Call for Papers: Transdisciplinary Conference on Distributed Authorship

"author.net"

a transdisciplinary conference on distributed authorship

UCLA, October 5-7 2018.
Co-Organizers, Francesca Martelli and Sean Gurd

DEADLINE FOR ABSTRACTS: January 15, 2018

Long associated with pre-modern cultures, the notion of “distributed authorship” still serves as a mainstay for the study of Classical antiquity, which takes 'Homer' as its foundational point of orientation, and which, like many other disciplines in the humanities, has extended its insights into the open-endedness of oral and performance traditions into its study of textual dynamics as well. The rise of genetic criticism within textual studies bears witness to this urge to fray perceptions of the hermetic closure of the written, and to expose the multiple strands of collaboration and revision that a text may contain. And the increasingly widespread use of the multitext in literary editions of authors from Homer to Joyce offers a material manifestation of this impulse to display the multiple different levels and modes of distribution at work in the authorial process. In many areas of the humanities that rely on traditional textual media, then, the distributed author is alive and well, and remains a current object of study.

In recent years, however, the dynamic possibilities of distributed authorship have accelerated most rapidly in media associated with the virtual domain, where modes of communication have rendered artistic creation increasingly collaborative, multi-local and open-ended. These developments have prompted important questions on the part of scholars who study these new media about the ontological status of the artistic, musical and literary objects that such modes of distribution (re)create. In musicology, for example, musical modes such as jazz improvisation and digital experimentation are shown to exploit the complex relay of creativity within and between the ever-expanding networks of artists and audiences involved in their production and reception, and construct themselves in ways that invite others to continue the process of their ongoing distribution. The impact of such artistic developments on the identity of 'the author' may be measured by developments in copyright law, such as the emergence of the Creative Commons, an organization that enables artists and authors to waive copyright restrictions on co-creators in order to facilitate their collaborative participation. And this mode of distribution has in turn prompted important questions about the orientation of knowledge and power in the collectives and publics that it creates.

This conference seeks to deepen and expand the theorising of authorial distribution in all areas of human culture. Ultimately, our aim is to develop and refine a set of conceptual tools that will bring distributed authorship into a wider remit of familiarity, and to explore whether these tools are, in fact, unique to the new media that have inspired their most recent discursive formulation, or whether they have a range of application that extends beyond the virtual domain.

We invite contributions from those who are engaged directly with the processes and media that are pushing and complicating ideas of distributed authorship in the world today, and also from those who are actively drawing on insights derived from these contemporary developments in their interpretation of the textual and artistic processes of the past, on the following topics (among others):

·       The distinctive features of the new artistic genres and objects generated by modes of authorial distribution, from musical mashups to literary centones.
·       The impact that authorial distribution has on the temporality of its objects, as the multiple agents that form part of the distribution of those objects spread the processes of their decomposition/re-composition over time.
·       The re-orienting of power relations that arises from the distribution of authorship among networks of senders and receivers, as also from the collapsing of 'sender' and 'receiver' functions into one another.
·       The modes of 'self'-regulation that authorial collectives develop in order to sustain their identity.
·       Fandom and participatory culture, in both virtual and traditional textual media.
·       The operational dynamics of 'multitexts' and 'text networks', and their influence by/on virtual networks.

Paper proposals will be selected for their potential to open up questions that transcend the idiom of any single medium and/or discipline.

Please send a proposal of approximately 500 words to gurds@missouri.edu by January 15, 2018.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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Aeneas Departs from Carthage (Aeneid, Book IV)

Intermediate Latin students typically encounter Latin poetry for the first time with Vergil’s Aeneid. After a brief tutorial on the rules and patterns of dactylic hexameter, they plunge in with arma virumque cano. They learn scansion not only for the sake of tradition and proper understanding of the poem, but also so that they can appreciate its rhythms and artistry—the same reasons English teachers have for teaching their students iambic pentameter for Shakespeare. The symphony of “longs and shorts” can seem forbidding to students at first, and the remedy for this is most often simply practice. Today, given the convenience of phone and tablet apps, and their potential to transform idle moments of otium into more productive ones, the Pericles Group, LLC has created the Latin Scansion App to help Latin AP students practice scanning Vergil. Aulus Gellius, who scraped together his Attic Nights from omnia subsiciva et subsecundaria tempora (“all my spare and third rate time” praef. 23), would no doubt approve.

