CFP: Generic Interplay in and After Vergil

Generic Interplay in and after Vergil

Symposium Cumanum 2020

Villa Vergiliana, Cuma

June 24–26, 2020

Co-directors: Brittney Szempruch (United States Air Force Academy) and John F. Miller (University of Virginia)

Although Vergil famously opens the Aeneid with a definitive statement of poetic intent—arma virumque cano—scholarship has long highlighted the poet’s propensity for the complication of firm generic boundaries. Amid a range of theoretical responses that have shaped the past nearly one hundred years (Kroll 1924; Cairns 1972; Fowler 1982; Conte 1986; Harrison 2007), the Vergilian corpus has emerged as some of the most productive ground for the in-depth study of generic flexibility (e.g. Nelis 2004; Seider 2016).

On its broadest level, this symposium aims to bring together scholars to discuss how the works of Vergil illuminate questions about genre and literary identity in the ancient world. In addition to looking at generic interplay in Vergil’s poetry, we seek to examine the role that genre has played in Vergil’s afterlife, both among his contemporaries and in later ages: how, particularly in relation to Vergil’s poems, did genre create or elide perceived boundaries and/or affiliations between authors in antiquity? What cultural implications did explicit or implicit generic interplay have? How has genre shaped not only our understanding of Vergil and what it meant to be an Augustan poet, but our reception (‘after’ in another sense) of the earlier genres with which he engaged? What do we gain and lose by putting Vergil at the forefront of this narrative?

Both textual studies and theoretical interventions are welcome. Papers might consider (but are not limited to) the following topics:

  • Ÿ ‘Greek’ vs. ‘Roman’ genres across Vergil’s poetry
  • Ÿ Vergil’s reception of Hellenistic generic theory and experimentation
  • Ÿ the presence of nonpoetic genres (scientific, philosophical, etc.) in the Vergilian corpus
  • Ÿ hymn, epigram, and tragedy in Vergil
  • Ÿ elegy and Vergilian pastoral
  • Ÿ ‘didactic’ and heroic epic
  • Ÿ the reception of Vergilian generic conventions
  • Ÿ the centrality of (and/or bias toward) Vergil in discussions of genre in antiquity

Speakers will include Giancarlo Abbamonte (Naples–Federico II), Alessandro Barchiesi (NYU), Sergio Casali (Rome–Tor Vergata), Stephen Harrison (Oxford), Julia Hejduk (Baylor), Alison Keith (Toronto), Giuseppe La Bua (Rome–Sapienza), James O’Hara (UNC Chapel Hill), Vassiliki Panoussi (William & Mary), Stefano Rebeggiani (USC), Fabio Stok (Rome–Tor Vergata), and Adriana Vazquez (UCLA).

Papers will be 20 minutes long with ample time for discussion. Participants will arrive on June 23 followed by three full days of papers, discussion, and visits to Vergilian sites.

Interested scholars should send an abstract of no more than 300 words to vergilandgenre2020@gmail.com by December 1, 2019.

For inquiries and further information, contact the directors:

Brittney Szempruch (brittney.szempruch@usafa.edu)

John Miller (jfm4j@virginia.edu)


Cited Works

Cairns, F. 1972. Generic Composition in Greek and Roman Poetry. Edinburgh.

Conte, G. B. 1986. The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets. Cornell.

Fowler, A. 1982. Kinds of Literature: An Introduction to the Theory of Genres and

Modes. Harvard.

Nelis, D. 2004. “From Didactic to Epic: Georgics 2.458–3.48.” In Latin Epic and

Didactic Poetry: Genre, Tradition and Individuality, ed. M. Gale. Swansea: 73-107.

Harrison, S. J. 2007. Generic Enrichment in Vergil and Horace. Oxford.

Kroll, W. 1924. “Die Kreuzung der Gattungen.” Studien zum Verständnis der römischen

Literatur: 202–24.

