patterns of mobility, immobility, and migration.
The Ancient Worlds, Modern Communities initiative (AnWoMoCo), launched by the SCS in 2019 as the Classics Everywhere initiative, supports projects that seek to engage broader publics — individuals, groups, and communities — in critical discussion of and creative expression related to the ancient Mediterranean, the global reception of Greek and Roman culture, and the history of teaching and scholarship in the field of classical studies. As part of this initiative, the SCS has funded 111 projects, ranging from school programming to reading groups, prison programs, public talks and conferences, digital projects, and collaborations with artists in theater, opera, music, dance, and the visual arts. The initiative welcomes applications from all over the world. To date, it has funded projects in 25 states and 11 countries, including Canada, UK, Italy, Greece, Spain, Belgium, Ghana, Puerto Rico, Argentina, and India.
An announcement from the organizers of the West Coast Plato Workshop:
The 2022 West Coast Plato Workshop will be on Plato’s Republic Book 1-4. It will take place May 27-29, 2022, at Stanford University.
We do intend this to be an in person conference (the pandemic permitting). But we also understand that some people’s circumstances may not allow them to attend an person event. We will make the conference available via Zoom and if anyone whose paper is accepted is unable to attend in person, we’ll work with her to make it possible for her present via Zoom. Although we still intend it to be in person, we can make some exceptions if need be.
Submissions should consist in two separate pages: (i) the title of the paper, name(s), academic rank(s), affiliation(s), and email contact of the author(s); (ii) title and 500-word abstract prepared for blind review. Submissions should be double-spaced in 12 point font. MSWord or PDF formats only. The paper presentation at the conference should be about 40 minutes in length.
Refereeing for submissions will be blind and will be done by the present host of the WCPW along with members of the WCPW program committee and other WCPW-affiliated scholars.
H. Don Cameron (1934-2021), Arthur F. Thurnau Professor Emeritus at the University of Michigan, passed away on July 17, 2021. Among his many achievements, Professor Emeritus Cameron was the recipient of the 1987 APA Award for Teaching Excellence at the Collegiate Level.
A full obituary and tribute, written by Benjamin Fortson of the University of Michigan, is available online: https://lsa.umich.edu/classics/news-events/all-news/search-news/remembering-don-cameron.html
An announcement from the ACLS:
The American Council of Learned Societies (ACLS) is pleased to announce our 2021-22 fellowship and grant competitions. Our online application system is now open for programs with September and October deadlines.
ACLS offers fellowship and grant programs that promote research across the full spectrum of humanities and interpretive social science fields. ACLS invites applications from scholars on and off the tenure track.
Our peer review and award processes aim to promote inclusive excellence, and we welcome applicants from groups that are underrepresented in the academic humanities and from across the diverse landscape of higher education.
Detailed information including Fall 2021 deadlines is available at: https://www.acls.org/Fellowship-and-Grant-Programs/Competitions-and-Dead...
By Christopher Trinacty, Emma Glen, and Emily Hudson (Oberlin College)
Anne Carson’s celebrated adaptations and translations of Ancient Greek and Latin literature have ranged from imagining the love affair between Geryon and Heracles in The Autobiography of Red to meditating about the death of her brother through Catullus 101 in Nox. In our opinion, Carson’s works highlight her theoretical sophistication as well as her deep commitment to the reception of Classics broadly understood. This new “comic” version of Euripides’ Trojan Women by Carson and illustrator Rosanna Bruno offers a creative and challenging take on Euripides’s tragedy.
The National Humanities Center invites applications for academic-year or one-semester residential fellowships. Mid-career, senior, and emerging scholars with a strong record of peer-reviewed work from all areas of the humanities are encouraged to apply.
Scholars from all parts of the globe are eligible; stipends and travel expenses are provided. Fellowship applicants must have a PhD or equivalent scholarly credentials. Fellowships are supported by the Center’s own endowment, private foundation grants, contributions from alumni and friends, and the National Endowment for the Humanities.
Located in the vibrant Research Triangle region of North Carolina, the Center affords access to the rich cultural and intellectual communities supported by the area’s research institutes, universities, and dynamic arts scene. Fellows enjoy private studies, in-house dining, and superb library services that deliver all research materials.