Call for Papers: Transdisciplinary Conference on Distributed Authorship

"author.net"

a transdisciplinary conference on distributed authorship

UCLA, October 5-7 2018.
Co-Organizers, Francesca Martelli and Sean Gurd

DEADLINE FOR ABSTRACTS: January 15, 2018

Long associated with pre-modern cultures, the notion of “distributed authorship” still serves as a mainstay for the study of Classical antiquity, which takes 'Homer' as its foundational point of orientation, and which, like many other disciplines in the humanities, has extended its insights into the open-endedness of oral and performance traditions into its study of textual dynamics as well. The rise of genetic criticism within textual studies bears witness to this urge to fray perceptions of the hermetic closure of the written, and to expose the multiple strands of collaboration and revision that a text may contain. And the increasingly widespread use of the multitext in literary editions of authors from Homer to Joyce offers a material manifestation of this impulse to display the multiple different levels and modes of distribution at work in the authorial process. In many areas of the humanities that rely on traditional textual media, then, the distributed author is alive and well, and remains a current object of study.

In recent years, however, the dynamic possibilities of distributed authorship have accelerated most rapidly in media associated with the virtual domain, where modes of communication have rendered artistic creation increasingly collaborative, multi-local and open-ended. These developments have prompted important questions on the part of scholars who study these new media about the ontological status of the artistic, musical and literary objects that such modes of distribution (re)create. In musicology, for example, musical modes such as jazz improvisation and digital experimentation are shown to exploit the complex relay of creativity within and between the ever-expanding networks of artists and audiences involved in their production and reception, and construct themselves in ways that invite others to continue the process of their ongoing distribution. The impact of such artistic developments on the identity of 'the author' may be measured by developments in copyright law, such as the emergence of the Creative Commons, an organization that enables artists and authors to waive copyright restrictions on co-creators in order to facilitate their collaborative participation. And this mode of distribution has in turn prompted important questions about the orientation of knowledge and power in the collectives and publics that it creates.

This conference seeks to deepen and expand the theorising of authorial distribution in all areas of human culture. Ultimately, our aim is to develop and refine a set of conceptual tools that will bring distributed authorship into a wider remit of familiarity, and to explore whether these tools are, in fact, unique to the new media that have inspired their most recent discursive formulation, or whether they have a range of application that extends beyond the virtual domain.

We invite contributions from those who are engaged directly with the processes and media that are pushing and complicating ideas of distributed authorship in the world today, and also from those who are actively drawing on insights derived from these contemporary developments in their interpretation of the textual and artistic processes of the past, on the following topics (among others):

·       The distinctive features of the new artistic genres and objects generated by modes of authorial distribution, from musical mashups to literary centones.
·       The impact that authorial distribution has on the temporality of its objects, as the multiple agents that form part of the distribution of those objects spread the processes of their decomposition/re-composition over time.
·       The re-orienting of power relations that arises from the distribution of authorship among networks of senders and receivers, as also from the collapsing of 'sender' and 'receiver' functions into one another.
·       The modes of 'self'-regulation that authorial collectives develop in order to sustain their identity.
·       Fandom and participatory culture, in both virtual and traditional textual media.
·       The operational dynamics of 'multitexts' and 'text networks', and their influence by/on virtual networks.

Paper proposals will be selected for their potential to open up questions that transcend the idiom of any single medium and/or discipline.

Please send a proposal of approximately 500 words to gurds@missouri.edu by January 15, 2018.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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We've put together a list of the special events that will take place at the 2018 Annual Meeting.

Note that, while paper sessions will take place in the Marriott, a large portion of the evening events will be housed in the Westin.

The upcoming December Newsletter from the SCS office will have more information about these and other events at the Annual Meeting.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Wed, 11/22/2017 - 10:39am by Erik Shell.
Advanced Seminar in the Humanities 2018– 2019
Literature and Culture in the Ancient Mediterranean: Greece, Rome, and the Near East

From March 12 to March 23, 2018 Università Ca’ Foscari Venezia, in cooperation with Venice International University, will offer an advanced seminar on “Literature and Culture in the Ancient Mediterranean: Greece, Rome and the Near East”.

The Program

The program is conceived as a two year commitment over two successive years (2018 and 2019). The first session (March 12-23, 2018) will consist of lectures by scholars with a seminar approach on the origins and development of literary genres and literacy in Ancient Greece, Rome and the Near East. Some of the lectures will run simultaneously and will be devoted respectively to the interpretation of specific classical and near Eastern texts, with more focus on textual analysis. An evening lecture by an invited speaker special is also under consideration.

The lectures will alternate with a series of site visits, for example, to the Marciana Library, the Library of San Lazzaro degli Armeni, and the Basilica of San Marco.

View full article. | Posted in Awards and Fellowships on Tue, 11/21/2017 - 12:35pm by Erik Shell.

CLASSICAL ASSOCIATION OF THE PACIFIC NORTHWEST (CAPN)
ANNUAL MEETING, MARCH 9-10, 2018
CALL FOR PAPERS

The 48th Annual Meeting of the Classical Association of the Pacific Northwest (CAPN) will take place at the University of Puget Sound in Tacoma, WA, on March 9-10, 2018. The keynote speaker will be Professor Joy Connolly, Provost of the Graduate Center, CUNY.

Call for Papers: We invite papers on any aspect of the ancient Mediterranean world, including Greece, Rome, Egypt, and the Ancient Near East. We especially seek those that are likely to be of broad interest and seek to make connections among different elements of the ancient world. Such connections may cross traditional disciplinary boundaries (such as archaeology, drama, history, literature, and philosophy) or geographical boundaries (e.g., looking at intersections between Greek society and Roman society) or even temporal boundaries (including receptions of Mediterranean antiquity in later places and times). We also welcome pedagogical papers, especially those that address the instruction of Latin and Greek at the primary, secondary, and university levels. Teachers and students of Classics at any level of instruction (K-12, college, or university) are encouraged to submit abstracts.

