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Attic Inscriptions Online (AIO) presents translations of Attic inscriptions alongside cross-references to Greek texts, images, and notes. The website is the creation of Stephen Lambert and is affiliated with the Europeana Eagle Project. As of March 2017, AIO contains over 1,000 inscriptions with the eventual aim to provide translations of the 20,000+ inscriptions originating from Athens and Attica. The majority of the translations are by Lambert himself, with the remaining texts translated by a team of collaborators.
The majority of translations on the site come from the most recent IG II3 publications focusing on laws and decrees from the fourth to the second centuries BCE, with a gradually increasing number of notable inscriptions from the fifth century BCE. At present, there is little coverage of the archaic or imperial periods, although one imagines that this will change as the site continues to grow (information on how inscriptions are prioritized for inclusion can be found in the About section of the site).
Topic: A classical “Wonder Woman” appearing out of her native context to save the day
The backstory of DC Comics’ Wonder Woman is heavily inspired by characters, places, and events from classical mythology. DC’s Wonder Woman is portrayed as appearing in a variety of different places and times in history, all while maintaining her essential identity as the Amazon Princess Diana. Entries for this contest should take a “Wonder Woman” from classical history, mythology, or literature and come up with some pretext for setting her in a place and time outside of her native one. In that new context, this “Wonder Woman” should use her “super” powers/skills that are apparent from her portrayals in the classical world to solve some problem that was confounding the people of her new context.
This contest is open to any student enrolled full-time in high school (anywhere in the world) during the current school year. An award of $250.00 will be given to the author of the best entry written in English on the specified theme. The entry may be a short story, a play, a poem, or an original literary work of any other sort.
This contest was established in 1985 by the Department of Classics at Monmouth College in Monmouth, Illinois, to honor Bernice L. Fox, to promote the study of Latin and the Classics in high schools, and to recognize the good work of high school students.
In Memoriam: Garrett G. Fagan
(Submitted by Stephen Wheeler, Department of Classics and Ancient Mediterranean Studies, The Pennsylvania State University)
The untimely death two months ago of Garrett George Fagan (January 15, 1963 -- March 11, 2017), the Irish-American ancient historian best known for his social histories of Roman bathing and the spectacles of the Roman arena, is a great loss to the community of classical studies. A long-time member of the SCS and AIA, Garrett contributed unstintingly to the programs of the joint annual meetings and promoted a wider public understanding and appreciation of the ancient world. Fellow ancient historians have been deprived of a resourceful collaborator in research projects; students and lifelong learners, of an inspiring teacher.
Conversational Ancient Greek
The Polis Institute for Classical Languages, under the sponsorship of the Classical Association of Massachusetts and the Department of Classical and Religious Studies at the University of Massachusetts Boston, will conduct, for the first time, an intensive, three-week course in active ancient Greek this summer. The lead instructor will be Prof. Christophe Rico of the Polis Institute.
The course will take place at Bridgewater State University (June 11th to the 30th), entailing 90 hours of instruction for $1,400 in tuition. On-campus housing and meals are available.
Prof. James Dobreff (firstname.lastname@example.org) should be contacted for more information about the program.
For more, see: sites.google.com/view/activegreek/
CALL FOR ACTORS, DESIGNERS AND OTHER CREATIVE TYPES!
The Arsonists (a morality play without a moral)
by Max Frisch
Translated by Alistair Beaton
Fri, Jan 5th, 2018
SCS Annual Meeting, Boston
Directed by Laura & Mike Lippman
This year we will continue the tradition of CAMP sponsored productions with a staged reading of The Arsonists (a morality play without a moral) by Max Frisch, translated by Alistair Beaton.
Call for Papers:
Wilderness, Frontiers, and New Worlds in Antiquity
Biennial Classics Graduate Student Conference
New York University
November 4, 2017
Keynote: Prof. Andrew Laird (Brown University)
Unfamiliar, unexplored, and unsettled places captivated the ancient imagination and were of pressing importance not only to poets and prose writers of every genre, but also to merchants, militaries, and governing bodies enticed by the prospects of new sites for trading, settling, and conquering. There has been a swell of critical interest recently in the topics of borders and boundaries in the ancient world, as part of the increased scholarly attention to space over the past few decades. Our conference is interested in spaces beyond borders, and we aim to explore ancient encounters with wilderness, frontiers, and unknown lands.
