CFP: Local Responses to Cultural Heritage Preservation in the Age of UNESCO

“Whose Heritage is it Anyway?”: Local Responses to Cultural Heritage Preservation in the Age of UNESCO

UT Antiquities Action 2020 Annual Symposium
Keynote speaker: Yvonne Therese Holden, Director of Operations, Whitney Plantation

UT Antiquities Action invites the submission of abstracts for its 5th annual symposium, to be held on Saturday, the 4th of April, 2020 at the University of Texas at Austin. 

Heritage preservation has been dominated by European-focused approaches since the founding of the discipline of archaeology. A particularly apposite example is the preservation of the site of Palmyra, Syria, by French official Henri Seyrig. Like many projects of its time, the ‘preservation’ involved the eviction and relocation of the living village of Tadmur, which had continually occupied since the Roman era. The relocation included the destruction of the thousand-year-old mosque inside the Temple of Bel, which was resurrected as a Roman temple and the new centerpiece of a now ‘ancient’ site of heritage. Extremist groups have weaponized the perceived over-attachment of Western heritage projects to antiquity over local, living heritage. Examples include the Taliban’s destruction of the Bamiyan Buddhas in 2001, which was carried out as an act of protest against the flow of Western heritage ‘aid’ even as a famine engulfed Afghanistan, ISIS’s filmic destruction at the museum in Mosul, Iraq or - coming full circle – their devastation of Seyrig’s recreated Palmyra. Similarly, the U.S. invasion of Iraq was justified partly by emphasizing the danger to a heritage ostensibly “shared by all humankind,” though in practice, little regard was paid to local, living heritage as the library, archives, and museum in Baghdad were burned and looted while American soldiers stood by. More recently, approaches such as UNESCO’s idea of ‘universal heritage’ have attempted to incorporate the values of local people, but fall short in that they often insert “locals and their heritage into predetermined schemes of global world heritage” (Meskill 2002). Meanwhile, more quietly but equally dramatically, in local communities around the world, tourism and gentrification are transforming vibrant local cultural and heritage landscapes under the umbrella of development. Against this background, it is urgent that a more inclusive and less problematic models of genuinely local heritage preservation be developed.

Our keynote speaker will be Yvonne Therese Holden, director of operations at the Whitney Plantation, a museum devoted to slavery in the southern United States. Rather than focusing on the plantation owners, the Whitney tells the story of the slaves who worked on the plantation by means of oral history, interpretive tours, and experiential encounters.

Papers may address, but are not limited to, the following topics:

  • How have local people addressed the conservation of their heritage?
  • How have the application or misapplication of Eurocentric notions of heritage preservation helped or hindered heritage preservation in different areas around the world?
  • How viable is the notion of ‘universal heritage’ in today’s world?
  • Have notions of heritage preservation changed or adapted over time? Does this relate to a model of universal heritage?
  • How can archaeologists, community activists, or heritage experts take steps to prevent the misappropriation or propagandization of heritage?

We welcome submissions from faculty, undergraduate, or graduate students from any area. Papers must be original and previously unpublished. Please send an abstract (250-300 words), a paper title, and a CV to antiquitiesactionsymposium@gmail.com.

The deadline for submissions is Sunday, February 2, 2020. Selected speakers will be notified no later than February 15, 2020, and are expected to accept or decline the offer within a week of notification. Papers should be 20 minutes in length and will be followed by a question and answer session. Selected participants will need to provide a full draft of your paper by Monday, March 23, 2020.

UT Antiquities Action is a group of students, staff, and faculty at the University of Texas at Austin that seeks to raise awareness of a wide range of cultural heritage issues. This event is generously sponsored by the University of Texas at Austin’s Department of Middle Eastern Studies, The Department of Classics, The Mesoamerica Center, and the Department of Art and Art History. 

---

(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

Categories

Follow SCS News for information about the SCS and all things classical.

Use this field to search SCS News
Select a category from this list to limit the content on this page.

Many thanks to our Local Arrangements Committee for creating a fantastic guide to the DC area for our January 2020 meeting. The guide features plenty of family-friendly activities and also includes walking tours of classical DC. 

Read and download the Local Arrangements Guide for 2020.

---

(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Sat, 11/30/2019 - 7:13am by Helen Cullyer.

Precollegiate Teaching Award

College Teaching Award

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:10am by Helen Cullyer.

The Committee on Public Information and Media Relations is pleased to announce that this year's Forum Prize, for a work originating outside the academy, has been awarded to Jeff Wright for Odyssey: The Podcast.

The winner of the 2019 Society for Classical Studies Forum Prize—Jeff Wright, creator and performer of Odyssey: The Podcast—takes many turns toward and away from his illustrious epic source. Jeff’s Homer is a composite character built on the bases of English translations among the most appealing today. But Jeff is not content merely to play rhapsode to Homer’s bard.

