CFP: Memory and Emotions in Antiquity

(Updated January 25, 2019; sent by Dimos Spatharas)

Crete/Patras Ancient Emotions Conference

Memory and Emotions in Antiquity

Dear colleagues,

We are delighted to announce the Crete/Patras Ancient Emotions III Conference on Memory and Emotions in Antiquity. The event will take place on 6-8 December 2019 at Rethymno, Crete.

We are now inviting proposals for papers of 25 minutes. Submissions should include titled abstracts (max 350 words) and a short bio (max 50 words). Please submit your proposals jointly to George Kazantzidis (gkazantzidis@upatras.gr) and Dimos Spatharas (spatharasd@gmail.com) no later than 23 February 2019.

Revised versions of papers presented at the Ancient Emotions conferences are considered for publication in the series Trends in Classics-Ancient Emotions (De Gruyter) edited by the organizers.

https://www.degruyter.com/view/product/502932

http://philology.upatras.gr/medical-understandings-emotions-antiquity/

Confirmed speakers:

Keynote speaker: Angelos Chaniotis (IAS, Princeton)

Jennifer Devereaux  (U. of South California/U. of Exeter)

Elias Economou (U. of Crete)

Nick Fisher (U. of Cardiff)

Philip Hardie (U. of Cambridge)

George Kazantzidis (U. of Patras)

Marc Mastrangelo (Dickinson College)

Damien Nelis (U. of Geneva)

Maria Michela Sassi (U. of Pisa)

William Short (U. of Exeter)

Dimos Spatharas (U. of Crete)

Description  

Researchers in the fields of neuroscience and psychology and philosophers explore the relationship between memory and emotions. Despite the salience of memory in ancient lay and scientific understandings of emotions, the topic remains under-explored. E.g. as early as Hesiod’s Theogony, poetry, the domain of Mnemosyne’s daughters, is granted with the power to offer forgetfulness of cares, even as they resist lethe. The ‘I’ of a modern Greek folk song, a young man who is about to migrate is given the following lines: ‘when I forget, I’m happy, (but) when I remember, I’m sorrowful’. Memory is pivotal to emotions because it commonly shapes the appraisals which define their phenomenology.       

On a cognitive level, memories of emotive experiences seem to be more vivid than ‘neuter’ memories. E.g. compare one’s memories of the day that one’s child/children was/were born to, say, the last faculty meeting that she attended. Researchers debate over the accuracy of emotion-laden memories and the questions that they raise are particularly akin to ancient systematic approaches to memory or to memory’s interfaces with phantasia and the ways in which we respond emotionally to the mental images which these akin cognitive faculties yield. In this conference, we want to ask questions about both ancient modes of understanding the interfaces between memory (qua a cognitive capacity) and emotions and the implications of memories, i.e. recalled events, for the literature and the cultures that attract our attention.

Memory is intrinsic to our emotional experience because emotions typically have a narrative background which determines their intentionality. My grief for the death of a friend or a relative brings to my mind past experiences which I shared with her. Memory, thus, contributes significantly to my sense that my life will no longer be the same without her. Furthermore, recent discussions emphasize the importance of autobiographical memory for readers’ emotive responses to literature. The very first pages of Proust’s narrative, indeed a trivial but telling example, not only indicate the interconnections between autobiographical memories and the acts of writing and reading, but also indicate the extent to which our senses (or more generally our embodied experience) are related to memories that activate our present emotional experiences. Autobiographical and sensory memories are therefore functional to our emotional engagement with narratives. Furthermore, discursive or artistic representations of collective memories determine the construction of traditions and invite audiences or spectators to respond emotionally to them. Correlatively, memories are also central to emotionally loaded experiences of communal life: emotional responses to ritual practices, political deliberation, and dramatic performances are shaped by participants’ shared memories, while their emotional qualities grant them with lasting memorability.

