CFP: Globalizing Ovid: Shanghai 2017

An International Conference in Commemoration of the Bimillennium of Ovid’s Death

Guangqi International Center for Scholars of Shanghai Normal University May 31–June 2, 2017 Jointly sponsored by the Chinese National Social Science Foundation, Shanghai Normal University, and Dickinson College Keynote speakers:

  • Michael von Albrecht (Universität Heidelberg)
  • Maurizio Bettini (Università di Siena)
  • John Miller (University of Virginia)
  • Alison Sharrock (University of Manchester)
  • Gareth Williams (Columbia University)
  • Wei Zhang (Fudan University)

Welcome addresses:

  • Fritz-Heiner Mutschler (Universität Dresden/Peking University)
  • Yang Huang (Fudan University)

Concluding addresses:

  • Laurel Fulkerson (Florida State University)

DEADLINE FOR THE SUBMISSION OF ABSTRACTS: April 30, 2016

 

Why Shanghai?

One may be surprised to learn that this is not the first time that an anniversary of a Latin poet is commemorated in China. 1930, the Bimillennium of Vergil’s birth, represented a watershed in the reception of Vergil and Roman literature in China. Aeneid Book I and Eclogues IV and VIII were translated into Chinese for the first time. The translator praised Vergil’s “modern” spirit: his critical attitude toward Empire, his questioning of the cost of civilization, his doubts of the value of progress, and his portrayal of the loneliness of his main characters. In 1932, well-known poet Dai Wangshu translated Ovid’s Ars Amatoria into vernacular Chinese prose based on Ovide: L'Art d'Aimer in the Collection Budé. These translations were both products of and participants in the Chinese exploration of modernity and a “New Culture,” a process that involved a full scale reexamination of a wide range of issues, from the status of the Confucian canon, relationships with authority, modes of heroism, gender roles and sexuality, to ways of expressing desire and emotion. It was only after a long hiatus that complete translations of Ovid’s Metamorphoses and Vergil’s Aeneid appeared in 1984 and 1987 respectively, both created by Yang Zhouhan (1915–1989), working from the original Latin and various English translations. Today there is a remarkable surge in interest in both Chinese and Western classics in China. Latin literature is gaining momentum at a speed faster than one could have imagined a generation ago. In 2015 the Chinese National Social Science Foundation announced “Translating the Complete Corpus of Ovid’s poetry into Chinese with Commentaries” (PI: Jinyu Liu) as one of the major projects to fund in the next five years. With this initiative, Ovid’s Fasti and exile poetry will be translated into Chinese for the first time, his other poems will be retranslated, and comprehensive commentaries will accompany the translations of all of Ovid’s poems for the first time. Consilium resque locusque dabunt (Tristia I.1.92) This conference serves as an opportunity not only to pay tribute to Ovid, but also to promote cross-cultural conversations about the globalization of the Greco-Roman Classics. The conference invites papers that represent the most recent developments in the Ovidian scholarship—philological, textual, critical, literary, and historical—as well as contributions that explore perspectives from comparativism, translingualism, and postclassicism to address larger issues of translating and interpreting the Classics in a globalizing world. These two strands of themes should not be perceived as being either isolated from or in competition against each other, especially if scholars and translators of Ovid are understood as participants in assigning meanings to his work. The conference intends to bring together scholars and translators to explore the dynamic processes of selection, tension, and negotiation that have been integral to the making and interpreting of Classical canon, including Ovid. How has Ovid been taught, disseminated, transmitted, and evaluated in Roman antiquity and in other cultures? If the viability of the Greco-Roman Classics in the postclassical eras, and in the non-Western contexts hinges on the willingness of the host cultures to assign new meanings to them, what may motivate that “willingness,” and through whose agency? What are those new meanings? Where and how are they being worked out and developed? What translation strategies have been applied to Ovid’s poetry in different locales and languages, and for what audiences? What are the challenges of translating Ovid in cultures with their own vibrant but different poetic traditions, and literary culture concerning themes of love, abandonment, transformation, and exile? How and where are Classics changed by their interaction with different host cultures?

