CFP: Memory and Emotions in Antiquity

(Updated January 25, 2019; sent by Dimos Spatharas)

Crete/Patras Ancient Emotions Conference

Memory and Emotions in Antiquity

Dear colleagues,

We are delighted to announce the Crete/Patras Ancient Emotions III Conference on Memory and Emotions in Antiquity. The event will take place on 6-8 December 2019 at Rethymno, Crete.

We are now inviting proposals for papers of 25 minutes. Submissions should include titled abstracts (max 350 words) and a short bio (max 50 words). Please submit your proposals jointly to George Kazantzidis (gkazantzidis@upatras.gr) and Dimos Spatharas (spatharasd@gmail.com) no later than 23 February 2019.

Revised versions of papers presented at the Ancient Emotions conferences are considered for publication in the series Trends in Classics-Ancient Emotions (De Gruyter) edited by the organizers.

https://www.degruyter.com/view/product/502932

http://philology.upatras.gr/medical-understandings-emotions-antiquity/

Confirmed speakers:

Keynote speaker: Angelos Chaniotis (IAS, Princeton)

Jennifer Devereaux  (U. of South California/U. of Exeter)

Elias Economou (U. of Crete)

Nick Fisher (U. of Cardiff)

Philip Hardie (U. of Cambridge)

George Kazantzidis (U. of Patras)

Marc Mastrangelo (Dickinson College)

Damien Nelis (U. of Geneva)

Maria Michela Sassi (U. of Pisa)

William Short (U. of Exeter)

Dimos Spatharas (U. of Crete)

Description  

Researchers in the fields of neuroscience and psychology and philosophers explore the relationship between memory and emotions. Despite the salience of memory in ancient lay and scientific understandings of emotions, the topic remains under-explored. E.g. as early as Hesiod’s Theogony, poetry, the domain of Mnemosyne’s daughters, is granted with the power to offer forgetfulness of cares, even as they resist lethe. The ‘I’ of a modern Greek folk song, a young man who is about to migrate is given the following lines: ‘when I forget, I’m happy, (but) when I remember, I’m sorrowful’. Memory is pivotal to emotions because it commonly shapes the appraisals which define their phenomenology.       

On a cognitive level, memories of emotive experiences seem to be more vivid than ‘neuter’ memories. E.g. compare one’s memories of the day that one’s child/children was/were born to, say, the last faculty meeting that she attended. Researchers debate over the accuracy of emotion-laden memories and the questions that they raise are particularly akin to ancient systematic approaches to memory or to memory’s interfaces with phantasia and the ways in which we respond emotionally to the mental images which these akin cognitive faculties yield. In this conference, we want to ask questions about both ancient modes of understanding the interfaces between memory (qua a cognitive capacity) and emotions and the implications of memories, i.e. recalled events, for the literature and the cultures that attract our attention.

Memory is intrinsic to our emotional experience because emotions typically have a narrative background which determines their intentionality. My grief for the death of a friend or a relative brings to my mind past experiences which I shared with her. Memory, thus, contributes significantly to my sense that my life will no longer be the same without her. Furthermore, recent discussions emphasize the importance of autobiographical memory for readers’ emotive responses to literature. The very first pages of Proust’s narrative, indeed a trivial but telling example, not only indicate the interconnections between autobiographical memories and the acts of writing and reading, but also indicate the extent to which our senses (or more generally our embodied experience) are related to memories that activate our present emotional experiences. Autobiographical and sensory memories are therefore functional to our emotional engagement with narratives. Furthermore, discursive or artistic representations of collective memories determine the construction of traditions and invite audiences or spectators to respond emotionally to them. Correlatively, memories are also central to emotionally loaded experiences of communal life: emotional responses to ritual practices, political deliberation, and dramatic performances are shaped by participants’ shared memories, while their emotional qualities grant them with lasting memorability.

We invite papers on subjects related to, but not exclusively about:

  • Ancient and modern cognitive approaches to memory and emotions
  • Memory, phantasia, and emotions
  • Collective memories and emotions
  • Monuments, memories, and emotions
  • Autobiographical memory, emotions, and audiences’/readers’ responses to literature
  • Memory and consolation
  • Ancient poetics/rhetoric, memory, and emotions
  • Memory and ‘pathological’ emotions
  • Conceptual/embodied metaphors for memory and emotions
  • Memory, the senses, and emotions
  • Trauma and emotions
  • Emotions and the deployment of civic/collective memory
  • Rituals, memory, and emotions

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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To submit to the SCS program committee, see the following link and deadlines:

The program submission system is now open: https://program.classicalstudies.org/

You must be a current SCS member to log into the system. To renew you membership or check your membership status, check our membership site.

The deadlines for submitting proposals and abstracts via the program submission system are:

  • Monday, April 25th, 2022 at 11.59pm EDT:

Panel, committee panel, workshop, seminar, and roundtable proposals.

Affiliated group reports, and already approved organizer-refereed reports.

New charter applications for affiliated groups, charter renewals for affiliated groups, and new organizer-refereed panel proposals for the 2024 meeting.

  • Monday, May 2nd, 2022 at 11.59pm EDT: 

Individual abstracts and lightning talk abstracts.

Committees, Affiliated Groups, and Organizer-refereeed Panels

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