Call for Chapters: Pseudo-Oppian's Cynegetica

CALL FOR CHAPTERS

Pseudo-Oppian’s Cynegetica ­­– On the Hunt for Ethics and Poetics

Since the beginning of the 20th century, the Cynegetica of Pseudo-Oppian has received limited scholarly attention. However, philological efforts such as Otto Rebmann’s book Sprachliche Neuerungen (1918), Wolfgang Schmitt’s commentary on book 1 (1969) and especially Manolis Papathomopoulos’ Teubneriana (2003) have all laid a solid foundation for further hermeneutical study. These works were explored in some detail by Adam Nicholas Bartley (2003) and Giuseppe Agosta (2009) in their respective monographs and are accompanied by a selection of journal articles on diverse topics such as textual criticism, meter and the question of authorship.

This volume aims to collect and develop scholarly approaches to the Cynegetica by focusing on unexplored areas of this fascinating example of Greek Imperial poetry. More precisely, this collection aims to concentrate on at least four strands of literary functionality:

    • First, how do we examine the referential function of the poem? Much of the Cynegetica relates to a reality beyond the text. One finds descriptions of animals, geographical areas, peoples and hunting methods that the author claims to know about or has possibly even seen with his own eyes. How do these observations inform us about the reality of hunting in antiquity? How do we explore the interactions between reality and fictionality within the text?

    • Second, the Cynegetica is replete with ethical comments on the vices, virtues and behaviours of animals and humans alike. At the same time, it is dedicated to both emperor and goddess. The question is this: How do we evaluate the appellative function of the text? What do we make of these moral-philosophical statements? And how do we locate them within the political framework of the Severan dynasty? What are the theological and religious implications of the text? Is there an animal ethics in the Cynegetica?

    • Third, there is still ample room for exploration with regard to the poem’s aesthetic function. What are the hermeneutical consequences of its linguistic innovations? How do the intertextual relations to older didactic poetry (esp. the Halieutica) and other hunting manuals (e.g. Grattius, Nemesianus, Xenophon, etc.) manifest themselves? Is there a way to navigate between the observed mosaic character of the piece and a more coherent overarching structure?

    • Fourth, and finally, the project invites contributions on the creative and scholarly reception of the Cynegetica as well as the cultural and intellectual environment and implications of the poem’s reception history. Why was the text so popular in the 16th century? How do we judge its value as a philosophical argument within the contemporary Cartesian view of animals? What led to its neglect throughout the following centuries? How do we read the poem in light of the modern animal-rights debate?

In sum, the goal of this volume is to function as a prism by bringing together scholars from various academic levels, backgrounds, and study directions in order to develop a diverse portfolio of ideas, approaches and perspectives to this challenging yet understudied text.

If you would like to contribute a chapter to this volume, I would kindly ask you to submit your title, an English-language abstract (no longer than 500 words), and a short biographical note, preferably by

1 December 2020. Please send this to stephan.renker@gmail.com.

The deadline for the final chapters (6,000–9,000 words) will be 1 March 2021.

Konstanz/Shanghai, 28 September 2020 Stephan Renker (SISU, Shanghai)

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A brightly colored manuscript page. On the left is calligraphy in Sanskrit; on the right is a woman in printed garb sitting in a carriage pulled by two white horses. She makes a gesture with her two palms press together. A black figure looks back at her.

Like many educators, I have found myself in an endless loop lately of thinking and rethinking my teaching principles and practices — a loop caused by the unprecedented teaching conditions the pandemic has brought upon us. Though I consider myself a thoughtful instructor, I admit that I have never thought so extensively, carefully, and critically about the purposes and desired outcomes of my teaching as I have in the months between March 2020 and now. Each week of each semester involves calibrating and recalibrating my courses, as I hope to meet the needs of my students and help them balance their lives within the classroom and without. I have become more attuned to the extramural realities that bear on my students’ learning, and as someone who works at a Hispanic-serving Institution, a desire for inclusivity increasingly informs the way I teach. My own institution just recently offered its first workshop on culturally responsive pedagogy, which provided me with many new tools for teaching in inclusive ways. Among other things, I realized that any kind of responsive pedagogy involves constant conversation with one’s colleagues, to generate, refresh, and fine-tune ways of teaching with a view toward inclusion and accessibility.