Topics and abstract submissions: The conference will include plenary addresses, individual paper presentations, as well as roundtables organized by project team members and the board of referees (see below). In accordance with the dual function of the conference both to highlight current scholarship and trends in thinking on Ovid and to consider modes of cross-cultural reception, comparison, and translation, we provide the following list to illustrate the range of questions and topics in which the conference is interested. It is by no means an exclusive or restrictive list:

  • Amor: Force of destruction?
  • Emotions in Ovid
  • The dearth of same-sex relationships in Ovid
  • Intertextuality in Ovid: What’s new?
  • The Ovidian aesthetics
  • Ovid’s literary persona(e)
  • Ovid’s lieux de mémoire
  • The psychology of exile in the Ovidian corpus
  • The human and Roman past(s) in Ovid
  • Ovid in provinces and Roman imperialism
  • Locus urbanus versus locus barbarus in Ovid
  • Seduction in ancient literature: a comparative examination
  • Tales of Transformation compared (within Metamorphoses, across genres, and/or across cultures)
  • The Ovidian corpus: critical editions
  • Teaching Ovid in Antiquity and/or the modern world
  • Translating Ovid (and Classics in general) in a Global Context
  • Visualizing Ovid
  • Post-classical Ovid (reception and adaptation in all genres)
  • Commentary tradition and digital commentary

We welcome submissions from advanced doctoral students and scholars of all seniorities. Please send brief vitae and proposals (300 words excluding bibliography) for 25-minute papers by April 30, 2016 to Jinyu Liu, HH 117, Department of Classical Studies, DePauw University, Greencastle, IN 46135, USA, or email: both OvidShanghai2017@hotmail.com and jliu@depauw.edu. Abstract submissions will be evaluated by a board of seven referees, whose names are listed below, and the results will be announced by June 1, 2016:

  • Christopher Francese (Dickinson College, USA)
  • Laurel Fulkerson (Florida State University, USA)
  • Steven Green (Yale-NUS, Singapore)
  • Jinyu Liu (DePauw University/Shanghai Normal University, USA/China)
  • Lisa Mignone (Brown University, USA)
  • Bobby Xinyue (University of Warwick, UK)
  • Wei Zhang (Fudan University, China)

Publication plan:

Selected contributions will be translated into Chinese, and published in either a collected volume or in Chinese academic journals. The authors will retain copyright to the non-Chinese versions of their articles. The possibility of publishing the conference proceedings in English with a European or American publisher will also be explored.

Organizers:

  • Heng Chen (Shanghai Normal University)
  • Christopher Francese (Dickinson College)
  • Jinyu Liu (DePauw University/Shanghai Normal University)

*Please send all inquiries to Professor Jinyu Liu at jliu@depauw.edu. Join us as we make history!

Image: Robinet Testard, Ipsipile scrive a Giasone (Source: Folia Magazine)

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From the SCS Board of Directors, approved 6/3/20

The Society for Classical Studies condemns the relentless horror of police brutality and murder of black men, women, and children, including George Floyd, Breonna Taylor, Atatiana Jefferson, Rekia Boyd, Sandra Bland, Ahmaud Arbery, Tony McDade, Freddie Gray, Eric Garner, Trayvon Martin, Tamir Rice, and Rodney King, to name just a few of the victims. Brutality perpetrated by the police and others stands with mass incarceration and unequal access to healthcare, education, and housing as symptoms of longstanding systemic, structural, and institutional racism in American and European cultures. These are deep problems in society that will not be fixed without radical policy changes at every level of government and across all institutions.   

View full article. | Posted in Public Statements on Wed, 06/03/2020 - 6:20am by Helen Cullyer.

The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities worldwide with the study of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from reading groups comparing ancient to modern leadership practices to collaborations with artists in theater, music, and dance. In this post we focus on digital projects that engage with ancient texts and discuss the study of Classics during the coronavirus pandemic and beyond.

View full article. | Posted in on Fri, 05/29/2020 - 7:55am by .

Fellowships, Scholarships, and Grants, January – April 2020

Some of our short-term fellowship and Classics Everywhere award winners are deferring use of their awards until Fall 2020 or 2021 owing to COVID-19. However, we congratulate everyone who was awarded a scholarship, fellowship or grant this spring, and we thank our selection committees for their hard work.