We invite papers on subjects related to, but not exclusively about:

  • Ancient and modern cognitive approaches to memory and emotions
  • Memory, phantasia, and emotions
  • Collective memories and emotions
  • Monuments, memories, and emotions
  • Autobiographical memory, emotions, and audiences’/readers’ responses to literature
  • Memory and consolation
  • Ancient poetics/rhetoric, memory, and emotions
  • Memory and ‘pathological’ emotions
  • Conceptual/embodied metaphors for memory and emotions
  • Memory, the senses, and emotions
  • Trauma and emotions
  • Emotions and the deployment of civic/collective memory
  • Rituals, memory, and emotions

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

The Braggart Soldier

The Shackouls Honors College at Mississippi State University presents a performance of the Braggart Soldier, a Roman comedy by Plautus.

The play, directed by Dr. Donna L. Clevinger, will be performed at 6:00 p.m. on Tuesday, September 24th and Wednesday, September 25th, 2019 in Griffis Hall Courtyard, Zacharias Village. Both performances will go up rain or shine and be free to the public.

This production is part of the Honors College Classical Week 2019. For additional information, call 662-325-2522.

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(Photo: "Empty Theatre (almost)" by Kevin Jaako, licensed under CC BY 2.0)

View full article. | Posted in Performances on Thu, 09/05/2019 - 10:17am by Erik Shell.

Registration for the Joint AIA/SCS Annual Meeting is now open!

Reservations at the conference hotel are now open. You can reserve your room at the Marriott Marquis, Washington D.C. here. We have also booked an overflow hotel for the conference, located a 3 minute walk from the Marriott. You can reserve your room at the Renaissance Washington D.C., Downtown here.

To register for the meeting itself, click here.

For other important information, such as the preliminary program, see the "Essential Links" section on our Annual Meeting page here.

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View full article. | Posted in SCS Announcements on Thu, 09/05/2019 - 9:50am by Erik Shell.

(Written by Donald Lateiner, acknowledging gratefully the help, research, and energy of the following people in compiling this SCS memorial: Natalie Wirshbo, Greg Bucher, Brad Cook, Kerri Hame, Nick Genovese, Robert Eisner, Page duBois, and June Allison. Rosaria Munson and Joe Patwell also offered observations. E. Marianne Gabel captured the photograph below on the left at Le Trou Normand during the 2016 SCS meetings in San Francisco. Natalie Wirshbo provided the photograph on the right)

ELIOT WIRSHBO. 24 January 1948--19 July 2019.

Parents: Nathan and Peggy Wirshbo.

Education: Hunter College BA 1968, University of Pennsylvania PhD 1976.

Positions: San Diego State University 1977-1979, Ohio State University 1979-82, lecturer (eventually tenured) at University of California San Diego, Department of Literature 1982-2019.

Dissertation: "Attitudes toward the past in Homer and Hesiod," 1976, directed by Martin Ostwald.

Publications: “On mistranslating Vergil Aen. 1.203,” CW 73.3 (1979) 177-178.

“Lesbia, a mock hypocorism?” CPh 75.1 (1980) 70-71.

“Can emotions be determined from words?” American Behavioral Scientist 33.3 (1990) 287-96.

"On Critically Looking into Snell's Homer," in Nomodeiktes: Greek Studies in Honor of Martin Ostwald, ed. R. Rosen and J. Farrell (Ann Arbor 1993) 467-77.

View full article. | Posted in In Memoriam on Tue, 09/03/2019 - 9:32am by Erik Shell.

(Written and provided by Ward Briggs)

Lee, Mark Owen (1930-2019)

Fr. M. Owen Lee (as he preferred to be called) was a beloved fixture at the University of Toronto, where he spent nearly 30 years of his life, and a perceptive critic of Latin poetry. He is, however, best remembered by the sophisticated public as a longtime panelist on the Texaco Opera Quiz, where he answered questions with remarkable alacrity (he was often the first to raise his hand to answer) and with a seemingly fathomless depth of knowledge about opera.

View full article. | Posted in In Memoriam on Tue, 09/03/2019 - 8:48am by Erik Shell.