View full article. | Posted in on Sun, 01/09/2022 - 9:37pm by .
A Macbook sits on a wooden desk showing a Zoom screen filled with faces. Left of it, a turquoise mug sits on the desk.

To write about the Capitol Insurrection, as the one-year anniversary approached, I went back through my chat logs from January 6, 2021, in the interest of refreshing and confirming my memory. What I found, in lieu of any particularly meaningful conclusions, was a window into that day and how some friends and I were dealing with catastrophic events as they unfolded.

That day, I had a university meeting wedged between SCS panels, and I think I actually found the precise moment when I realized what was going on. That moment is a fairly profanity-laden series of messages with a very-online friend of mine, to whom I sent “So what the fuck is happening in DC?? I've been in meetings and the capitol building is being stormed??” followed by “i allegedly have another meeting right now and i am physically nauseous after having like a 5 minute break and seeing the news.”

In all my other group chats, things progressed about the same. Conversation about the SCS conference and pre-semester preparation, interrupted by a confused panic about what was happening on the news. A bunch of millennial classicists trying frantically to figure out where they can watch live news and wondering why all the afternoon panels weren’t canceled (though some were), processing anger and fear in countless group-chats and DMs.

View full article. | Posted in on Fri, 01/07/2022 - 12:48pm by .
A painting of Rome featuring a crowd of men fighting on a hill. Behind them is an obelisk, a column, and a toppled white marble statue of a nude man.

At 2:00 pm on January 6th, 2021, a mob made its way up the steps of the U.S. Capitol following a morning of brinkmanship, speeches, and speculation. I sat in my office at home, logged into a Zoom session, watching Twitter and a streaming news channel on one screen, all while pretending to be engaged with the beginning of an SCS Panel, “The Powers and Perils of Solitude in Greek Literature.”

At 2:20 or so, I was slated to begin a talk entitled “Being Human, Being Alone” as the Capitol was evacuated and our legislators were put under protection. At 2:24 pm, President Trump tweeted, “Mike Pence didn't have the courage to do what should have been done to protect our Country and our Constitution, giving States a chance to certify a corrected set of facts, not the fraudulent or inaccurate ones which they were asked to previously certify. USA demands the truth!”

View full article. | Posted in on Thu, 01/06/2022 - 10:00am by .
A monochromatic stone statue of a man with short hair wrapped in a toga and sitting in a large chair. His right arm is leaning on the back of the chair, and his left hand holds a writing tablet on his lap. The base of the statue reads "SALLVSTIVS"

What do you read for an insurrection? Classics offers plenty of material for revolutionary bibliophiles: compilations for the budding revolutionary, handbooks for coups both successful and failed. The Capitol rioters certainly had their Classics before their eyes, as Curtis Dozier outlined shortly after the event: Caesar and XenophonVergil and Herodotus.

But in January 2021, I was reading Sallust—and an apt choice it was, too. Not because of what Sallust writes — Catiline’s attempt to overthrow the government or Marius’ attempt to change Roman institutions — but because of what he passes over. He was there at the swelling of the atmosphere that led to the burning of the Senate house on January 19th (what is it about Januaries?), 52 bce, during the funeral of Publius Clodius.

View full article. | Posted in on Wed, 01/05/2022 - 11:20am by .
New WCC logo reading WCC 50th, 1972-2022. Beige font on a dusty pink background.

The year was 1971. In the lobby of a hotel in Cincinnati, OH, a small group of early career faculty and graduate students, mostly women, met and decided to form a caucus. Frustrated by the lack of transparency, mentors, and opportunities in Classics both for women in the field and for those who studied women in antiquity, they wanted something different, both for themselves and for future generations. At the next year’s Annual Meeting of the American Philological Association (APA) in Philadelphia, PA, they made it official. The Women’s Classical Caucus (WCC) was born.

