CFP: Greek Literary Topographies in the Roman Imperial World

GREEK LITERARY TOPOGRAPHIES IN THE ROMAN IMPERIAL WORLD

The Pennsylvania State University, 16-18 April 2021

Workshop Organizers:

Anna Peterson, Penn State

Janet Downie, UNC-Chapel Hill

Keynote Speaker:

Jason König, University of St. Andrews

Confirmed Speakers:

Pavlos Avlamis

Artemis Brod

William Hutton

Bryant Kirkland

Kate Gilhuly

Karen ní Mheallaigh

Estelle Strazdins

As spatial theorists like Lefebvre, Foucault, and Soja have shown, space is not static, but dynamic – both reflecting and engendering processes of interpretation and cultural construction. By extension, in a literary context, space does not simply provide the backdrop against which events “take place.” Rather, literary topographies create relationships – both within the text and beyond it – connecting individuals to one another and to shared social worlds, both real and imagined. For scholars of Classics, this means that the representation of space in ancient literature offers another way of understanding the shape of ancient society, its political, religious and cultural concerns. There is now a considerable body of scholarship on the literary topographies of the city of Rome and on the geography of empire in Latin literature, as well as important work on spatial perspectives in Greek literature of the Archaic, Classical, and Hellenistic periods. Prominent examples of the latter include Alex Purves’ Space and Time in Ancient Greek Narrative, Kate Gilhuly’s Erotic Geographies in Ancient Greek Literature and Culture, William Thalmann’s Apollonius of Rhodes and the Spaces of Hellenism and Irene de Jong’s volume, Space in Ancient Greek Literature.

This workshop aims to broaden the discussion to include Greek literature of the Imperial period. While space has been explored in relation to explicitly topographical writers (e.g., Pausanias, Strabo) and in the context of the Greek novel, spatial descriptions outside of these genres have been treated as primarily as scene-setting devices or ekphrastic excursus. Beginning from the essential questions of how authors of the imperial period evoke different spaces and why they describe them in the ways that they do, this workshop will interrogate the relationship between lived space, society, and power and its depiction in literature.

Participants are encouraged to think about these issues as they relate not just to explicitly topographical writers but also to the rhetorical, philosophical, and fictional literature of the period. We are interested both in papers that probe the specifics of a given author or text and that think more theoretically about spatiality at this time. In addition, we also invite approaches that draw comparisons to other periods of literature – whether earlier or later – and to other traditions (e.g. Latin, Jewish and Christian).

Workshop Format:

Participants will pre-circulate papers at the end of February 2021, and the workshop will include brief presentations with formal responses and discussion. We are currently planning for a hybrid format, including both in-person and online participation, so that we can adapt as necessary to institutional and personal circumstances relating to travel and gathering.

Abstract Submission:

Please submit abstracts of no more than 800 words (including bibliography), as well as a CV, by 15 September 2020 to either of the Workshop Organizers by email: Anna Peterson, aip12@psu.edu; Janet Downie, jdownie@email.unc.edu. Notification of acceptance will be given in early October.

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Four fragments of pottery with different marks on each. Beneath each photo of a pottery sherd is a drawing of that sherd. From left to right, the sherds are labeled Geometric Mark, Complex Mark, Script Sign, and Multi-sign.

Today we take our saturation in a graphic world for granted. When we see baseball caps with logos or nonsense writing on graphic t-shirts, we don’t immediately recognize them as evidence for writing. But in the case of the Late Bronze Age script of Cyprus (ca. 1600–1000 BCE), the undeciphered Cypro-Minoan script, we have more baseball caps and t-shirts than longer texts. Multi-sign texts with two or more contiguous signs, likely to represent words, number around 250. Most of these multi-sign texts are quite short, consisting of only one or two words.

