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TITLE: The Bridge
DESCRIPTION: Vocabulary building tool
NAME: Mulligan, Bret in ongoing collaboration with Haverford College students
PLACE: Haverford College
COLLECTION TITLE (parent resource of the resource being described; collection of which the resource is a part): [none]
DATE CREATED: 2014-pres. (revisions and updates ongoing)
DATE ACCESSED: December 1, 2019
RIGHTS (license restrictions imposed on access to a resource): The Bridge and its byproducts are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
CLASSIFICATION: databases, dictionaries, Greek, language learning tools, language processing, Latin, linked open data, reference materials, texts.
In 2020 the Society for Classical Studies (SCS) will again award the David D. and Rosemary H. Coffin Fellowship for study and travel in classical lands.
The Fellowship is intended to recognize secondary-school teachers of Greek or Latin who are as dedicated to their students as the Coffins themselves by giving them the opportunity to enrich their teaching and their lives through direct acquaintance with the classical world. It will support study in classical lands (not limited to Greece and Italy); the recipient may use it to attend an educational program in (e.g. American Academy, American School) or to undertake an individual plan of study or research. It may be used either for summer study or during a sabbatical leave, and it may be used to supplement other awards or prizes.
For full details and instructions please visit the David D. and Rosemary H. Coffin Fellowship page. Materials must be received no later than February 27, 2020.
Cultural Identity in Political Rhetoric: Past and Present
Society for Classical Studies 2021 Annual Meeting – January 7-10, Chicago, IL
Organizer: Tedd A. Wimperis (firstname.lastname@example.org)
Rhetorical appeals to ethnic or civic identity were a mainstay of political discourse in the ancient Mediterranean. Arguments from cultural heritage and mythical kinship between peoples supported diplomatic negotiation; orators invoked values and traditions inherited from past generations to sway audiences; autocrats wove their personal iconography into the fabric of the “national story” to legitimize and authorize their power. Politically-guided ideations of identity were promoted through literature, art, architecture, coinage, and various forms of performance, and relied on effective appropriations of cultural symbolism and myth. Here and now in our own modern world, these kinds of discourse remain entrenched in political communication, from the extremes of ethno-nationalism to the commonplaces of campaign rhetoric, where appeals to “who we are” and “what our values are” appear explicitly and subtly in televised debates and hearings, tweets, billboards, and bumper stickers.
“Koinonia” in Plato’s Philosophy
Plato uses the term “Koinonia” in a wide variety of important ways. It signifies the relation of the forms with each other as well as the relation we can have with them, but also both relations between individual people and between individuals and the community as a whole. Although this term has been the object of intense scholarly scrutiny, many issues remain to be explored. We will consider abstracts on any aspect of the subject, including the metaphysical, epistemological, social, and ethical dimensions of koinonia.
1. Please submit titles and abstracts of 500 words (maximum), double-spaced, 12 point type, formatted for anonymous review
2. Name, Paper Title, Affiliation, Postal Address, Email Address included as an attachment in the email to which the abstract is sent
3. Abstracts can be in any of the IPS’s official languages: English, Spanish, German, Italian, French
4. Abstracts Submission Deadline: July 31, 2020.
5. All abstracts must be sent with the subject "IPS Mid-Term Meeting" to the following address: email@example.com
On January 5, 2020, the SCS Board of Directors approved a name change for the Minority Scholarship in Classics and Classics Archaeology. The scholarships will now be known as the Frank M. Snowden Jr. Undergraduate Scholarships. The name change was recommended by President-Elect Shelley P. Haley and the SCS Committee on Diversity in the Profession.
The new name honors Frank M. Snowden Jr., the renowned black classicist, chair for many years of the Howard Classics Department, and author of Blacks in Antiquity, which won the Charles J. Goodwin Award of Merit in 1973. Prof. Snowden was also a recipient of the National Humanities Medal and was elected by the SCS (then APA) membership to the position of second Vice President, serving in that role in 1983-84. According to the cursus honorum at the time, Prof. Snowden should have become President in 1986. However, he had to step down owing to poor health, which was a huge loss to the organization and the profession. You can read a full biography of Professor Snowden here.
