CFP: Ancient Mediterranean for Modern Audiences

The Ancient Mediterranean for Modern Audiences: Reception, Pedagogy, Entertainment

March 6-7, 2020
Ohio Union, Columbus, Ohio

The aim of the OSU Classics Graduate Student Colloquium is to explore various directions in which the Ancient Mediterranean has been adapted and utilized by different cultures in Modern world from the Renaissance to the present day. In recent years, the online journal “Eidolon” and other public scholarship media have already successfully demonstrated how the cultures of the Ancient Mediterranean can be accessed, interpreted, and applied through various experiences by scholars, students, writers, and by the wider communities. We believe that the reception of Ancient Mediterranean cultures has become an important element of Classical scholarship and pedagogy. It is a critical point of contact between the academic community and the general audience.

The OSU Classics Graduate Student Colloquium invites papers on a range of topics that discuss and analyze the reception of the Ancient Mediterranean from a point of view of philology, linguistics, theater and performance studies, history, pedagogy, archaeology, art history, philosophy, anthropology, political studies, media studies, and/or gender studies. Possible topics include, but are not limited to:

  • Reception of the Ancient Mediterranean in literary traditions of different countries, nations, and cultures
  • Ancient Theatre on the modern stage
  • Texts of the Ancient Mediterranean in translations
  • The Ancient Mediterranean in visual culture
  • Reception of the Ancient Mediterranean in new media: social networks and online communities
  • Representation of the Ancient Mediterranean in video games
  • Use of Ancient Mediterranean images in marketing
  • Modern and post-modern philosophy and its use of Classics
  • Classics in politics and propaganda
  • Reception of Ancient Mediterranean cultures and its use in the classroom
  • Classical pedagogy as the reception of Ancient Mediterranean cultures

We are excited to announce that Dr. Zara Torlone, Professor (Classics and Havighurst Center for Russian and Post-Soviet Studies, Miami University) will be presenting a keynote lecture entitled “Joy of Exile: Ovid and Russian Poets".

All submissions should include 1) an abstract not exceeding 300 words and 2) a brief CV or academic bio not exceeding one page. We ask that all submissions and inquiries be sent to

osuclassicscolloquium@gmail.com.

DATES:

Deadline for submissions: Monday, November 18th, 2019

Will notify all applicants: Monday, December 2nd, 2019

Colloquium: Friday, March 6th - Saturday, March 7th, 2020

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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In 2022 the Society for Classical Studies (SCS) will again award the David D. and Rosemary H. Coffin Fellowship for study and travel in classical lands.

The Fellowship is intended to recognize secondary-school teachers of Greek or Latin who are as dedicated to their students as the Coffins themselves by giving them the opportunity to enrich their teaching and their lives through direct acquaintance with the classical world.  It will support study in classical lands (not limited to Greece and Italy); the recipient may use it to attend an educational program in (e.g. American Academy, American School) or to undertake an individual plan of study or research. It may be used either for summer study or during a sabbatical leave, and it may be used to supplement other awards or prizes.

You can read more about this fellowship here: Coffin Fellowship Flyer or for full details and instructions please visit the David D. and Rosemary H. Coffin Fellowship page. Materials must be received no later than 5:00 p.m. (Eastern Time) on Thursday, February 17, 2022.

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View full article. | Posted in SCS Announcements on Thu, 01/27/2022 - 8:16am by Helen Cullyer.

Digital Ancient Rome

An NEH Summer Seminar for K-12 educators

Digital Ancient Rome is an NEH Summer Seminar for K-12 educators that will give teachers an opportunity to learn about important examples of Roman art, architecture, and archaeology through a broad range of digital resources. One of the most exciting things for students who study ancient Rome is that so many physical aspects of its civilization survive to this day. It is not just an ancient history that we know through texts. The surviving material remains—small artifacts, sculpture, paintings, mosaics, public monuments, neighborhoods, and whole cities—tell a variety of stories about the ancient world, and they bring history to life in a way that students find compelling.  

Dates: July 18-29, 2022

Place: Gustavus Adolphus College, St. Peter, Minnesota

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 01/26/2022 - 8:40pm by Helen Cullyer.

Congratulations to our 2021 award winners again! You can view the full award citations by clicking on the links below:

Deborah Beck

Richard Ellis

Wilfred Major

Brett Rogers 

View full article. | Posted in Awards and Fellowships on Tue, 01/25/2022 - 2:11pm by Helen Cullyer.