Seider, A. M. 2016. “Genre, Gallus, and Goats: Expanding the Limits of Pastoral in

Eclogues 6 and 10.” Vergilius 62: 3–23.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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A Day in the Life of A Classicist is a monthly column on the SCS blog, celebrating the working lives of classicists. This month, we look at the life of Classics graduate student Jordan Johansen.  

I typically wake up early, around 5:30 am. I never considered myself a morning person until I got to graduate school, but I got in the habit from taking Greek & Latin survey classes. I found that I couldn’t read Greek and Latin as clearly, efficiently, or quickly late at night, so I started working in the morning. Now that I’m done with surveys, I’ve kept up with the habit. I like that I can get a lot done before I start my day on campus. There are also usually not very many emails coming in that early, so it’s easier to keep from being distracted.

View full article. | Posted in on Thu, 04/04/2019 - 5:04pm by Jordan Johansen.
NEH Logo

April, 2019

Below is a list of the most recent NEH grantees and their Classically-themed projects. The NEH helps fund a number of SCS initiatives, and their support affects the field of Classics at a national and local level.

Grantees

  • Brenda Longfellow (University of Iowa) - "Women in Public in Ancient Pompeii"
  • Mont Allen (Southern Illinois University) - "Ancient Practices: An Interdisciplinary Minor"
  • Peter Meineck (Aquila Theatre Company Inc.) - "The Warrior Chorus: American Odyssey"
  • Alex Gottesman (Temple University) - "Freedom of Speech in Ancient Athens"
  • Danielle St. Hilaire (Duquesne University) - "The Art of Compassion: Aesthetics, Ethics, and Pity in Early Modern English Literature"
  • Michelle McMahon (American Research Center in Egypt) - "Sharing 7,000 Years of Egyptian Culture with the American Research Center in Egypt's Open Access Conservation Archive"
  • Laura McClure (University of Wisconsin, Madison) - "Reimagining the Chorus: Modern American Poety Hilda Doolittle (known as H.D.) and Greek Tragedy"

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(Photo: "Logo of the United States National Endowment for the Humanities" by National Endowment for the Humanities, public domain, edited to fit thumbnail template)

View full article. | Posted in Classics in the News on Thu, 04/04/2019 - 10:52am by Erik Shell.

CFP: 2019 SAGP Annual Meeting

November 16-17, 2019
Christopher Newport University, Newport News, VA
 
Panel Proposal Deadline: May 1
Paper Abstract Deadline: June 1
Submit abstracts and proposals to apreus@binghamton.edu.

All participants must be members of the SAGP. To become a member, fill out the form linked to here and mail it to A. Preus, SAGP Philosophy, Binghamton University, 13902-6000. 

Paper Abstracts

We invite people to submit abstracts on any topic in ancient Greek philosophy, broadly construed. For example:

View full article. | Posted in Calls for Papers on Tue, 04/02/2019 - 1:50pm by Erik Shell.

On March 15, the Aquila Theatre, in collaboration with SCS and the Onassis Foundation USA, produced a staged reading at BAM of Emily Wilson's translation of the Odyssey. You can read more about the staged reading here.

Congratulations to Aquila on its recently announced NEH grant of $250,000 for The Warrior Chorus: An American Odyssey.  This program will train veterans and scholars in three regional centers across the US to lead audience forums, workshops, and reading groups connected with a staging of Emily Wilson's translation of the Odyssey.

Photo Credit: Odysseus (James Edward Becton) and Penelope (Karen Alvarado), photo by Dan Gorman, 2019, copyright Frago Media LLC

View full article. | Posted in Performances on Tue, 04/02/2019 - 11:20am by Helen Cullyer.
Call For Papers:
“Far from Godliness”: Pollution in the Ancient World
Biennial Classics Graduate Student Conference
 
New York University
November 7-8, 2019

Keynotes: Andrej Petrovic (University of Virginia) and Hunter Gardner (University of South Carolina)

Pollution of many forms was a grave concern in the ancient world. In defining pollution, we take as our starting point Mary Douglas’ conception of pollution as a culturally defined phenomenon involving disorder, taboo, and the “improper” (Purity and Danger, 1966). However, while Douglas’ theoretical framework is a useful heuristic tool for instances of miasmic pollution, our conference is also concerned with the physical contamination of the environment through human activity, especially given its contemporary cultural relevance. Thus, we define pollution as any activity which corrupts or defiles on physical, moral, environmental, and even material levels.

