CFP: The Moon in Human Imagination

"Fly me to the moon" The moon in human imagination
University of Genova (Italy) December 12th-13th 2019

From October 2018 through December 2022, NASA will mark the 50th anniversary of the Apollo Program that landed a dozen Americans on the moon between July 1969 and December 1972.

All kind of events, activities, exhibitions, seminars dedicated to celebrating the first moon landing are understandably spreading everywhere and we want to join the celebrations in our own way.

The moon has always been a source of mystery and enchantment to people of all times and has lit up our imagination for centuries: for writers and poets, the moon has been at one moment a beneficent and comforting presence offering refuge in nocturnal and idyllic landscapes, at the next a silent confidante to secret loves, but also a witness of misdeeds, crimes and mysterious adventures, as well as a power capable of generating werewolves and creatures of the night. From ancient times to modern Western art and literature, the Moon is a recurring subject of poetry and all sorts of artistic representations, an inspiration for mythologies and mysticism, the object of scientific inquiries and a crucial destination for science-­‐‑fiction fantasies. We might say that the attraction our satellite exerts on literature is at least as powerful as its pull on the tides.

The importance of the Moon as a source for the visual arts and literature in all times has long been recognized and, although the theme has been explored before, its influence is inexhaustible.

An international conference is an excellent opportunity for researchers in many different fields to keep exploring our various images of the Moon and to exchange ideas and share experiences and research methodologies.

The University of Genova, and in particular its Departments of Classics and Italian studies (DAFIST and DIRAAS), invites submissions of articles on the subject of the Moon to be presented at an international conference to be held in Genova on 12-­‐‑13 December 2019.

The deadline for submission is July 20th 20:17 UTC (date and time when the lunar module Eagle landed on the lunar surface).

Using the Moon as a source of inspiration, we invite scholars of Classical Studies, Medieval and Renaissance culture, Modern and Contemporary Literature, History and Philosophy, Music and Musicology, Cinema and Media Studies, to explore and discuss the many different ways that writers, poets, historians, artists, film makers have tried to capture the image of our satellite.

We welcome submissions from scholars at all levels of career, but especially encourage doctoral and advanced students.

Please send a brief curriculum vitae, and a proposal of approximately 500 words to lara.nicolini@unige.it, luca.beltrami@unige.it, lara.pagani@unige.it.

Topics of interest include, but are not limited to, the following topic areas:

  • the Moon in mythology / lunar myths / the Moon and the Poets
  • the Moon in Ancient and Modern Novel and in Scientific literature
  • the Moon in Greek and Roman Literature
  • the Moon in Religion and History of religions
  • Magic of the Moon. The Moon in Magic
  • the Moon in Linguistic, Sociology etc. / Questioning the Grammar: Genre and Gender of the Moon
  • Science of the Moon / Knowledge and Science about the Moon (from Aristotle to Galileo to NASA) /. Animals and the Moon
  • Iconography of the Moon (from the ancient times to space-­‐‑age art) / Moon in Art History / Moon and Moonlight in the visual arts / Lunar landscapes / Visions of the night
  • the Moon in Science fiction, Cinema and media studies (from Verne to Hollywood)
  • Music by Moonlight: the Moon in the Music / Songs about the Moon

Submission guidelines

Authors from all over the world are invited to submit original and unpublished papers, which are not under review for any other conference or journal. All papers will be peer reviewed by the program committee and selected on the basis of their originality, significance, and methodological soundness.

Submitted abstracts can be written in Italian or English (the same goes for the papers).

The length of contributions must be between 4 and 8 pages (about 20/25-­‐‑minutes papers). Submission implies that the contributor is willing to attend the conference and present the paper.

The organizing committee looks forward to welcoming you all to a fruitful conference, open discussion and networking.

Key Dates

Submission deadline for abstracts: 20 July 2019

Author notification: 30 September 2019

Conference dates: 12-­‐‑13 December 2019

Conference venue

Genoa is one of the most beautiful Italian cities and a Mediterranean seaport. It embraces different cultures and traditions from the past, combined in a unique and original architecture. Its vast old town is an intricate maze of narrow alleys extending up to the seafront of the Old Harbour. The city center boasts Medieval buildings next to rich Renaissance noble palaces (a UNESCO World Heritage Site), museums and several churches hosting important art masterpieces, in a unique cohesion of past splendor and contemporary everyday life.

www.visitgenoa.it

---

(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

Categories

Follow SCS News for information about the SCS and all things classical.

Use this field to search SCS News
Select a category from this list to limit the content on this page.

