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JOIN TAPA FOR A VIRTUAL OPEN HOUSE
Join co-editors Joshua Billings and Irene Peirano Garrison, and editorial board members Catherine Conybeare, Lorenzo Garcia, and Nandini Pandey, for an open house via Zoom on June 15, 2022 @12:00 pm EDT.
Click Below to Register Now!
*Once you are registered you will receive a Zoom link 24 hours before the event and a reminder on the morning of June 15.
Open house attendees will learn about how to submit to TAPA, the peer review and editorial process, and particular areas of focus.
The Spring 2022 issue of TAPA is now out and that it includes scholarly articles and also short essays on Classics after COVID.
Today we take our saturation in a graphic world for granted. When we see baseball caps with logos or nonsense writing on graphic t-shirts, we don’t immediately recognize them as evidence for writing. But in the case of the Late Bronze Age script of Cyprus (ca. 1600–1000 BCE), the undeciphered Cypro-Minoan script, we have more baseball caps and t-shirts than longer texts. Multi-sign texts with two or more contiguous signs, likely to represent words, number around 250. Most of these multi-sign texts are quite short, consisting of only one or two words.
The baseball caps in this analogy most often take the form of what are called Cypro-Minoan “potmarks,” mercantile vessels bearing single-sign texts. The potmarks contain both Cypro-Minoan script and non-script marks without equivalents in the Cypro-Minoan script. The single-sign text potmarks number over 1000. Like a Yankees cap or a graphic tee, the potmarks employ recognizable and non-recognizable elements of writing. But should they be taken as evidence for literacy?
This is the question at the heart of my dissertation. If the single-sign text potmarks were made by literate individuals, then Cypro-Minoan is not a meagerly attested script, but a mercantile script in wide use within Cyprus and, less widely, outside of it. Significantly, it would be one of the few scripts in the region that survive the Late Bronze Age collapse, and the only one that would be well-documented during this transitional period.
Call for Papers: AMPRAW (Annual Meeting for Postgraduates in the Reception of the Ancient World)
AMPRAW is an annual conference that is designed to bring together early-career researchers in the field of classical reception studies, and will be held for the tenth year. It aims to contribute to the growth of an international network of PhDs working on classical reception(s), as well as to strengthen relationships between early career researchers and established academics.
AMPRAW 2022 will be held at Yale University from Thursday 3rd November to Saturday 5th November 2022, with the generous support of the Department of Classics at Yale University, the ARCHAIA program, and the Whitney Humanities Centre.
We anticipate holding this conference in a hybrid format. We hope that participants will be able to join us in person in New Haven, but will also allow remote access for both speakers and audience members.
This year’s theme is “Islands”. Possible topics may include, but need not be limited to, the following:
posted on behalf of the conference organizers
Classical Studies and the Americas
CIUDAD DE MÉXICO 1-5 / AGOSTO / 2022
The upcoming triannual Congress of FIEC will be a virtual conference, hosted in Mexico City.
Click Here to Register for virtual attendance
Visit the conference website (English and Spanish versions)
The FIEC International Congress for Classical Studies returns to this side of the Atlantic Ocean searching to arouse a plurality of voices.
Contact for questions and more information: email@example.com
In the latest issue of the CADW magazine, the organ of Wales’ official heritage body, the discussion of the Roman fort at Caerleon was accompanied by a graphic designed for children on the subject of Roman dining. With a Horrible Histories-type tone, the cartoon features a boy asking his mother if his friend can stay for dinner. “I thought we’d go Italian,” says his mother, but it’s not the demanded “Pasta? Pizza? ICE CREAM?”; rather, “Rich Romans had things like…Parrot heads or…dormice…and … sea urchins maybe” (to which the boy says “I feel sick”). But the “lush” counteroffer of fast food “meat patties in bread” — “Roman burgers” — is quickly scotched by the obligatory “fermented fish gut sauce”: the dog says, “Not even I’m eating that!” The closing reference to garum here, seen as undeniably negative, underscores the complex nature of our response to research on ancient foodways; one wonders what would happen if Worcestershire sauce, as standard in Welsh rarebit, were revealed to readers as similarly derived from fermented fish.
The portraits of Sabina represent a shift in the representation of imperial women in the Roman Empire. Sabina is the first empress to appear as the obverse portrait of a continuous coin production at Rome and the first woman to appear on all of the main denominations at the central mint. Her portraiture is also more varied than that of any previous empress. She is represented on imperial coinage with five different portrait types—i.e., modes of representation—most easily distinguished by hairstyle, all of which are depicted below. This is matched by an increased presence of Sabina’s portraits in provincial coinage and sculpture. This greater visual prominence for the Empress set a new standard that was followed by subsequent administrations, making the portraits of Sabina an integral corpus in the history of Roman imperial portraiture.
Posted on behalf of the conference oraganizers
We are organizing an international e-conference entitled “Archaeology of Izmir-Smyrna” that will take place on November 17-18, 2022 on Zoom.us. We warmly invite contributions by scholars and graduate students from a variety of disciplines of ancient studies related to these objects. The video conference is free of charge. We would be delighted, if you could consider contributing to our e-conference and contact us with the required information before September 9, 2022. Our e-mail address is: firstname.lastname@example.org
We kindly request that you alert any persons within your research community who would be interested in participating at this e-conference, either by forwarding our e-mail through Academia, Researchgate, Facebook, Twitter, Instagram or other similar social media, or by printing this circular or poster and displaying it in your institution. We hope that you will be able to join us on Zoom, and look forward to seeing you in May 2022!
Click Here for the full description and requirements:
I first met Luis Alfaro at the 2019 annual meeting of the Society for Classical Studies, where he delivered a deeply moving keynote address in which he discussed his adaptations of Greek tragedies and how his plays have brought reimagined ancient stories to new audiences, to provoke social change. This profoundly important event was made possible by a partnership with my former employer, the Onassis Foundation USA, the Classics and Social Justice affiliated group, and the SCS. As many of us will recall, this conference was also marred by the ugliness of racism, which reared its awful head amid an already tense, ongoing conversation about the state and future of our field that has since spilled into the wider public discourse, perhaps for the worse. But there is hope, and I sincerely believe that Alfaro’s work can be one of those mechanisms of change, if only our field would embrace it.