Call for Student Nominations: Emory Summer Seminar in Material Culture

The Use of Art and Material Culture in Scholarship and Teaching:
Greek and Roman Art: an Introduction
A Seminar in Material Culture for Graduate Students in Classics and Ancient History
Directed by Dr Jasper Gaunt, Curator of Greek and Roman Art, Michael C. Carlos Museum,
Emory University
22 May – 30 June 2017
Emory University, Atlanta GA
Supported by generous grants from the Samuel H. Kress and Henry Luce Foundations, and Emory University
The Society for Classical Studies (SCS) invites doctoral programs in Classics or Ancient History to nominate a student to participate in a 6-week seminar that will introduce ten graduate students to the use of material culture in their scholarship and teaching. The aim of this seminar is to familiarize students with archaeological material that goes hand in hand with the historical and literary records, and how to incorporate such evidence into historical or philological research. This seminar will be the second of three with the same purpose but with different foci and at different institutions. The first took place at the J. Paul Getty Museum in 2016; the third will be held in 2018. Background. Despite new awareness of the scope of material evidence, and the ready availability of excellent images, all too often literary scholars treat images as decoration or illustration, while historians exploit the material record only gingerly. Probably more important than “literature” was the oral tradition, and the essential web of images that arose from it. Conversely, it has been wisely said of archaeology that it is a branch of ancient history.
This seminar offers students an opportunity to engage with the material record on a daily basis. Over the six weeks, every effort will be made to introduce the widest range of possibilities encountered in the archaeological record. Not only pottery and sculpture in bronze and marble will be considered, but also works in precious or exotic materials like ivory, gold, silver, amber, gems, glass, faience, and colored stones. Questions of facture and circulation will predominate: how these objects were made, by whom, for whom, why, and how to recognize them in the literary, historical and epigraphic record.
Resources and Faculty.
Participants will have access to the Museum’s collections of Egyptian, Nubian, Near Eastern, Greek, Etruscan and Roman antiquities, both those on view in the galleries and those in storage. The latter, which will be used daily for teaching, include notably rich holdings of fine pottery and gems. The Karen Mariea Madsen Parsons Conservation Laboratory, the Thalia N. Carlos Education Center and its staff are also participants, as are Emory faculty members. An extensive collection of plaster casts of ancient sculpture, and models of the sanctuaries at Delphi, Olympia and the Athenian Acropolis on long-term loan from the Metropolitan Museum of Art are sprinkled among several buildings on campus. Further resources include the two principal campus libraries, the Robert W. Woodruff together with the Stuart A. Rose Manuscripts and Rare Books Library; and The Pitts Theology Library. Besides resources at Emory, the course will include the participation of Prof. Patricia Butz, Savannah College of Art and Design, on treasuries and their inscriptions; Prof. Mark Abbe, University of Georgia at Athens, on polychromy and color on ancient sculpture; and Prof. Peter Bing, University of Toronto, on the new Posidippos papyrus and hellenistic gems.
The course is co-ordinated by Jasper Gaunt, Curator of Greek and Roman Art at the Michael C. Carlos Museum. He is the joint editor with A.J. Clark of Essays in Honor of Dietrich von Bothmer (Amsterdam 2002), and has published widely on Greek vase-painting (including a volume of the Corpus Vasorum Antiquorum: Great Britain 21: Harrow School, 2005), vessels in bronze and marble, metrical inscriptions on pottery, and reception studies.
The seminar is structured in broadly chronological terms. The importance of time allocated for students to absorb material in the galleries in their own ways cannot be overstated. Three two-hour classes are planned each week around an over-arching theme, outlined in the synopsis. Provision is also made each afternoon for further opportunities to handle original objects. Excursions to local artists’ workshops – such as glass-blowing, gold working and a bronze foundry – are planned on Friday afternoons, as is a day trip to see the Nashville Parthenon and its life-size reproduction of the chryselephantine cult statue.
Expectations of Students.