View full article. | Posted in Calls for Papers on Tue, 11/21/2017 - 12:00pm by Erik Shell.
30th International Conference of Philosophy
"POLIS, COSMOPOLIS AND GLOBALISATION"
July 20-26, 2018
Samos, Greece

Call for Abstracts

This conference will bring together philosophers, classicists, researchers and scholars from all areas whose work concerns important issues involving various aspects of globalization, the notion of globalization itself and/or Greek philosophy. The conference aims at providing a platform for in-depth analysis and discussion of the above mentioned themes.

We welcome submissions from a wide range of disciplines, including economy, ontology, metaphysics, epistemology, ethics, politic, as well as other relevant disciplines and fields. Each paper session will have 20 minutes for presentation followed by Q/A session.

Papers presented at the conference will be eligible for inclusion in a proceedings Volume. We are looking to publish works that explore ideas, concepts, theories and their implications across multiple disciplines and professions that grapple with the relevant problems of our age.

View full article. | Posted in Calls for Papers on Tue, 11/21/2017 - 10:39am by Erik Shell.

Mark Masterson, Senior Lecturer of Classics at Victoria University of Wellington (New Zealand) and member of the SCS for over 20 years, has been awarded a grant $476,000 from the Marsden Fund administered by Royal Society for his research project, "Revealing Desire between Men in the Byzantine Empire". He will be holder of this grant for three years starting in 2018.  Here is a link to the awards the Royal Society made this year:

https://royalsociety.org.nz/what-we-do/funds-and-opportunities/marsden/awarded-grants/marsden-awards-2017/

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View full article. | Posted in Awards and Fellowships on Tue, 11/21/2017 - 8:39am by Erik Shell.
Scene from Roman History, depicting a Youth receiving Armor from a Dying Man

The pitfalls facing intermediate Latin students as they move from a basic knowledge of forms and the simplified Latin of textbooks to actually reading Latin are well-known. It’s not just the artful word order or sophisticated grammar of classical texts. As Kenneth Kitchell emphasized in a well-known article (Kitchell 2000), the geographical and cultural knowledge required can baffle even the student well trained in verb forms, case usage, and syntax. Then there is the well-known tendency of students themselves to ignore low-hanging fruit, to spurn the solicitously extended helping hand in the form of commentaries on their Latin texts, notes specifically designed to help them surmount these difficulties. What can be done?

View full article. | Posted in on Mon, 11/20/2017 - 8:00pm by Emma Vanderpool.

The SCS Outreach Prize Committee has awarded the 2017 Outreach Prize to Professor Roberta Stewart of Dartmouth College for her work in developing book discussion groups on the Homeric poems with military veterans. Professor Stewart's long-running initiative is now a major collaborative project of Dartmouth College and New Hampshire Humanities, funded by the National Endowment for the Humanities.

Award Citation

Even in today's busy, noisy, and self-absorbed world, the passionate, quiet, and selfless work of the individual does not remain unnoticed. We are proud to offer the 2017 SCS Outreach Prize to Roberta Stewart for her tireless pursuit of healing and social justice (in New Hampshire and Vermont) through engaging veterans in reading and discussing Homer's Iliad and Odyssey. By teaching them how to appropriate the two epics as living texts, she has given veterans, as one of them put it, the controlling voice in processing their experiences and their Odyssean stories of homecoming in particular.

View full article. | Posted in Awards and Fellowships on Sun, 11/19/2017 - 8:40pm by Helen Cullyer.

Contributed by Professor Jamie Romm, Bard College:

William (Bill) Mullen, professor of classics at Bard College, died suddenly on Nov. 2, 2 days before he would have turned 71.

Bill earned his B.A. degree from Harvard and his Ph.D. from the University of Texas at Austin.  His doctoral dissertation was titled “Pindar’s Aeginetans,” a study of the odes for Aeginetan victors. Bill published a book on Pindar, "Choreia: Pindar and Dance," (Princeton 1982), in which he made a bold attempt to reimagine the choreography of the danced epinician poems.

Bill was beloved of many students at Bard in the 32 years he taught there, and built the college's Classics program virtually ex nihilo. He came to Bard as associate professor of classics in 1985, after earlier stints at Boston University and St. John's College in Annapolis, Maryland.   He was a devotee of oral recitation of ancient verse and participated actively in The Readers of Homer, a nonprofit organization that sponsors audience-participation readings of the Homeric epics. In 2013–14, he served as Distinguished Visiting Professor at the United States Air Force Academy, an honor of which he was particularly proud. 

View full article. | Posted in In Memoriam on Fri, 11/17/2017 - 12:38pm by Helen Cullyer.

This is a reminder that the deadline to fill out the registration form for the Career Networking Event is November 22nd.

This event is only open to those who pre-register for it.

To sign up, fill out this form before the 22nd, and be sure to direct any questions to info@classicalstudies.org

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Thu, 11/16/2017 - 8:18am by Erik Shell.
CLEISTHENES WORKSHOP
 
on Ancient Greek Thought and Practices from Homer to Plato
 
April 5th (2 pm) – 6th (5pm), 2018 in Besançon, France.
Scientific Committee : Michel Fartzoff, Karin Mackowiak, Arnaud Macé
Logiques de l'Agir EA 2274 & Institut des sciences et techniques de l'Antiquité EA 4011
 
CALL FOR PAPERS.
 
View full article. | Posted in Calls for Papers on Tue, 11/14/2017 - 10:50am by Erik Shell.

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