Congratulations again to our 2021 winners! You can read the full award citations for each prize winner by clicking on the names below:

Jessie Craft

Mathew Olkovikas

Margaret Somerville


View full article. | Posted in Awards and Fellowships on Tue, 01/25/2022 - 1:48pm by Helen Cullyer.

CFS: Ancient Leadership Series for SAGE Business Cases

Since 2018, SAGE Business Cases (SBC) has been inviting authors to contribute to its Ancient Leadership series. This year’s series will explore ideas and examples of “Followership” through history, mythology, philosophy, and material culture.

View full article. | Posted in Calls for Papers on Mon, 01/24/2022 - 6:23pm by Helen Cullyer.
CAC logo in French and English

The Classical Association of Canada has extended its call for papers for its annual conference until February 7, 2022.

You can read more about the conference at this link: https://www.uwo.ca/classics/news/conferences/cac2022.html

The full CFP can be downloaded here: Call for Papers

View full article. | Posted in Calls for Papers on Mon, 01/24/2022 - 6:07pm by Helen Cullyer.
The poster for RU an Antígone? A black background with a Parthenon marble cast in the center, shaped like a headless male body reclining on its left side, propped up on its left arm, which is covered in drapery. The text reads: RU an Antigone?

RU an Antígone?, a play based on Sara Uribe’s Antígona González, was performed by Rockford University students on November 12, 2021. The performers were part of a fall semester course, CLAS 262, “Staging Politics in Antiquity and Today.” Students from different fields — including Nursing, Biochemistry, Education, Languages, and Political Science — took the stage to become Mexican Antigones and talk about missing people, violence, and disappearances in Latin America today.

On stage for the performance were two bodies, transported from the basement of the same building where the performance took place, Rockford University’s Scarborough Hall. A male and a female body. Two bodies “made of stone.” Two plaster casts of two of the so-called “Elgin marbles.” These castings came from Europe to the Art Institute of Chicago in the 19th century and, from there, to Rockford University in 1946. Those mythological images that have come from Europe to the Americas are part of our heritage.

Similarly, the story of Antigone has traveled from ancient Thebes to Mexico to prompt reflection and discussion about the thousands of disappearances in Latin America during the last decades. The Greek Antigone could bury her brother’s corpse, but this Mexican Antígona is still searching among the dead for the corpse of her brother.

View full article. | Posted in on Mon, 01/24/2022 - 10:16am by Yoandy Cabrera Ortega.
An illustration of an infographic titled "How UVM Admin Manufactured the Arts & Sciences Budget Crisis"

Happy news and an update on affairs at UVM.

A generous gift from Emeritus Professor Z. Philip Ambrose will let us maintain our MA program, and with it most of our undergraduate language curriculum, for the next five years at least. Please help us spread the word and encourage eligible students to apply for one of two very substantial fellowships that we can now offer each year. Our small program is familial yet rigorous, with a strong record of graduates securing doctoral fellowships as well as teaching positions in public and private schools. Our research collection is superb, from generations of active curation and endowed library funds. Burlington is also a fantastic place to pass two years. Information about our program, and a link to the application portal, are available here. Further questions may be directed to Dr. Jacques Bailly, DGS.

View full article. | Posted in on Fri, 01/21/2022 - 11:28am by .

2023 NumIG CFP

Call for Papers

“Ancient Coins and Portraiture”

Organized by the Numismatics Interest Group of the Archaeological Institute of America

For the Annual Meeting of the Archaeological Institute of America

Jan. 5-8, 2023, New Orleans, LA

View full article. | Posted in Calls for Papers on Tue, 01/18/2022 - 4:18pm by Helen Cullyer.
The logo for Asterion. A wide oval with a black background filled with stars. In the middle is a red circle with a Greek meander pattern, and inside the circle text reads "Asterion: Neurodiverse Classics."

As an autistic classicist, one of the things I’ve always struggled with is social interaction. In class, I teach students about Bourdieu and habitus and cultural scripts, while all the time feeling that, whatever the cultural script of our time is, mine got lost in the mail. I’ve spent my life pretending (without much success) to understand people and the codes that underpin their actions. The easiest solution for me has always been to hide because, when I’m on my own, I’m not uncomfortable, awkward, or afraid.

But hiding sends the wrong message and models the wrong behavior, as I realized when my son was diagnosed with autism, too. How can you advise a child to pretend to be like everyone else, because difference makes them a target? How can you warn them that their honesty will make them an outcast, their sensitivities will make them vulnerable, and their hyperempathy will make them a victim? How can you commit to inclusion in your professional life while accepting exclusion in your personal life?

You can’t — or, at least, I couldn’t.

View full article. | Posted in on Tue, 01/18/2022 - 9:38am by .

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