It is proposed that students will undertake small assignments on an on-going basis, intended primarily to foster familiarity with the world of objects. These will include informal mini-presentations on objects in the Carlos Museum’s collections, gallery talks, and some sketching. Over the course of the seminar, participants will work on a paper to be presented in the last week. The subject will be of the student’s choice, rising out of their research interests, but in conjunction with the course co-ordinator, who will allocate generous weekly time to meet with students individually.
Logistics and Funding.
Students selected for the seminar will be offered free accommodation at the Clairmont Campus of Emory University. A shuttle service operates between this campus and the main one where the seminar will be held. Both on campus and within walking distance of campus can be found a variety of shops, grocery stores and places to eat. Some public transportation, and taxi services like Uber, work well. In other words, the use of a car is not essential. The cost of car rental is greatly reduced if the airport is avoided. In addition, thanks to the generosity of the Samuel H. Kress and Henry Luce Foundations, the SCS will provide a stipend of up to $2,000 to cover the cost of travel to and from Atlanta, and modest out of pocket expenses. The SCS believes that these arrangements will offset many but by no means all of the costs of attendance at the seminar.
Nomination Process.
Each doctoral program may nominate only one student for the seminar. The focus of the student’s academic work should be classical languages, literatures, and/or history and not archaeology or other areas of material culture. Preference will be given to graduate students who are still taking coursework or in the early stages of writing their dissertation. Nominators should elicit from potential applicants a CV and a statement of the value that the student expects to derive from attending the seminar, choose one applicant to nominate, and forward the CV and statement to the SCS Executive Director (, along with a brief endorsement. The student’s statement should be 500 to 700 words in length and should describe how the seminar would advance the applicant’s education and scholarly interests. The student him or herself should also email the Executive Director ( with full name, mailing address, phone number.
A committee consisting of Dr Gaunt as chair and Professors Mary English (SCS Vice President for Education) and Donald Mastronarde (SCS VP for Publications and Research) will select participants from ten different academic institutions and a variety of countries of origin. Although many applicants from North America are expected, students from all countries are equally welcome. Reasonable fluency in English is the only requirement. Nominations by departments and emails from student nominees including their full contact information should be submitted electronically to no later than 1 January 2017. The SCS will announce the decisions of the selection committee in early February 2017. Questions about the seminar program may be directed to Dr Gaunt at or by telephone at 404 727 1146.
Synopsis of Curriculum
Each week has an over-arching (chronological) theme that is explored in a two-hour class on Monday, Wednesday and Friday 9.30–11.30. On Mondays through Thursdays, an afternoon session 2.30–4:00 is offered during which original works of art that are relevant to the topics discussed during the week are handled, and questions of manufacture discussed. On Friday afternoons, excursions are planned to studios of artists working in different media.
Week One: Monday May 22 – Friday May 26: Homer between Bronze Age and Geometric Greece
The Heroon at Lefkandi - Nestor’s Cup from Pithekoussai – Early artistic responses to the Epic Cycle
Week Two: Monday May 29 – Friday June 2: Archaic Greece: The symposium: how to throw a party in archaic Greece
Myths on vases, myths in “literature” - History and heroes - Herodotus and the Vix krater
Week Three: Monday June 5 – Friday June 9: Classical Greece
Inscriptions and the Parthenon Inventories – Polychromy on Greek sculpture - Textiles
Guest speakers: Dr Patricia Butz, Savannah College of Art and Design (inscriptions); Dr Mark Abbe, University of Georgia at Athens (polychromy)
Week Four: Monday June 12 – Friday June 16: Alexander the Great and the Hellenistic World
Macedonian Tombs - The Posidippos Papyrus and gems – Ptolemaic Egypt
Guest speaker: Dr Peter Bing, University of Toronto (Posidippos)
Week Five: Monday June 19 – Friday June 23: The Roman World
Trimalchio’s dinner party - Portraiture - Glass
Week Six: Monday June 26 – Friday June 30: Pulling Things Together
Student reports
(Photo: Michael C. Carlos Museum. Carlos Collection of Ancient Art, Atlanta, used with permission)


