CFP: Greek Literary Topographies in the Roman Imperial World

GREEK LITERARY TOPOGRAPHIES IN THE ROMAN IMPERIAL WORLD

The Pennsylvania State University, 16-18 April 2021

Workshop Organizers:

Anna Peterson, Penn State

Janet Downie, UNC-Chapel Hill

Keynote Speaker:

Jason König, University of St. Andrews

Confirmed Speakers:

Pavlos Avlamis

Artemis Brod

William Hutton

Bryant Kirkland

Kate Gilhuly

Karen ní Mheallaigh

Estelle Strazdins

As spatial theorists like Lefebvre, Foucault, and Soja have shown, space is not static, but dynamic – both reflecting and engendering processes of interpretation and cultural construction. By extension, in a literary context, space does not simply provide the backdrop against which events “take place.” Rather, literary topographies create relationships – both within the text and beyond it – connecting individuals to one another and to shared social worlds, both real and imagined. For scholars of Classics, this means that the representation of space in ancient literature offers another way of understanding the shape of ancient society, its political, religious and cultural concerns. There is now a considerable body of scholarship on the literary topographies of the city of Rome and on the geography of empire in Latin literature, as well as important work on spatial perspectives in Greek literature of the Archaic, Classical, and Hellenistic periods. Prominent examples of the latter include Alex Purves’ Space and Time in Ancient Greek Narrative, Kate Gilhuly’s Erotic Geographies in Ancient Greek Literature and Culture, William Thalmann’s Apollonius of Rhodes and the Spaces of Hellenism and Irene de Jong’s volume, Space in Ancient Greek Literature.

This workshop aims to broaden the discussion to include Greek literature of the Imperial period. While space has been explored in relation to explicitly topographical writers (e.g., Pausanias, Strabo) and in the context of the Greek novel, spatial descriptions outside of these genres have been treated as primarily as scene-setting devices or ekphrastic excursus. Beginning from the essential questions of how authors of the imperial period evoke different spaces and why they describe them in the ways that they do, this workshop will interrogate the relationship between lived space, society, and power and its depiction in literature.

Participants are encouraged to think about these issues as they relate not just to explicitly topographical writers but also to the rhetorical, philosophical, and fictional literature of the period. We are interested both in papers that probe the specifics of a given author or text and that think more theoretically about spatiality at this time. In addition, we also invite approaches that draw comparisons to other periods of literature – whether earlier or later – and to other traditions (e.g. Latin, Jewish and Christian).

Workshop Format:

Participants will pre-circulate papers at the end of February 2021, and the workshop will include brief presentations with formal responses and discussion. We are currently planning for a hybrid format, including both in-person and online participation, so that we can adapt as necessary to institutional and personal circumstances relating to travel and gathering.

Abstract Submission:

Please submit abstracts of no more than 800 words (including bibliography), as well as a CV, by 15 September 2020 to either of the Workshop Organizers by email: Anna Peterson, aip12@psu.edu; Janet Downie, jdownie@email.unc.edu. Notification of acceptance will be given in early October.

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The Death of Caesar, Jean-Léon Gérôme, 1867. Image courtesy of Wikimedia Commons.

Today marks half a year since insurrectionists stormed the U.S. Capitol, occupied the Senate chamber, violently assaulted Capitol Police defending the building, and threatened to assassinate the then-Vice President and other elected officials. In recent days, the House of Representatives has approved a plan for a formal investigation — on partisan lines, after Senate Republicans previously blocked the passage of a bipartisan, 9/11-style commission approved by the House in a bipartisan vote.

We mustn’t forget the assault on the peaceful transition of power, on the foundations of American democracy itself. And we shouldn’t forget that the insurrection is tied up with racist receptions of ancient Greece and Rome. Some insurrectionists came in Greek or Roman-themed cosplay, after all, and the right has long had a dangerous fascination with Sparta.

View full article. | Posted in on Tue, 07/06/2021 - 9:57am by T. H. M. Gellar-Goad.

Call for Papers 

Fédération internationale des associations d’études classiques (FIEC)

XVI International Conference, 1–5 August 2022
 

Mexico City 

(Virtual Meeting Format) 

Hesperides Sponsored Session 

"Hesperian Transformations: New Approaches to the Classical Tradition" 

Proposal Deadline: July 12, 2021 

  

View full article. | Posted in Calls for Papers on Fri, 07/02/2021 - 1:29pm by Erik Shell.
the Delphic oracle as interpreted by Anton van Dale in the 1700 edition of his book De oraculis veterum ethnicorum dissertationes duae

Joseph Fontenrose’s The Delphic Oracle (1978) fundamentally reshaped how we think about Greek oracular divination today. In this book, he argued that the literary evidence for ambiguous verse oracles emanating from Delphi is incommensurate with the epigraphic record. In the Histories, an early and prominent source of oracular lore, Herodotus often quotes vague or ambiguous prophetic verses of the Delphic priestesses that point toward unexpected and ironic moments of fulfillments: the “great empire” that Croesus toppled was, unfortunately, his own (1.86.1). Most inscriptions, however, report oracular pronouncements simply as clear statements of fact: “… it is better [for the Praxiergidai] to put the peplos on [the goddess]…” (Sokolowski, LSCG 15). Fontenrose reasoned that the inscriptions were the more reliable witnesses and concluded from his comparison that most of the famous stories about oracles in works of ancient historiography like Herodotus’ were ahistorical.