ELEATICA 2019 - PROGRAM

The eleventh edition of ELEATICA - International Session on Ancient Philosophy, will be held on September 18-21, 2019 at the Fondazione Alario per Elea-Velia Impresa Sociale (Ascea Marina, Salerno, Italy, in the vicinity of the archeological area of ancient Elea). This time the main lectures will be given by Prof. Richard McKirahan (Pomona College, Claremont, Los Angeles, President of the International Association for Presocratic Studies).
Here is the conference programme:

Eleatica 2019
ARISTOTELE E GLI ELEATI

Wednesday, September 18

14:15 Courtyard of Palazzo Alario: Welcome and Registration

15:15 Palazzo Alario, Sala Francesco Alario: Opening Ceremony
Marcello D’Aiuto (President of the Fondazione Alario per Elea-Velia impresa sociale).
Francesca Gambetti (Scientific Direction of Eleatica – Univ. Roma Tre - SFI)

15:30 ‘I nostri libri’
Stefania Giombini (Scientific Direction of Eleatica – Univ. Autònoma de Barcelona, Univ. Girona)

16:00 1st Lecture: ‘Un Parmenide aristotelico’, Richard McKirahan
Chair: Bernardo Berruecos Frank (UNAM)
Discussant: Massimo Pulpito (Scientific Committee of Eleatica - Cátedra Unesco Archai)

17:30 Debate

Thursday, September 19

08:00 Visit to Paestum (with tastings of local gastronomy)

Friday, September 20

View full article. | Posted in Conferences, Lectures, and Meetings on Mon, 06/03/2019 - 8:24am by Erik Shell.

Call for Abstracts

The Second Annual St Andrews Graduate Conference in Ancient Philosophy

The Soul in Ancient Philosophy

11-12 October 2019

 We are delighted to announce our upcoming graduate conference on ‘The Soul in Ancient Philosophy’ taking place at the University of St Andrews, Scotland on the 11th and 12th of October 2019.

The keynote lectures will be delivered by Professor Dorothea Frede (Hamburg) and Professor Hendrik Lorenz (Princeton).

The soul has been of central importance in the ancient philosophical tradition, from the earliest Greek thinkers to the Neoplatonists. For ancient philosophers, the soul helps to account not only for various kinds of life on earth, such as human, animal, or even plant-life, but also the heavenly movements of the stars and planets. While the soul is often viewed as a principle of motion, in humans it is associated with a wide range of important phenomena, such as cognition, love, death, reason, emotions, and feelings. Moreover, the soul is sometimes seen to have a life of its own apart from the body, so that a distinction can be drawn between embodied and disembodied existence and experience. In this way, the soul naturally brings together a range of different philosophical concerns, including epistemology, ethics, psychology, the natural sciences, cosmology, and eschatology. 

View full article. | Posted in Calls for Papers on Mon, 06/03/2019 - 8:18am by Erik Shell.

From time to time, T.H.M. Gellar-Goad will be checking in with a member of the discipline to see how they conceptualize or define “productivity” in their own work and in the profession. We’ll ask them the same set of five questions and share their responses, plus perhaps a photo or two from their experiences. These Perspectives on Productivity will present views from a diverse cross-section of our field, people from all sorts of backgrounds, working in all sorts of areas, and at all stages in their Classics-related journeys. Today we hear from Erik Shell, the Communications and Services Coordinator at the Society for Classical Studies. 

What does "productivity" mean to you as a member of the discipline?

I expect it means something different to me than the academically engaged portion of the Classics community. I do not research in Classics anymore nor do I intend to start up my old research; I do not teach nor do I have an opportunity to start teaching again. With that in mind I see productivity as the process of working toward two different goals: legacy and yield.

View full article. | Posted in on Fri, 05/31/2019 - 7:50am by Erik Shell.

Friends, Romans, Countrymen, I want to talk about domestic violence and Game of Thrones.

View full article. | Posted in on Mon, 05/27/2019 - 6:44am by Serena S Witzke.

The new Classics Everywhere initiative, recently launched by the SCS, supports projects that seek to introduce and engage communities all over the US with the worlds of Greek and Roman antiquity in new and meaningful ways. During the first round of applications, the SCS funded 13 projects, ranging from performances and a cinema series to educational programs and inter-institutional collaborations. In this post we focus on four programs that engaged audiences with the study of Greek and Roman antiquity and its connection to our modern world through the visual and performing arts.