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From now on, the Gnomon Bibliographic Database will also be available in an English version (, including a comprehensive English thesaurus. The database contains around 500,000 entries, with monthly updates comprising the latest reviews, monograph studies, anthologies, and articles in periodicals.

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From the San Francisco State University News:

Alexandra Pappas has been selected by the Department of Classics to be the first endowed Raoul Bertrand Chair in Classics. Currently a fellow at the Center for Hellenic Studies in Washington, D.C., Pappas will join SF State this fall as an assistant professor.

Pappas will teach courses in Greek and Latin language, Greek art and archaeology and courses on Greek and Roman culture.

"Dr. Pappas is a dynamic teacher who is sure to attract new students to study ancient Greece, Rome and the broader Mediterranean," said classics Chair David Leitao. "Her exciting interdisciplinary research will help keep the classics department at the cutting edge of humanities in the 21st century."

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Follow this link to submit an individual abstract for the 2013 Annual Meeting.  The Program Committee will review these submissions on June 29-30, 2012.  Please be sure that your membership is current (i.e., paid up for 2012) before beginning the submission process.  If you are not sure whether you have paid your APA dues for the current year, ask the customer service staff at the Johns Hopkins University Press at, 800-548-1784 (US and Canada only), or 410-516-6987 (all others). 

Before submitting your abstract, please read the Program Committee's instructions for the submission of individual abstracts this year.  Please note that the Committee has instituted several changes in the submission process.  In addition, see the Association's general regulations concerning abstract submissions and suggestions from the Program Committee that emerged from a workshop on abstract writing at the 2010 annual meeting. 

View full article. | Posted in SCS Announcements on Tue, 04/17/2012 - 5:52pm by Adam Blistein.

From the Pulitzer website:

The 2012 Pulitzer Prize Winners

General Nonfiction

For a distinguished and appropriately documented book of nonfiction by an American author that is not eligible for consideration in any other category, Ten thousand dollars ($10,000).

Awarded to "The Swerve: How the World Became Modern," by Stephen Greenblatt (W.W. Norton and Company), a provocative book arguing that an obscure work of philosophy, discovered nearly 600 years ago, changed the course of history by anticipating the science and sensibilities of today.

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Instructions for the submission of individual abstracts to the APA Program Committee for review at its meeting in June will be posted here by April 17.  The deadline for submission of individual abstracts will be May 16, 2012, at 5:00 p.m. Eastern Time.

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From the

Tom Winter finished a lecture on passive and past-tense Latin verbs on Thursday, pulled his skateboard from the desk and rolled into a cool spring afternoon.

The University of Nebraska-Lincoln classics and religious studies professor became an Internet sensation Wednesday when a photo of him skateboarding across campus became the top item on the social news website The photo inspired dozens of memes -- photos with humorous text superimposed.

"Nine pages of memes and a site I never knew about before yesterday," Winter said. "It's a pretty good photo."

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In September 2009, the Vice President for Professional Matters, Professor James May, received from a member of the APA, Professor Jenny S. Clay, a complaint that her work and that of others had been plagiarized by Mr. Stephen Evans in his doctoral dissertation, Hymn and Epic: A Study of their Interplay in Homer and the Homeric hymns, which was published by the University of Turku in Finland as volume 244 of the Humaniora series of the Annales Universitatis Turkuensis in 2001.

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The most fundamental ethical obligation of any scholar is to give full and proper credit to all sources involved in research, whether these sources be the published work of other scholars or the unpublished work of students or colleagues. Material taken verbatim from another person’s published or unpublished work must be explicitly identified with reference to its author. Borrowed ideas or data, even if not directly quoted, must be explicitly acknowledged. Revised reprints and translations of earlier work should be identified as such.

View full article. | Posted in SCS Announcements on Tue, 03/27/2012 - 9:33pm by Adam Blistein.

The Classical Reception Studies Network was formed in early 2004 as a collaboration between six universities with research specialisms in various aspects of Classical Reception Studies. The aims of the Network include the promotion of rigorous debate about all aspects of classical reception studies and the development of seminars and workshops to encourage the exchange of expertise and growth of collaborative projects (including the supervision of graduate students). Data is being collected on the research and teaching currently undertaken in Classical departments in the UK and the Republic of Ireland. Collection of information about classical reception studies in other Arts and Humanities departments will follow and it is intended to extend the survey to international contacts. Data collected to date is now available as a searchable online database. The web site also provides links to research and teaching resources.

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