The tale of Orpheus and Eurydice has long been a popular myth in music, drama, literature, and film. Anais Mitchell’s recent musical sensation Hadestown (which was workshopped from 2006 and had an off-Broadway debut during the 2017-18 season) is but one example of the reworking of the legendary love story. Although Mitchell’s musical is broadly defined as a folk opera, it is just the latest instance amongst many pop culture reinterpretations of the Orpheus myth across different musical genres. The tragic tale of a famed musician who traveled to the underworld to retrieve his love from the grips of death has inspired several musicians during the 1990s and the 2000s. Many of these retellings have engaged with one of the most important themes of the Orpheus and Eurydice myth: the power of music and art to provide salvation.
Please see our 2021 Annual Meeting page for a number of calls for abstracts from our affiliated groups, organizers of organizer-refereed panels, the Committee on Ancient and Modern Performance, and the Committee on Translations of Classical Authors.
Call for Abstracts: Greco-Roman Antiquity and White Supremacy
Society for Classical Studies Annual Meeting, Jan 7–10, 2021
Curtis Dozier, director of Pharos: Doing Justice to the Classics (pharosclassics.vassar.edu), invites the submission of abstracts on any aspect of the relationship of Greco-Roman Antiquity and White Supremacy. Selected abstracts will form a proposal for a panel on the topic to be held at the 2021 Society for Classical Studies annual meeting in Chicago, IL (Jan 7–10, 2021). If the SCS Program committee accepts our proposed panel, the Vassar College Department of Greek and Roman Studies will offer panelists who do not have tenured or tenure-track positions a $500 stipend toward the cost of attending the conference. Pharos is also offering a research service for those interested in preparing abstracts but who prefer not to visit White Supremacist websites (on which see below).
Flavian Sicily: An Academic Conference and Tour of Ancient Sites
Organizers: Antony Augoustakis and Joy Littlewood
Southern Italy and Sicily (including nearby islands) are featured in Flavian literature, most prominently Silius Italicus’ Punica among others, as places with a rich Greco-Roman history, exceptional fertility, and idyllic landscapes. This conference builds on many recent conferences on Flavian literature and published volumes (e.g., Campania in the Flavian Poetic Imagination, Oxford 2019) and aims to explore the representation and significance of the region in the literature of the period (69-96 CE). The goal of this conference is to bring scholars to Siracusa to discuss these works of literature and visit the sites mentioned and celebrated in our sources. Our conference will take place at the Exedra Mediterranean Center, adjacent to the Piazza Duomo on Ortigia. It will include academic presentations as well as visits to the archeological park and museum and various other sites in the city. We will also enjoy traditional Sicilian hospitality, with group dinners and catered lunches featuring local specialties. At the conclusion of the conference, an optional tour of relevant sites will include Enna and Piazza Armerina, Agrigento, and Selinunte.
In addition to presenting the latest research on Greco-Roman antiquity and the ancient Mediterranean, attendees at the SCS annual meeting have increasingly had the opportunity to discuss other important issues such as the history of Classics as a field; systemic concerns and directions for the future; and ways to make the field more accessible to people from a variety of backgrounds and experiences. The SCS has recently also incorporated into the annual meeting lectures by influential artists and writers whose work draws on, adapts, and interprets ancient Greek and Roman texts for the broad public. Luis Alfaro, the Chicano playwright and performance artist, spoke about his adaptations of Greek tragedy during the 2019 annual meeting in San Diego, while this year in Washington, D.C., Madeline Miller, writer of best-selling novels Circe (2018) and Song of Achilles (2012), discussed imaginative takes on Homer’s epics. Their contributions to the field indicate the value in seeking out conversations with those who engage with the Greek and Roman worlds outside the Classics classroom.