AIA and SCS are pleased to announce the first-ever joint harassment policy for the AIA-SCS Annual Meeting. A joint AIA and SCS working group, including staff and officers of both organizations, developed the policy in response to events at the 2019 annual meeting and at other academic conferences, including the meeting of the Society for American Archaeology. The working group took into account feedback that AIA and SCS received via email, social media, and the annual meeting survey from members and attendees after the San Diego meeting. The group also considered policies and best practices in place at other scholarly societies. The policy has been reviewed by legal counsel representing AIA and SCS, and approved by the AIA Executive Committee and SCS Board of Directors.

The policy applies to all annual meeting attendees. Registrants will be asked on the registration form to check a box on that form indicating that they have read and will abide by the terms of the policy. We will also share the policy with our annual meeting hotels as part of ongoing collaborations designed to foster mutual respect among all involved in any capacity with the annual meeting.

View full article. | Posted in SCS Announcements on Tue, 09/03/2019 - 8:39am by Erik Shell.

In March of 2019, Jordan Peele's Us was released in theaters. Much like his previous project, Get Out (2017), Us took the horror world by storm. Unlike Get Out, whose direct references to U.S. racism were the foundation of the plot, Peele left Us intentionally vague; allowing for a flurry of online theories to be born as to what his intended meaning may have been. To those with a knowledge of ancient philosophy, however, Us appeared to be a modern horror version of Plato's allegory of the cave.

View full article. | Posted in on Thu, 08/29/2019 - 5:28pm by Justin Lorenzo Biggi.

As the new term approaches and gets underway, the SCS Blog is bringing you fresh perspectives and actionable ideas on teaching the languages, history, and material culture of the ancient Mediterranean.  Try something small — or something big — to kickstart your course!

τίς δ’ οὐχὶ χαίρει νηπίοις ἀθύρμασιν;

Who does not find delight in childish amusements?

Euripides, Auge fr. 272 TrGF

Anyone who has taught an introductory language class is familiar with the age-old challenge of keeping students active and engaged, especially when these courses tend to meet four to five times a week in the morning. This challenge becomes particularly acute for morphology-heavy beginning courses in ancient Greek and Latin, where “drilling” declensions and conjugations has long been a staple. In short: I don’t think I’m saying anything controversial in suggesting that it is easy for drudgery to reign in our beginning language courses.

View full article. | Posted in on Mon, 08/26/2019 - 7:06am by Amy Lather.

The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities all over the US and Canada with the worlds of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from after-school enrichment programs to collaborations with artists in theater and dance. In this post, we focus on four projects that engaged new audiences by allowing them to explore what it was like to do and think as the Greeks and Romans did.

View full article. | Posted in on Thu, 08/22/2019 - 10:54pm by Mallory Monaco Caterine.
NEH Logo

August, 2019

Below is a list of the most recent NEH grantees and their Classically-themed projects. The NEH helps fund a number of SCS initiatives, and their support affects the field of Classics at a national and local level.

Grantees

  • Gregory Crane (Tufts College) - "Beyond Translation: New Possibilities for Reading in a Digital Age"
  • Matthew Panciera (Gustavus Adolphus College) - "Roman Daily Life in Petronius and Pompeii"
  • Sturt Manning (Cornell University) - "Medieval Monuments and Wooden Cultural Heritage on Cyprus: Building History with Tree-Rings"
  • Elise Friedland (George Washington University) - "Classical Washington: Greece and Rome in the Art and Architecture of D.C."
  • David Konstan (New York University) - "The Legends of Barbara and Katherine in the Greek Tradition (4th - 10th Centuries)"
  • Elizabeth Samet (United States Military Academy) - "The Nine Lives of Alexander the Great"
  • Jose Bermudez (Texas A&M University, College Station) - "Reconsidering the Sources of the Self in the Ancient, Medieval, and Early Modern Periods"

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View full article. | Posted in Awards and Fellowships on Thu, 08/22/2019 - 1:15pm by Erik Shell.

Many thanks to Bill Beck for his SCS blog post on funding opportunities for undergraduates, graduate students, teachers and aspiring teachers. In September, look out for more resources on funding, specifically on funding offered by North American institutions to students enrolled in their MA / PhD programs and terminal MA / MAT programs. This forthcoming resource has been a summer project of the SCS office and our summer interns.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Mon, 08/19/2019 - 10:20am by Helen Cullyer.

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