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Graduate Student Caucus Meeting
Hosted by the SCS Graduate Student Committee
Friday, January 3, 5:00pm-6:00pm, Independence Ballroom Salon C
Come hear about the Graduate Student Committee’s plans for 2020 and offer your feedback on how best the SCS can serve graduate students.
We hope this meeting can be the springboard for a new level of collective action of North American Classics graduate students.
This event will be followed by a Social Hour, also hosted by the Graduate Student Committee, which will take place Friday, January 3, 7:00pm-8:00pm on the Mezzanine Level of the Marriott Marquis. Come get your drink ticket while they last!
That contingent faculty members make up a significant portion of those teaching on college campuses today is a well-known fact. This fact also holds true in our own fields of study (e.g. Classics, Ancient History, Archaeology and Art History), and over the years much attention has (rightfully) been paid to the many challenges and problems that stem from this reliance on contingent labor. At the same time, and despite these challenges and problems, contingent faculty members have been making important contributions to our fields in the areas of service, teaching, outreach and research, and these contributions have only grown in their significance as the number of scholars working in these positions has grown. As members of the Committee on Contingent Faculty, we believe it is time to acknowledge these contributions and celebrate the accomplishments of faculty who are working off the tenure track in our related fields. While we continue to search for solutions to the problems of contingency and advocate for those in precarious positions, we think it is equally important to bring visibility to some of these exceptional members of our scholarly community. To that end we seek to publish a series of individual profiles/interviews on the SCS blog over the course of the next year featuring some of our NTT colleagues at various stages in their careers, who are making a difference and making their mark in our discipline.
The SCS is pleased to announce the appointment of Patrice Rankine and Sasha-Mae Eccleston as guest editors of a future issue of TAPA with the theme of race, racism, and Classics. A detailed call for papers will be issued in early 2020, and a timetable for submissions will be provided. This themed issue is likely to appear as TAPA 153:1 in spring 2023.
SCS is pleased to be able to offer professional learning units (PLUs) to K-12 teachers in the District of Columbia who attend the AIA-SCS Annual Meeting from January 2-5 at the Marriott Marquis, Washington DC. Forms for PLUs will be available at the SCS booth in the exhibit hall.
It might seem that Plato and Xenophon have little in common with heavy metal bands; however, they do share an admiration for those warlords of Laconia: the Spartans. In a word, each expressed a degree of laconophilia. What drew ancient philosophers and heavy metal bands alike to Sparta may be a feeling of disenchantment with their respective mainstreams. Socrates’ pupils were no doubt disillusioned with Athenian democracy following his execution in 399 BCE, and the Spartan alternative arguably inspired in Plato’s Republic and Xenophon’s Constitution of the Spartans was a type of escapist fantasy.
The SCS Board is delighted to announce a new prize, which will be awarded for the first time in 2020. The Gruen Prize honors Erich S. Gruen, Gladys Rehard Wood Professor of History and Classics Emeritus at the University of California, Berkeley. It will be an essay prize for the best graduate student research on multiculturalism in the ancient Mediterranean, and submissions about any aspect of race, ethnicity, or cultural exchange will be considered.
The 2020 Annual Meeting is less than two weeks away. Registration numbers continue to be strong, but we are still lagging behind with the reservations at the Renaissance hotel. We understand that some attendees will opt to stay with local friends or find a less-expensive accommodation, but we rely on hotel reservations to secure the meeting space each year.
In November of 1897, a review of an English poetry collection titled The Flower of the Mind was published in literary journal The Academy. In his review of Alice Meynell’s anthology of the great English poems, publisher Grant Richards ruminated on the difficulties, worth, and effects of anthologies as a genre:
Anthologies, these latter years, come thick as Vallombrosa…For the making of an anthology is not merely the prettiest of literary amusements, it is also a delicate and fine mode of criticism. To select is to judge; tacitly, but no less deliberately. Admission or exclusion becomes the last word of a patient investigation, in the course of which, tests for genius are devised, and many an established reputation fails to sustain the ordeal. A history of anthologies would be a curious chronicle of the slow but inevitable determination of greatness.
The invention of literary anthologies, canonical readings, and sourcebooks goes back to antiquity and debates over their construction are perhaps just as archaic. Within the history of western education, the genre is a result of ancient and then medieval teachers and religious figures who privileged the teaching of texts from Homer, Virgil, or Augustine for generations.
Special tours for AIA / SCS: January 2, 2020, 3:00-5:00 pm
Woven Interiors: Furnishing Early Medieval Egypt and Cotsen Textile Traces Study Center
The George Washington University Museum and The Textile Museum
701 21st Street, NW, Washington, D.C.
Woven Interiors (closing on Jan. 5), co-organized by The Textile Museum and Dumbarton Oaks, presents 45 exceptional interior textiles from the villas, palaces, churches, mosques, and humble homes of late antique and early medieval Egypt (300–1000). Join us for curator-led tours of the exhibition and for a preview of The Cotsen Textile Traces Study Center. Tours will rotate throughout the 2 hour period, so we hope you can join us as your schedules permit. Museum/tour admission free with conference badge or proof of AIA/SCS membership.
The GWUM-TM is located just 1.4 miles from the Marriott Marquis. In addition to walking or taking a taxi/Uber, visitors can use the Metro: from the Mt. Vernon Sq. Station, take the Yellow/Green Metro toward Branch Ave./Huntington, exit at the third stop at L’Enfant Plaza; transfer to Blue/Orange/Silver toward Franconia/Springfield/Vienna/Wiehle-Reston, and exit at the sixth stop at Foggy Bottom-GWU stop; the Museum is just 0.4 miles walk, two blocks east and one block south between H and G Sts. on 21st St. NW.