TLL Fellowship:

Amy Koenig

Pearson Fellowship:

View full article. | Posted in Awards and Fellowships on Wed, 05/27/2020 - 5:32pm by Helen Cullyer.

Please see below a message from the SCS President, followed by a listing of 2020 graduates:

View full article. | Posted in Presidential Letters on Mon, 05/25/2020 - 12:11pm by Helen Cullyer.

The Arabic and Latin Glossary (hereafter al-gloss) is a free, online dictionary of the vocabulary used by medieval translators, primarily working in eleventh- to thirteenth-century Italy and Spain, to render the Arabic versions of Greek scientific and philosophical texts and original Arabic compositions into Latin. It is parallel, in terms of its scholarly goals and methodology, to the database Glossarium Graeco-Arabicum (hereafter gloss-ga), which is also run out of Germany but by a different team. In this review, I will refer to gloss-ga because it offers a point of comparison for assessing al-gloss’ editorial decisions and accessibility.

View full article. | Posted in on Fri, 05/22/2020 - 3:23pm by .
Books

Loeb Classical Library Foundation Postdoctoral Fellowships in Classics

2021-2023

The Trustees of the Loeb Classical Library Foundation announce funding of four two-year postdoctoral fellowships to be held in the academic years 2021–2023. [A further four fellowships will be funded for the academic years 2022–2024] The details for the first round of competition for these fellowships are as follows:

View full article. | Posted in Awards and Fellowships on Thu, 05/21/2020 - 2:30pm by Helen Cullyer.

Many congratulations to Erik Shell who graduates today with his M.A. in Education Policy from NYU. Erik has been working part-time on his degree while working full-time for SCS in many roles. He runs the the Placement Service, works on social media and our website, coordinates our departmental membership program, edits video, and does so many other things. Thank you, Erik, for everything you do for SCS and its members, and congratulations on a well-deserved Masters degree!

View full article. | Posted in SCS Announcements on Wed, 05/20/2020 - 8:09am by Helen Cullyer.

Have you ever thought about a terminal MA in Classics?

I have to confess, I hadn’t before coming to teach at Boston College, where we have such a graduate program. I had firsthand experience with Classics BAs in colleges that only granted undergraduate degrees, BAs and MAs in PhD-granting departments — heck, even a combined BA/MA program. But a freestanding MA degree that was a purposeful end goal rather than an add-on, an along-the-way, or a no-more-thanks? It never crossed my mind. To judge from the conversations that I’ve had since joining a department with a terminal MA program, I think that’s true of a lot of Classics faculty, as well as for a lot of students. And I also think that has led to some unfortunate misunderstandings about terminal MAs and their contributions, both to the field as a whole and to the personal and professional development of individual students.

View full article. | Posted in on Fri, 05/15/2020 - 8:26am by Christopher Polt.

Barbara K. Gold is Edward North Professor of Classics at Hamilton College, Emerita. She received her B.A. at the University of Michigan in 1966, her master’s degree in 1968 and her doctorate in 1975, both from the University of North Carolina at Chapel Hill. Her research focuses on Greek and Roman literature, particularly Roman elegy, lyric, and satire; medieval literature, culture, and history; Roman social history; women in the ancient world; and feminist criticism. A prolific author and recipient of numerous grants and awards, Professor Gold was the first woman editor of The American Journal of Philology from 2000 to 2008 and is currently Vice President for Professional Matters of the Society for Classical Studies. She has also served on numerous college committees and was Associate Dean of Faculty at Hamilton College (1997-2001).

View full article. | Posted in on Fri, 05/08/2020 - 5:01am by Claire Catenaccio.

THE ERICH S. GRUEN PRIZE

On behalf of the Society for Classical Studies (SCS), the Erich S. Gruen Prize Committee invites all graduate students in North America to enter the first annual competition for the best graduate research paper on multiculturalism in the ancient Mediterranean. This year the prize will be a cash award of $500. 

View full article. | Posted in Awards and Fellowships on Thu, 05/07/2020 - 6:55am by Erik Shell.

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