The mythical past was a great source of inspiration not only for the Athenian 5th century playwrights, but also for many artists in the performing and visual arts ever since. The Greeks performed and dramatized stories from a mythologized history to explore emerging tensions between family and community values, gender dynamics, human relationships, the definition of justice, and the role of the divine world in human life. Putting these stories on the theatrical stage during their city’s most important festivals served to encourage audiences to think about the organization and structure of their society, their policies, and values.

View full article. | Posted in on Thu, 05/23/2019 - 8:04pm by Nina Papathanasopoulou.

Topic:  Hindsight in 2020

The saying “hindsight is 20/20” refers to the notion that it is easier to evaluate choices and understand events and their consequences after they have already occurred. Your task is to imagine how a historical, literary, or mythological figure from antiquity might have acted differently if they knew then what we know now. You may choose to focus on a single event and its repercussions or examine a pattern of behavior or a general character trait in light of current knowledge.

Contest Parameters and Judging

This contest is open to any student enrolled full-time in high school anywhere in the world during the current school year. An award of $250 will be given to the author of the best entry, which may take the form of a short story, essay, play, poem, or original literary work of any other sort.

Entries will be judged on accuracy to ancient sources, appropriate use of those sources, originality, quality of material, thematic development, correctness of English style, and effectiveness of presentation.

Contest Guidelines

View full article. | Posted in Calls for Papers on Fri, 05/17/2019 - 10:19am by Erik Shell.

At a 2010 forum at the New York Public Library featuring Harvard professor Cornel West and Jay-Z (Shawn Carter), Prof. West recalled one of his seminars at Princeton, which had featured a panel of Jay-Z, Toni Morrison, and Phylicia Rashad. West recalled discussing how Plato “made the world safe for Socrates, so the people would remember the name of Socrates forever,” and Jay-Z replied, “Well I have been playing Plato to Biggie’s Socrates.” As it turns out, there is a great deal of classical allusion to unpack in the world of hip-hop, many embedded within the lyrics of Jay-Z.


Figure 1: Jacques-Louis David, The Death of Socrates (1787).
(Image via Wikimedia Commons).

View full article. | Posted in on Thu, 05/16/2019 - 4:42pm by Samuel Ortencio Flores.

"Motion and Migrancy in the Formation of Roman Literature"

Joy Connolly, Interim President and Distinguished Professor of Classics, Graduate Center CUNY

8th Floor Faculty/Staff Dining Room, Hunter West Building
SW Lexington Ave & 68th St.
 
Friday, May 17th, 2019
  • 4:30 - 5:00 Pre-Lecture Reception
  • 5:00 - 5:30 Student Award Ceremony
  • 5:30 - 6:30 Lecture
  • 6:30 - 7:00 Post-Lecture Reception

This lecture is free and open to the public.

---

(Photo: "Empty Boardroom" by Reynermedia, licensed under CC BY 2.0)

View full article. | Posted in Conferences, Lectures, and Meetings on Tue, 05/14/2019 - 2:09pm by Erik Shell.
Server

The Digital Latin Library has published a blog post detailing new its new website, upcoming text releases, and other new features.

You can read the blog post here: https://digitallatin.org/blog/updates-ldlt

---

(Photo: “Switch!" by Andrew Hart, licensed under CC BY-SA 2.0)

View full article. | Posted in Classics in the News on Mon, 05/13/2019 - 9:15am by Erik Shell.

This month, we spotlight the graduate research of Dr. Vivian A. Laughlin, who recently defended her dissertation on the Roman imperial appropriation of Serapis this spring.

While excavating at Hadrian’s Villa in 2015 with Columbia University I noticed that there were various architectural designs and material culture that appeared to be influenced by Egyptian culture. Then when roaming through various parts of the city of Rome, I began to see similar aesthetic references to Egyptian iconography in many places from Augustus’ House on the Palatine to Roman imperial works within various museums throughout the city. I questioned the Egyptian iconography I saw and why the visual references were being made. The more I questioned it, the more it created a burgeoning reason to investigate further and to better understand the relationship between Rome and Egypt. It was almost as if the material culture was speaking to my soul.

View full article. | Posted in on Fri, 05/10/2019 - 6:40am by Vivian A. Laughlin.

Pages

Latest Stories

Calls for Papers
The twenty-second biennial New College Conference on Medieval and Renaissance
Conferences, Lectures, and Meetings
The Presence of Plotinus: The Self, Contemplation, a
In Memoriam
(Written by David T. West) Grace Starry West (1946-2019)
Awards and Fellowships
The American Academy in Berlin invites applications for its residential fello

© 2019, Society for Classical Studies Privacy Policy