The baseball caps in this analogy most often take the form of what are called Cypro-Minoan “potmarks,” mercantile vessels bearing single-sign texts. The potmarks contain both Cypro-Minoan script and non-script marks without equivalents in the Cypro-Minoan script. The single-sign text potmarks number over 1000. Like a Yankees cap or a graphic tee, the potmarks employ recognizable and non-recognizable elements of writing. But should they be taken as evidence for literacy?

This is the question at the heart of my dissertation. If the single-sign text potmarks were made by literate individuals, then Cypro-Minoan is not a meagerly attested script, but a mercantile script in wide use within Cyprus and, less widely, outside of it. Significantly, it would be one of the few scripts in the region that survive the Late Bronze Age collapse, and the only one that would be well-documented during this transitional period.

View full article. | Posted in on Mon, 06/06/2022 - 12:47pm by .

Call for Papers: AMPRAW (Annual Meeting for Postgraduates in the Reception of the Ancient World)

AMPRAW is an annual conference that is designed to bring together early-career researchers in the field of classical reception studies, and will be held for the tenth year. It aims to contribute to the growth of an international network of PhDs working on classical reception(s), as well as to strengthen relationships between early career researchers and established academics.

AMPRAW 2022 will be held at Yale University from Thursday 3rd November to Saturday 5th November 2022, with the generous support of the Department of Classics at Yale University, the ARCHAIA program, and the Whitney Humanities Centre.

We anticipate holding this conference in a hybrid format. We hope that participants will be able to join us in person in New Haven, but will also allow remote access for both speakers and audience members.

This year’s theme is “Islands”. Possible topics may include, but need not be limited to, the following:

View full article. | Posted in Calls for Papers on Mon, 06/06/2022 - 9:26am by .

posted on behalf of the conference organizers

Classical Studies and the Americas

CIUDAD DE MÉXICO 1-5 / AGOSTO / 2022

The upcoming triannual Congress of FIEC will be a virtual conference, hosted in Mexico City.

Click Here to Register for virtual attendance

Visit the conference website (English and Spanish versions)

The FIEC International Congress for Classical Studies returns to this side of the Atlantic Ocean searching to arouse a plurality of voices. 

Contact for questions and more information: fiec_mexico2022@unam.mx

View full article. | Posted in Conferences, Lectures, and Meetings on Fri, 06/03/2022 - 9:51am by .
A dinner spread atop a mosaic-printed tablecloth. Two small glasses of red wine, a round bread loaf sliced into eighths, a terracotta bowl of green olives, and a bowl of pesto with a wooden spoon.

In the latest issue of the CADW magazine, the organ of Wales’ official heritage body, the discussion of the Roman fort at Caerleon was accompanied by a graphic designed for children on the subject of Roman dining. With a Horrible Histories-type tone, the cartoon features a boy asking his mother if his friend can stay for dinner. “I thought we’d go Italian,” says his mother, but it’s not the demanded “Pasta? Pizza? ICE CREAM?”; rather, “Rich Romans had things like…Parrot heads or…dormice…and … sea urchins maybe” (to which the boy says “I feel sick”). But the “lush” counteroffer of fast food “meat patties in bread” — “Roman burgers” — is quickly scotched by the obligatory “fermented fish gut sauce”: the dog says, “Not even I’m eating that!” The closing reference to garum here, seen as undeniably negative, underscores the complex nature of our response to research on ancient foodways; one wonders what would happen if Worcestershire sauce, as standard in Welsh rarebit, were revealed to readers as similarly derived from fermented fish.

View full article. | Posted in on Thu, 06/02/2022 - 11:15am by .

34th Biennial Conference of the Classical Association of South Africa

Order and Chaos

22 - 25 November 2023

University of Cape Town

FIRST CALL FOR PAPERS

View full article. | Posted in Conferences, Lectures, and Meetings on Thu, 06/02/2022 - 7:53am by .
The University of Turin and the De Wulf-Mansion Centre for Ancient, Medieval, and Renaissance Philosophy (Leuven) are glad to invite you to the conference "Providence and free will from the post-Hellenistic age to the Middle ages" that will take place in Turin on June 8th-10th
 
The conference will be held in person, but a connection will be made available for those who wish to attend online. To register, please write to filosofia.antica.to@gmail.com by Monday 6th
 
View full article. | Posted in Conferences, Lectures, and Meetings on Thu, 06/02/2022 - 7:21am by .
A stone sculpture of Sabina's head from the front. She has a subtle smile and wears a fillet on her hair, which is styled into an updo.