The title screen has three main buttons: Marathon, Timed, and Achievements. “Marathon” allows the user to select a range of lines from the AP syllabus and to scan them in an untimed session.

View full article. | Posted in on Mon, 09/18/2017 - 12:00am by Patrick Paul Hogan.

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Papers on any aspect of Greek and Roman antiquity in contemporary culture are eligible for consideration.

Potential topics include:

View full article. | Posted in Calls for Papers on Fri, 09/15/2017 - 3:23pm by Erik Shell.

Tacitus’ Wonders
Conference at Victoria University of Wellington, 27-29 August 2018
First call for papers

Readers have been attracted to the remarkable and wondrous, the admirable and the uncanny in Tacitus. But in order to appreciate what is mirum or novum, we also need to understand the apparently mundane material between the monstra. Tacitus famously derides the praises of new public buildings as a topic more worthy of the daily gazette than illustres annales (A. 13.31.1); his own criteria for selection, however, and his own judgments on what is worthy of note, have often differed in interesting ways from the preoccupations of his readers.

Abstracts (250 words) are invited on the topic of Tacitus’ wonders.
Submissions on comparative material are very much welcome.

Reflection is invited on the consequences of different methods of dividing or reconciling historical events and historiographical representation, e.g. Woodman (1993), O’Gorman (2001), Haynes (2003), and Sailor (2008). In preparing abstracts, it will be helpful to consider the challenge extended by Dench (in Feldherr, 2009), the ‘awkward question’ of whether the much admired Tacitean text ‘represents anything other than itself’. Papers treating the Classical tradition, reception and history of scholarship are welcome.

View full article. | Posted in Calls for Papers on Fri, 09/15/2017 - 1:38pm by Erik Shell.

Human | Nature: Environmental Humanities in Historical Perspective

March 23-24, 2018

The Ohio State University
Columbus, Ohio

Keynote Speaker: Timothy Saunders, Volda University College

Opening Remarks: Chris Otter, The Ohio State University

The Ohio State University Department of Classics, in collaboration with OSU’s Discovery Theme for Environmental Humanities and the Humanities Institute, is proud to announce its 15th annual graduate student colloquium.

A sense of urgency characterizes contemporary discussions about ecological welfare and anthropogenic effects on the non-human environment. At the core of this discourse lie questions with a long history of artistic, philosophical, political and religious expression. The proper management of space and resources, the negotiation of shifting boundaries between the “human” and “natural” worlds (however one chooses to define these categories), as well as the contemplation of humanity’s place among the living and nonliving co-inhabitants of Earth are all pursuits basic to human survival and livelihood. Moreover, the ways earlier generations found to represent the natural world they experienced and their human community's place within it have shaped the way we think and talk about such matters today.

View full article. | Posted in Calls for Papers on Fri, 09/15/2017 - 1:06pm by Erik Shell.

Digital Publication in Mediterranean Archaeology
Current Practice and Common Goals

A conference organized by the Institute for the Study of the Ancient World and The Shelby White and Leon Levy Program for Archaeological Publications, in partnership with the Archaeological Institute of America
Institute for the Study of the Ancient World

15 E. 84th Street
New York, NY
Friday, October 20, 2017
9am-5pm

Speaker list

View full article. | Posted in Conferences, Lectures, and Meetings on Fri, 09/15/2017 - 12:56pm by Erik Shell.

“Deconstructing the Open Greek and Latin Project: The First Thousand Years of Greek”

An AIA-SCS Pre-Meeting Workshop, presented in coordination with the SCS 

January 3, 2018, 9:00 to 5:00, Tufts University, Medford, MA

Interested in open access, the digital humanities, or conducting digital scholarship in your research and/or teaching?  Aren't sure what these topics have to do with classics or archaeology, or even how to get started?  Then, please consider joining us next January 3 at the AIA-SCS pre-meeting workshop "Deconstructing the Open Greek and Latin Project"!