By phone, mail, and intermittent gatherings at regional conferences and the APA (now SCS), the founders and early members of this young caucus stayed connected and encouraged each other in its early decades to publish feminist scholarship and introduce to their departments new, revolutionary courses on “women in antiquity,” which received almost immediate backlash.

Fast forward 50 years, and it’s hard to imagine a time when women and feminist scholars were not a strong presence in the profession, whether publishing scholarship through the lens of feminist theory, teaching about ancient women at both the K-12 and university levels, or taking on leadership roles both in the SCS and in their local institutions.

View full article. | Posted in on Mon, 01/03/2022 - 10:14am by .

Every year at the annual meeting we hold the Career Networking event, a meeting that gives academics access to former classicists, historians, and archeologists who have made career shifts into new fields. They speak candidly about their transition, and are there to offer advice to anyone looking to change career paths. This year we have more networkers than in any year previous, with a broad range of fields and experiences represented.

We will hold our annual Career Networking event at this year's virtual AIA/SCS Annual Meeting on Saturday, January 8th, from 1:30 - 3:00 p.m. Pacific Time.

Please block off time to attend this extraordinarily helpful event. It'll be accessible through the digital meeting platform.

View full article. | Posted in SCS Announcements on Mon, 01/03/2022 - 9:01am by Erik Shell.

The AIA and SCS have made the difficult decision to switch our upcoming 2022 Annual Meeting to a virtual only event.  We had high hopes to once again have an in-person component to our meeting, but the rapid rise in Covid cases due to the Delta and Omicron variants have made that impossible to do safely.  While we are eager to see everyone in-person again, the overall health and safety of our attendees, staff, and hotel and meeting personnel take precedence. 

Since we were already planning to hold our meeting in a hybrid format the transition to a virtual only meeting will not be difficult.  We are using the same platform as last year and all sessions will be available through the virtual meeting platform.  Details on how to access it will be emailed out to all attendees next Monday (January 3).

If you had been planning to attend in person, please contact the Hilton to cancel your reservation.  We will be reaching out to all in-person registrants following the meeting regarding refunds for the difference in registration rates. 

We hope everyone is staying safe and healthy and look forward to seeing you online during our virtual meeting. 

View full article. | Posted in SCS Announcements on Wed, 12/29/2021 - 2:17pm by Helen Cullyer.

SCS is pleased to announce the following winners of the 2021 excellence in teaching awards. Please join us in congratulating the winners!

Excellence in Teaching at the K-12 Level

Jessie Craft (Reagan High School, WSFCS school district)

Mathew Olkovikas (Pinkerton Academy)

Margaret Somerville (Friends' Central School)

Excellence in Teaching at the College and University Level

Deborah Beck (University of Texas at Austin)

Richard Ellis (University of California, Los Angeles)

Wilfred Major (Louisiana State University)

Brett Rogers (University of Puget Sound)

View full article. | Posted in Awards and Fellowships on Mon, 12/27/2021 - 9:09am by Helen Cullyer.
Oil painting of a white man sitting in a large chair facing left with a dissatisfied expression. He wears a white toga with red drapery over his left arm, a crown, a gold cuff bracelet, and short curly hair. A tiger sits between his legs.

It is a truth universally acknowledged that humor ages poorly. Jokes tend to be topical, and to be based on the social expectations of a particular group at a particular moment. The deterioration of humor over time is often a matter of changing contexts as well as changing tastes: ideas that once made a coherent joke cease to fit together.

View full article. | Posted in on Mon, 12/27/2021 - 8:34am by .

Call for Papers

Exemplary Representation(s) of the Past:

New Readings of Valerius Maximus’ Facta et dicta memorabilia

The last thirty years have seen an increase in interest in Valerius Maximus and his Facta et dicta memorabilia. Willing to consider Valerius’ collection of historical exempla as a piece of literature in its own right, scholars have started to scrutinise its moral, social, and intellectual significance at the time of the early Roman Empire and beyond.

View full article. | Posted in Calls for Papers on Thu, 12/23/2021 - 9:24am by Erik Shell.

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