Possible topics include:
• Visual representations of wilderness and extreme environments
• Representations in ancient texts of the landscape, weather, and human adaptation in unexplored lands
• Narrations and theorizations of journeys undersea, into the sky, or below the earth
Podcast listening is more popular than ever. Data from the large Infinite Dial survey shows steady yearly growth in the share of adults over 12 who have listened to at least one podcast. In 2016, 36% reported having done so, for an estimated 96 million people nationwide. The time is therefore right for classicists to embrace this medium for public engagement.
While podcasting takes time and preparation and may have a steep learning curve, it is very rewarding. Research interests come alive in a new way when you create and share your ideas via podcasting. Listener responses will help you develop your ideas in new directions. Podcasting also breaks down academia’s walls, creating a wider audience and inviting the public to see what scholars do and why it matters.
Call for Papers
Deadline for Submissions is April 1st 2018
KOINON: The International Journal of Classical Numismatic Studies
A New Annual Journal Published by the Societatis De Tauro Cum Facie Humana
Nicholas J. Molinari, US
Shawn Caza, CA
Alberto Campana, IT
Victor Clark, US
Curtis Clay, US
Phil Davis, US
Tjaart de Beer, CH
Mark Fox, US
József Géza Kiss, HU
David MacDonald, US
Gavin Richardson, US
Martin Rowe, SE
David Sear, US
Andrew Short, CA
Nicola Sisci, IT
Lloyd W. H. Taylor, AU
Joseph Uphoff, US
John Zielinski, US
Papers concerning virtually any topic of ancient coinage are welcome, including papers on non-western coinages. Reviews and short notes are also encouraged, as are translations of important excerpts from antiquarian works. Special preference will be given to papers that are engaging to a fairly wide audience (Art Historians, Classicists, Archaeologists, Historians, etc.).
This article was originally published in Amphora (12.1). It has been edited slightly to adhere to current SCS blog conventions.
The story is familiar. Musician marries the love of his life; on their wedding day, she dies. He grieves until he wills his way into the Underworld and is allowed to retrieve her on one condition, which he violates. Thus, even the theme is the same: the fallibility of the human condition and the inability of art to triumph over the persistence of suffering and the finality of death. Nor is Eurydice a strident feminist with a point to prove, after centuries of silent existence as nothing more than a catalyst for the erotic narrative that is the myth of Orpheus and Eurydice. For contemporary American playwright Sarah Ruhl, Eurydice is foremost a daughter who learns the hard way that all relationships are constructed of words that cannot always withstand the insistent tensions and demands of parents and spouses. Since language is so deficient, Ruhl deploys light, space, distance, and depth to hone the banal into razor-sharp instruments capable of exposing emotional vulnerabilities most audience members would rather not admit existed. For Ruhl, in the theater space must yield to imagination, not, as in film, the other way around.
(This is a message from the SCS Annual Fund Committee, sent to members on May 8th, 2017)
We’re looking for a few good classicists.
Actually, we’re looking for quite a few good classicists, those who will constitute the next generation of our profession. It’s our job to foster scholars who are entering the field, including those in contingent faculty positions and graduate students giving papers at the Annual Meeting. Many of these scholars hope to be in Boston next January, ready to experience the full professional and social dimensions of our vocation. Their work and their presence at the Annual Meeting will enrich our own future.
They just need a little help, and the SCS Annual Fund can provide it.
The Annual Fund supports contingent faculty and graduate students through travel grants to the Annual Meeting. Thanks to the generosity of our members, over $25,000 in travel grants have been awarded over the past two years. But the demand is still greater than the supply; last year, the SCS was able to fund only half of the requests from graduate students. Your gifts also support undergraduate minority scholarships, TLL Fellowships, and the Lionel Pearson Fellowship, and in addition to keeping down the costs of the Annual Meeting for everyone, they ensure that the Placement Service is free for all member applicants.