View full article. | Posted in Calls for Papers on Mon, 04/01/2019 - 3:22pm by Erik Shell.

With the generous support of the foundation Patrum Lumen Sustine (PLuS) the Department of Ancient Civilizations of the University of Basel and the Société Internationale des Amis de Cicéron (SIAC) are jointly organising the international conference

Cicero in Basel. Reception Histories from a Humanist City
Basel, 3–5 October 2019

The conference Cicero in Basel aims at charting the presence of the statesman, orator, and philosopher M. Tullius Cicero in the cultural history of Basel, the city located in the border region between Switzer­land, Germany and France. While the study of Classical receptions tends to focus on particular cultural forms and discourses, the scope of the planned conference is programmatically open. Cicero in Basel ex­plores a broad spectrum of engagements with Cicero through the ages: from the manuscript tradition of his works, to Humanist editions and commentaries, up to the political debates and con­tro­versies of today. In this, Cicero in Basel will assess Cicero’s impact on the formation of a specific idea of Humanism in Basel as well as Basel’s role in Cicero’s Nachleben.

View full article. | Posted in Calls for Papers on Mon, 04/01/2019 - 9:18am by Erik Shell.
Feminism & Classics 2020: body/language
 
FemClas 2020, the eighth quadrennial conference of its kind, takes place on May 21–24, 2020, in Winston-Salem, North Carolina, at the invitation of the Wake Forest University Department of Classics and Department of Philosophy.  The conference theme is "body/language," broadly construed, and papers on all topics related to feminism, Classics, Philosophy, and related themes are welcome.
 
View full article. | Posted in Calls for Papers on Mon, 04/01/2019 - 8:33am by Erik Shell.

The deadline for submission of the following is 11.59pm EDT, April 8:

  • Panel, seminar, workshop, and roundtable proposals for the 2020 Annual Meeting
  • Affiliated group and organizer-refereed panel reports for the 2020 Annual Meeting
  • Applications for renewed or new charters for affiliated groups
  • Applications for organizer-refereed panels for the 2021 Annual Meeting

The deadline for submission of individual abstracts for paper and poster presentations and of short abstracts for lightning talks is 11.59pm EDT, April 15.

Please submit everything via our online Program Submission System.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Sun, 03/31/2019 - 6:05pm by Helen Cullyer.
ISAW
There will be a special guided tour of the new ISAW exhibition in New York exploring the influence of antiquity on early 20th century dance titled “Hymn to Apollo: The Ancient World and the Ballets Russes” on April 11 at 4.30pm at ISAW (15 E. 84th St.). The tour is free for SCS members but space in the galleries is limited, so please sign up for the tour here.
 
View full article. | Posted in Conferences, Lectures, and Meetings on Fri, 03/29/2019 - 9:31am by Erik Shell.

Aaron Poochigian is a poet and translator based in New York City. After receiving his PhD in Classics from the University of Minnesota in 2006 (with a dissertation on “The Staging of Aeschylus’ Persians, Seven Against Thebes, and Suppliants”), Aaron pursued a career translating Ancient Greek poetry and composing his own. His poetry has been featured in Best American Poetry 2018 (eds. Lehman and Gioia), Poetry, and Poems Out Loud. His collection, Manhattanite, won the Able Muse Book Award for Poetry (2017) and features such wonderful verses as these, about a blizzard:

                        Doomed, though, like ice is doomed, this wicked bright

                        Seagull Behemoth soon must furl his gusts

                        and die the same slow way the drifts accrued,

                        like mad ambition, like a winter mood,

                        when revolutions cut him down to crusts

                        and vision settles gentler on the sight. (from Blizzard Bird)

View full article. | Posted in on Fri, 03/29/2019 - 7:35am by Christopher Trinacty.

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