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:08am by Helen Cullyer.

The deadline for the Undergraduate Minority Scholarships is December 13.

---

(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:04am by Helen Cullyer.

The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities all over the US and Canada with the worlds of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from teaching Latin in a prison to collaborations with artists in theater, music, and dance. In this post we focus on a variety of programs directed to children: summer camps, classics days, after-school programs, and the creation of children-oriented animated videos.

View full article. | Posted in on Fri, 11/29/2019 - 1:52am by .

Registration for the Career Networking event at the 2020 Annual Meeting is now open. Graduate students and contingent faculty interested in careers outside of academia are encouraged to attend.  There is no extra charge for this event but space is limited.

Registered attendees of the 2020 meeting can sign up for this event by filling out this form. Sign up will be open until December 6th or close sooner if the event reaches capacity before that date. 

---

(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Wed, 11/27/2019 - 12:39pm by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0
Juliette Deschamps
The Tragedy of Dido
 
US Premiere
Friday, December 6, 2019, 7:30pm
 
Featuring acclaimed actor Gale Harold

Post-performance Q&A with Juliette Deschamps

Mixing captivating video projection, live jazz music, and powerful storytelling, The Tragedy of Dido created by French videographer Juliette Deschamps paints an extraordinary portrait of Queen Dido, the legendary founder of Carthage.

Part of A Weekend Celebration of Tunisia, the sensory and aesthetic performance will feature narration and music inspired by North African melodies performed by pianist Paul Lay. The performance will be introduced by Professor Judith P. Hallett and narrated in English by acclaimed actor Gale Harold (Falling for Grace, Queer as Folk, Grey’s Anatomy).

View full article. | Posted in Performances on Wed, 11/27/2019 - 10:44am by Erik Shell.

CfP: “Class before Capitalism?: Social Structure and the Ancient World” (Deadline: January 1, 2020)

Saturday, March 28, 2020

Keynote speaker: Johanna Hanink (Brown University)

The graduate students at Harvard University’s department of the Classics invite abstract submissions for the upcoming graduate student conference, “Class before Capitalism?: Social Structure and the Ancient World”.

Socio-economic status and the intergenerational structures which maintain it have been a persistent source of tension across the world and across history. In the influential tradition of thought following Karl Marx, class has been seen as a fundamental agent of socio-political change and an inescapable force that conditions the production of literature, art, and other cultural materials. The application of ideas formed in a post-industrial, capitalist age to pre-modern societies presents some significant methodological challenges, however, and has been the source of an intense scholarly debate which continues to this day. 

View full article. | Posted in Calls for Papers on Wed, 11/27/2019 - 10:38am by Erik Shell.

Recogito is a software platform that facilitates annotation of text and images. Through both automatic annotation and manual annotation by users, the software links uploaded files to geographic data and facilitates the sharing and downloading of this data in various formats. The software is freely available for download through GitHub, and a version is also hosted online. In the online version, users have a private workspace as well as the ability to share documents among a group or publicly. Recogito was developed from 2013 to 2018 as part of the Pelagios network, a much wider project dedicated to creating gazetteers and tools for annotation, visualization, pedagogy, collaboration, and registering linked data.

ANNOTATION

View full article. | Posted in on Thu, 11/21/2019 - 7:03pm by Kilian Mallon.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

CAMP Press Release

The SCS’ Committee on Ancient and Modern Performance (CAMP) would like to announce a change in its staged reading for the 2020 meeting in Washington D.C.  Instead of Robert Montgomery Bird’s “the Gladiator,” the committee will instead present Joseph Addison’s “Cato.”  Both plays provoke interesting discussion on the connections between American history and Classical Rome.  “Cato,” which dramatizes the stoic and patriotic Cato’s last stand against a tyrannical Julius Caesar, was quoted and alluded to by the leaders of the American Revolution, and staged by George Washington for his troops at Valley Forge in defiance of a congressional ban on plays.

Both plays and their authors are also rooted in the ideologies of their own times, ideologies which include some racist and colonialist viewpoints.  That these viewpoints have been connected with Classics as an academic field is an important element of both the history of and the contemporary challenges of our discipline.  CAMP believes that by working with and presenting such material, even when (and in fact especially when) it is problematic, we can simultaneously acknowledge the field’s entanglement with historical wrongs, and have fruitful discussions about how we can productively move forward.

View full article. | Posted in Performances on Wed, 11/20/2019 - 8:17am by Erik Shell.

Pages

Latest Stories

Calls for Papers
Calls for Papers
Call for Abstracts: Greco-Roman Antiquity and White Supremacy
Calls for Papers
Flavian Sicily: An Academic Conference and Tour of A

© 2019, Society for Classical Studies Privacy Policy