Call for Chapters: Pseudo-Oppian's Cynegetica

CALL FOR CHAPTERS

Pseudo-Oppian’s Cynegetica ­­– On the Hunt for Ethics and Poetics

Since the beginning of the 20th century, the Cynegetica of Pseudo-Oppian has received limited scholarly attention. However, philological efforts such as Otto Rebmann’s book Sprachliche Neuerungen (1918), Wolfgang Schmitt’s commentary on book 1 (1969) and especially Manolis Papathomopoulos’ Teubneriana (2003) have all laid a solid foundation for further hermeneutical study. These works were explored in some detail by Adam Nicholas Bartley (2003) and Giuseppe Agosta (2009) in their respective monographs and are accompanied by a selection of journal articles on diverse topics such as textual criticism, meter and the question of authorship.

This volume aims to collect and develop scholarly approaches to the Cynegetica by focusing on unexplored areas of this fascinating example of Greek Imperial poetry. More precisely, this collection aims to concentrate on at least four strands of literary functionality:

    • First, how do we examine the referential function of the poem? Much of the Cynegetica relates to a reality beyond the text. One finds descriptions of animals, geographical areas, peoples and hunting methods that the author claims to know about or has possibly even seen with his own eyes. How do these observations inform us about the reality of hunting in antiquity? How do we explore the interactions between reality and fictionality within the text?

    • Second, the Cynegetica is replete with ethical comments on the vices, virtues and behaviours of animals and humans alike. At the same time, it is dedicated to both emperor and goddess. The question is this: How do we evaluate the appellative function of the text? What do we make of these moral-philosophical statements? And how do we locate them within the political framework of the Severan dynasty? What are the theological and religious implications of the text? Is there an animal ethics in the Cynegetica?

    • Third, there is still ample room for exploration with regard to the poem’s aesthetic function. What are the hermeneutical consequences of its linguistic innovations? How do the intertextual relations to older didactic poetry (esp. the Halieutica) and other hunting manuals (e.g. Grattius, Nemesianus, Xenophon, etc.) manifest themselves? Is there a way to navigate between the observed mosaic character of the piece and a more coherent overarching structure?

    • Fourth, and finally, the project invites contributions on the creative and scholarly reception of the Cynegetica as well as the cultural and intellectual environment and implications of the poem’s reception history. Why was the text so popular in the 16th century? How do we judge its value as a philosophical argument within the contemporary Cartesian view of animals? What led to its neglect throughout the following centuries? How do we read the poem in light of the modern animal-rights debate?

In sum, the goal of this volume is to function as a prism by bringing together scholars from various academic levels, backgrounds, and study directions in order to develop a diverse portfolio of ideas, approaches and perspectives to this challenging yet understudied text.

If you would like to contribute a chapter to this volume, I would kindly ask you to submit your title, an English-language abstract (no longer than 500 words), and a short biographical note, preferably by

1 December 2020. Please send this to stephan.renker@gmail.com.

The deadline for the final chapters (6,000–9,000 words) will be 1 March 2021.

Konstanz/Shanghai, 28 September 2020 Stephan Renker (SISU, Shanghai)

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"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

Theater in Greece and Rome (TIGR), a committee affiliated with The Classical Association of the Middle West and South (CAMWS), invites proposals for a workshop to be held under TIGR’s sponsorship at the 119th CAMWS Annual Meeting, March 29-April 1, 2023 in Provo, Utah, at the Provo Marriot Hotel and Conference Center at the invitation of The Utah Classical Association.

View full article. | Posted in Calls for Papers on Tue, 04/26/2022 - 12:16pm by Helen Cullyer.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

Anne Carson’s Euripides: Six Takes on The Trojan Women (2021) and H of H (2021)

When: 11am-1pm CDT, Friday, April 29th, 2022

Where: Virtual (Zoom)

An online event organized by Laura Jansen (Bristol), Sarah Nooter (Chicago) and Mario Telò (Berkeley)

View full article. | Posted in Performances on Fri, 04/22/2022 - 10:01am by .

Third Annual Conference: Temple/Carleton Consortium on Women, Marriage and the Household from Antiquity to the Present: An Interdisciplinary, Global Conference 

WOMEN AND RITUAL ACTS

When: May 12-14, 2022

Where: Temple University Rome: Lungotevere Arnaldo da Brescia, 15 and Virtual participation available via Zoom

Co-DirectorsKaren Klaiber Hersch and Jaclyn Neel

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 04/20/2022 - 10:44am by .