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We are pleased to announce Plato 2022, an interdisciplinary workshop that will investigate the contemporary relevance of Plato’s ethical and political thought. The workshop will be held virtually on June 9-10, 2022. We welcome papers on Plato’s ethical and political thinking and encourage submissions that relate to contemporary events. 

View full article. | Posted in Calls for Papers on Mon, 06/28/2021 - 11:27am by Erik Shell.

Do you teach ancient history, Latin, or any aspect of the ancient world within humanities courses at a community college? Join other community college faculty for the inaugural meeting of a new group convened by the Society for Classical Studies. You can sign up here for the virtual meeting on Thursday July 15, 2021 at 4pm EDT / 3pm CDT / 1pm PDT and also use the form to suggest topics of interest for discussion. Registered attendees will receive the zoom link on July 14th, 24 hours prior to the meeting.

View full article. | Posted in Conferences, Lectures, and Meetings on Thu, 06/24/2021 - 9:49pm by Helen Cullyer.
Asclepius, his sons, daughters, and Hygeia in the background with a family of worshippers. Votive Relief from the 4th cent. BCE. National Archaeological Museum of Athens.

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View full article. | Posted in on Thu, 06/24/2021 - 5:17pm by .

Revised 6/17/21 with updated submissions guidelines

As previously announced, Patrice Rankine and Sasha-Mae Eccleston will serve as guest editors of a future issue of TAPA with the theme of race, racism, and Classics (issue 153:1, to appear April 2023). Covid-19 and the global Movement 4 Black Lives have highlighted the extent to which racism is a public health emergency whose reach extends across the Black Atlantic and far beyond. In light of these deeply imbricated developments of 2020, this volume becomes even more timely. A detailed call for papers, along with instructions and deadlines for submission in 2021, follows.

Race and Racism: Beyond the Spectacular

…the “cultural logic” of lynching enables it to emerge and persist throughout the modern era because its violence “fit” within the broader, national cultural developments. This synchronicity captures why I refer to lynching as “spectacular”: the violence made certain cultural developments and tensions visible for Americans to confront.

Jacqueline Goldsby, A Spectacular Secret: Lynching in American Life and Literature

View full article. | Posted in Calls for Papers on Thu, 06/24/2021 - 8:49am by Helen Cullyer.
Scene from Lil Nas X's music video for MONTERO. A distorted image of a landscape with red trees, large ancient statues, and ancient buildings.

On the eve of March 26th, rapper and internet personality Lil Nas X dropped his newest single, “MONTERO (Call Me By Your Name),” which caused immense controversy in its wake. At its heart is a young, gay Black man’s anthem about self-expression, resembling a “coming-out song.” Lil Nas X himself implied this in a letter to his younger self, posted alongside the song’s release. The title references the 2017 film Call Me By Your Name (based on the 2007 André Aciman novel) about the summer relationship between a Classics professor’s son and doctoral student.

This allusion to the film is not the only sidelong glance that Lil Nas X gives to the Classics. One of the first establishing shots of the video shows the landscape of “MONTERO” littered with classically-inspired architecture:

A distorted image of a bleak landscape filled with ancient statues and ruins

View full article. | Posted in on Tue, 06/22/2021 - 8:51am by Vanessa Ruth Stovall.

The Israel Academy of Sciences and Humanities The Hebrew University of Jerusalem cordially invite you to a Joint Conference on

Orality and Literacy XIV: Textualization

Sunday-Wednesday June 20-23, 2021

Sunday, June 20, 2021

Israel Academy of Sciences and Humanities

View full article. | Posted in Conferences, Lectures, and Meetings on Mon, 06/21/2021 - 1:45pm by Erik Shell.

(Originally posted on haverford.edu)

Aryeh Kosman, Haverford's John Whitehead Professor of Philosophy Emeritus, died early [June 17] of complications following a fall. He was 85.

After receiving his undergraduate and M.A. degrees at the University of California, Berkeley, he briefly studied at Hebrew University before earning his Ph.D. from Harvard University. He joined the Haverford faculty as an assistant professor in 1962, was promoted to full professor in 1973, became the Whitehead Professor in 1987, and retired in 2010.

"Aryeh was a star in Greek Philosophy," says Joel Yurdin, Haverford associate professor of philosophy. "Many of his articles are required reading for anyone writing on the topic, and they covered virtually every area of the field, including metaphysics, ethics, philosophy of mind, and philosophy of science." Such scholarship led to visiting professorships at Princeton, UCLA, and Berkeley and, in 1985, an award for distinguished teaching from the Lindback Foundation. That honor affirmed what, by then, thousands of Fords already knew: Prof. Kosman was thoroughly devoted to his Haverford students.

View full article. | Posted in In Memoriam on Mon, 06/21/2021 - 10:20am by Erik Shell.

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