The portraits of Sabina represent a shift in the representation of imperial women in the Roman Empire. Sabina is the first empress to appear as the obverse portrait of a continuous coin production at Rome and the first woman to appear on all of the main denominations at the central mint. Her portraiture is also more varied than that of any previous empress. She is represented on imperial coinage with five different portrait types—i.e., modes of representation—most easily distinguished by hairstyle, all of which are depicted below. This is matched by an increased presence of Sabina’s portraits in provincial coinage and sculpture. This greater visual prominence for the Empress set a new standard that was followed by subsequent administrations, making the portraits of Sabina an integral corpus in the history of Roman imperial portraiture.

View full article. | Posted in on Tue, 05/31/2022 - 10:45am by .

Posted on behalf of the conference oraganizers

We are organizing an international e-conference entitled “Archaeology of Izmir-Smyrna” that will take place on November 17-18, 2022 on Zoom.us. We warmly invite contributions by scholars and graduate students from a variety of disciplines of ancient studies related to these objects. The video conference is free of charge. We would be delighted, if you could consider contributing to our e-conference and contact us with the required information before September 9, 2022. Our e-mail address is: alevcetingoz@gmail.com

We kindly request that you alert any persons within your research community who would be interested in participating at this e-conference, either by forwarding our e-mail through Academia, Researchgate, Facebook, Twitter, Instagram or other similar social media, or by printing this circular or poster and displaying it in your institution. We hope that you will be able to join us on Zoom, and look forward to seeing you in May 2022!

Click Here for the full description and requirements:
/sites/default/files/userfiles/files/1_%20DEU%20Sempozyumu%20Birinci%20Sirkuler%20Ingilizce.doc

View full article. | Posted in Conferences, Lectures, and Meetings on Tue, 05/31/2022 - 9:29am by .
A pink flyer titled "A Conversation with Luis Alfaro." Shows a hand holding up an illustration of a theater, with images of theater lights behind it.

I first met Luis Alfaro at the 2019 annual meeting of the Society for Classical Studies, where he delivered a deeply moving keynote address in which he discussed his adaptations of Greek tragedies and how his plays have brought reimagined ancient stories to new audiences, to provoke social change. This profoundly important event was made possible by a partnership with my former employer, the Onassis Foundation USA, the Classics and Social Justice affiliated group, and the SCS. As many of us will recall, this conference was also marred by the ugliness of racism, which reared its awful head amid an already tense, ongoing conversation about the state and future of our field that has since spilled into the wider public discourse, perhaps for the worse. But there is hope, and I sincerely believe that Alfaro’s work can be one of those mechanisms of change, if only our field would embrace it.

View full article. | Posted in on Fri, 05/27/2022 - 12:36pm by Young Richard Kim.
CANE logo showing New England state and green wreath

Monday, July 11 through Saturday, July 16, 2022

This year, the CANE Summer Institute will run simultaneously in two modes: in person at Brown University and virtually via CANE Zoom

  • Mini-courses will be offered separately for in-person and virtual participants
  • Professional development workshops and Greek & Latin reading groups will be shared by all participants
  • Lectures will be free and open to the public, both in person and via livestream on Zoom

Sponsored by: Classical Association of New England, Brown University Department of Classics, and the Gladys Krieble Delmas Foundation

REGISTRATION IS NOW OPEN
Register online by clicking here

See the full program and learn about the mini-courses

Regular registration runs through June 1
Late registrations accepted through June 15

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 05/25/2022 - 10:42am by Helen Cullyer.

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