Call for Applications: Tsakopoulos Hellenic Collection
Hellenic (formerly Library) Research Fellowship Program 2022-2023

**Contingent on continued on-campus operations during 2022-2023 academic year**

Thanks to generous ongoing funding from the Elios Charitable Foundation, the Tsakopoulos Hellenic Foundation, and the Tarbell Family Foundation, the University Library is pleased to offer the continuation of the Hellenic (formerly Library) Research Fellowship Program (HRFP) for a 10th year. The name change is intended to better convey and reflect the focus of the program. The Program supports the use of the Tsakopoulos Hellenic Collection by fellows for scholarly research in Hellenic studies while in residence in Sacramento, CA.

View full article. | Posted in Awards and Fellowships on Wed, 04/20/2022 - 10:01am by .

As the annual meeting program submission deadlines approach, we have had a few reports from people who can't log into the program submission site but can log into our main website (https://classicalstudies.org)

In order to address these difficulties, we've made some technical adjustments. As of today (4/19/22), if you are an active member, you will be able to log into both sitesclassicalstudies.org and the program submission system. If you are not an active member for 2022, you will not be able to log into either site. 

You can check your membership status at https://scs.press.jhu.edu/membership/log-in

If you are planning to make a submission, please do not leave it until the last minute to check your membership status. 

View full article. | Posted in SCS Announcements on Tue, 04/19/2022 - 7:42am by Helen Cullyer.
SASA reading groups flyer

SASA (Save Ancient Studies Alliance) is looking for experienced and passionate educators for a paid role during the summer! SASA has received a generous grant of $10,000 from the Delmas Foundation to support their Summer Mini-Reading Groups.

These groups are small, informal discussion groups, centered on ancient texts! They are free to participants, and are hosted on Zoom. We are now looking for talented and dedicated academics to lead 3 and 8 week reading groups.

See here for more details, and read the Call for Applications.

View full article. | Posted in Summer Programs on Tue, 04/19/2022 - 7:23am by Helen Cullyer.
A white marble statue of a nude man holding a smaller old man on his shoulder with a child behind his legs. The old man carries a statue.

In an April 2020 post for Eidolon, I gathered predictions on “classics after coronavirus.” Two years later, it’s hard to believe all that’s changed — and all that’s stayed the same. Thanks to advocacy for more inclusive and global approaches to antiquity, the term “classics” can scarcely be used without scare quotes. Even the simple preposition “after” seems hopelessly outdated: we’re all learning to live and work alongside a virus that’s here to stay.

View full article. | Posted in on Wed, 04/13/2022 - 10:35am by .
Title: Papyrus in Greek regarding tax issues (3rd ca. BC.)  Currently in the Metropolitan Mueum of Art. https://www.metmuseum.org/art/collection/search/251788 Source: Wikipedia Commons https://commons.wikimedia.org/wiki/File:Papyrus_in_Greek_regarding_tax

Digital Corpus of Literary Papyri Workshop

Where: Carleton University, Ottawa

When: July 6–8 2022

The College of the Humanities at Carleton University is partnering with the University of Manitoba to offer a three-day practical workshop on the Digital Corpus of Literary Papyri (DCLP) in Ottawa, July 6–8 2022.

View full article. | Posted in Summer Programs on Mon, 04/11/2022 - 10:19am by .

The 2021-2022 SCS Nominating Committee, co-chaired by C.W. (Toph) Marshall and Patrice Rankine, has worked hard through the late Fall 2021 and early 2022. The Committee is pleased to present the complete slate of candidates for election in Summer 2022. All candidates listed below have agreed to stand. SCS will publish candidate statements in the early summer and online voting will begin as usual on or around August 1.

View full article. | Posted in SCS Announcements on Fri, 04/08/2022 - 2:17pm by Helen Cullyer.
Four stone columns in the shape of women dressed in drapery stand at the front of a stone building with a green, domed roof.

The Ancient Worlds, Modern Communities initiative (AnWoMoCo), launched by the SCS in 2019 as the Classics Everywhere initiative, supports projects that seek to engage broader publics — individuals, groups, and communities — in critical discussion of and creative expression related to the ancient Mediterranean, the global reception of Greek and Roman culture, and the history of teaching and scholarship in the field of classical studies. As part of this initiative, the SCS has funded 132 projects, ranging from school programming to reading groups, prison programs, public talks, digital projects, and collaborations with artists in theater, opera, music, dance, and the visual arts. To date, it has funded projects in 28 states and 11 countries, including Canada, UK, Italy, Greece, Spain, Belgium, Ghana, Puerto Rico, Argentina, and India.

This post discusses four AnWoMoCo funded projects: an outreach program in CT called “Ancient Worlds in Our Community” (AWOC); a new adaptation of the Oresteia in Long Island; the publication of a book on Neoclassical influences on Chicago architecture; and Project Nota, a database of women Latin authors from all periods.

View full article. | Posted in on Fri, 04/08/2022 - 10:54am by .

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