In this workshop, partners from the Perseus Digital Library, the Harvard Library and Harvard Center for Hellenic Studies, the Institute for the Study of the Ancient World, the University of Leipzig, Mount Allison University, and the University of Virginia Library will come together to demonstrate research tools, explain how to involve students in digital scholarship, provide open data for hands-on exploration from the Open Greek and Latin Project, as well as create a growing and supportive open access community.

View full article. | Posted in Conferences, Lectures, and Meetings on Fri, 09/15/2017 - 9:23am by Erik Shell.

International Association for Presocratic Studies

Sixth Biennial Conference: 25-29 June 2018

Delphi, Greece: European Cultural Centre of Delphi

Chair of Organizing Committee: Richard McKirahan

The International Association for Presocratic Studies (IAPS, founded in 2008) announces its Sixth Biennial Conference. The meeting will take place at the European Cultural Centre of Delphi, Greece 25-29 June 2018.

IAPS understands “Presocratics” to be the figures for whom either fragments of their work or relevant testimonia are collected in Hermann Diels’ Die Fragmente der Vorsokratiker (6th edn. 1951, edited by Walther Kranz). IAPS welcomes presentations on philosophical, philological, textual, doxographical, scientific, historical, literary and religious topics having to do with the Presocratics, on connections between Presocratic thought and other figures (e.g., the Sophists)and other areas of intellectual activity (e.g., mathematics, medicine or music), and on the reception of Presocratic thought in antiquity and later times.

IAPS welcomes participation from scholars at all stages of their careers, from graduate students to senior figures in the field.

To receive further information about the conference, please send a message with the title “IAPS 6” to Prof. Richard McKirahan <rmckirahan@pomona.edu>.

View full article. | Posted in Conferences, Lectures, and Meetings on Tue, 09/12/2017 - 11:57am by Erik Shell.

Call for Papers
Workshop: Language and Reality in Ancient Philosophy

Tuesday 16th January 2018, Faculty of Philosophy, University of Groningen, The Netherlands

Keynote speaker: David Ebrey (Humboldt-Universität zu Berlin).

Ancient philosophers gave significant attention to the nature of language and its relation to reality. This workshop aims to stimulate scholarly exchange on the issue(s) and invites abstracts dealing with ancient philosophy of language, ancient metaphysics, and the relation between language and reality. Abstracts of up to 1000 words suitable for presentations of up to 40 minutes should be submitted by Saturday 21st October, 2017 to T.Nawar@rug.nl.

- The subject line of the email should read: 'SUBMISSION: Language and Reality in Ancient Philosophy (GRONINGEN)'.
- The abstract should be attached as a .PDF file.
- The abstract should be suitable for anonymous review.
- The author's name, affiliation, and email address should be specified in the email to which the abstract is attached, but not in the abstract itself.

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View full article. | Posted in Calls for Papers on Mon, 09/11/2017 - 12:39pm by Erik Shell.

Deadlines Extended Because of Severe Weather Conditions

  • All paper ballots received by 5pm on Monday, September 18 will be counted in the elections.  Paper ballots do not have to be received on Friday, September 15.

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View full article. | Posted in SCS Announcements on Mon, 09/11/2017 - 10:08am by Erik Shell.

This article was originally published in Amphora 11.1. It has been edited slightly to adhere to current SCS blog conventions.

“Zero to Hero, in no time flat … Zero to Hero, just like that!” The Muses’ song from the Disney film Hercules could apply equally well to the sudden, spectacular rise of Hercules in pop entertainment of the late 1990s. Those proved lively years for the hero in American film and TV, spearheaded by the 1997 Disney animated movie and by television’s Hercules: The Legendary Journeys, starring Kevin Sorbo (1995-99). The two quickly spun off more TV series: Disney’s Hercules: The Animated Series (1998-99, 65 episodes of 30 minutes each) and Young Hercules (1998-99, 50 episodes also of 30 minutes each) starring Ryan Gosling.[1] Both spinoffs reimagined the mythological hero specifically for younger viewers and gave him unprecedented exposure in children’s weekday TV.[2]

View full article. | Posted in on Mon, 09/11/2017 - 12:00am by Angeline Chiu.

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