CFP: The Moon in Human Imagination

"Fly me to the moon" The moon in human imagination
University of Genova (Italy) December 12th-13th 2019

From October 2018 through December 2022, NASA will mark the 50th anniversary of the Apollo Program that landed a dozen Americans on the moon between July 1969 and December 1972.

All kind of events, activities, exhibitions, seminars dedicated to celebrating the first moon landing are understandably spreading everywhere and we want to join the celebrations in our own way.

The moon has always been a source of mystery and enchantment to people of all times and has lit up our imagination for centuries: for writers and poets, the moon has been at one moment a beneficent and comforting presence offering refuge in nocturnal and idyllic landscapes, at the next a silent confidante to secret loves, but also a witness of misdeeds, crimes and mysterious adventures, as well as a power capable of generating werewolves and creatures of the night. From ancient times to modern Western art and literature, the Moon is a recurring subject of poetry and all sorts of artistic representations, an inspiration for mythologies and mysticism, the object of scientific inquiries and a crucial destination for science-­‐‑fiction fantasies. We might say that the attraction our satellite exerts on literature is at least as powerful as its pull on the tides.

The importance of the Moon as a source for the visual arts and literature in all times has long been recognized and, although the theme has been explored before, its influence is inexhaustible.

An international conference is an excellent opportunity for researchers in many different fields to keep exploring our various images of the Moon and to exchange ideas and share experiences and research methodologies.

The University of Genova, and in particular its Departments of Classics and Italian studies (DAFIST and DIRAAS), invites submissions of articles on the subject of the Moon to be presented at an international conference to be held in Genova on 12-­‐‑13 December 2019.

The deadline for submission is July 20th 20:17 UTC (date and time when the lunar module Eagle landed on the lunar surface).

Using the Moon as a source of inspiration, we invite scholars of Classical Studies, Medieval and Renaissance culture, Modern and Contemporary Literature, History and Philosophy, Music and Musicology, Cinema and Media Studies, to explore and discuss the many different ways that writers, poets, historians, artists, film makers have tried to capture the image of our satellite.

We welcome submissions from scholars at all levels of career, but especially encourage doctoral and advanced students.

Please send a brief curriculum vitae, and a proposal of approximately 500 words to lara.nicolini@unige.it, luca.beltrami@unige.it, lara.pagani@unige.it.

Topics of interest include, but are not limited to, the following topic areas:

  • the Moon in mythology / lunar myths / the Moon and the Poets
  • the Moon in Ancient and Modern Novel and in Scientific literature
  • the Moon in Greek and Roman Literature
  • the Moon in Religion and History of religions
  • Magic of the Moon. The Moon in Magic
  • the Moon in Linguistic, Sociology etc. / Questioning the Grammar: Genre and Gender of the Moon
  • Science of the Moon / Knowledge and Science about the Moon (from Aristotle to Galileo to NASA) /. Animals and the Moon
  • Iconography of the Moon (from the ancient times to space-­‐‑age art) / Moon in Art History / Moon and Moonlight in the visual arts / Lunar landscapes / Visions of the night
  • the Moon in Science fiction, Cinema and media studies (from Verne to Hollywood)
  • Music by Moonlight: the Moon in the Music / Songs about the Moon

Submission guidelines

Authors from all over the world are invited to submit original and unpublished papers, which are not under review for any other conference or journal. All papers will be peer reviewed by the program committee and selected on the basis of their originality, significance, and methodological soundness.

Submitted abstracts can be written in Italian or English (the same goes for the papers).

The length of contributions must be between 4 and 8 pages (about 20/25-­‐‑minutes papers). Submission implies that the contributor is willing to attend the conference and present the paper.

The organizing committee looks forward to welcoming you all to a fruitful conference, open discussion and networking.

Key Dates

Submission deadline for abstracts: 20 July 2019

Author notification: 30 September 2019

Conference dates: 12-­‐‑13 December 2019

Conference venue

Genoa is one of the most beautiful Italian cities and a Mediterranean seaport. It embraces different cultures and traditions from the past, combined in a unique and original architecture. Its vast old town is an intricate maze of narrow alleys extending up to the seafront of the Old Harbour. The city center boasts Medieval buildings next to rich Renaissance noble palaces (a UNESCO World Heritage Site), museums and several churches hosting important art masterpieces, in a unique cohesion of past splendor and contemporary everyday life.

www.visitgenoa.it

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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Graduate Student Caucus Meeting

Hosted by the SCS Graduate Student Committee

Friday, January 3, 5:00pm-6:00pm, Independence Ballroom Salon C

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Come hear about the Graduate Student Committee’s plans for 2020 and offer your feedback on how best the SCS can serve graduate students.

We hope this meeting can be the springboard for a new level of collective action of North American Classics graduate students.

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This event will be followed by a Social Hour, also hosted by the Graduate Student Committee, which will take place Friday, January 3, 7:00pm-8:00pm on the Mezzanine Level of the Marriott Marquis. Come get your drink ticket while they last!

View full article. | Posted in SCS Announcements on Tue, 12/31/2019 - 4:16pm by Helen Cullyer.

That contingent faculty members make up a significant portion of those teaching on college campuses today is a well-known fact. This fact also holds true in our own fields of study (e.g. Classics, Ancient History, Archaeology and Art History), and over the years much attention has (rightfully) been paid to the many challenges and problems that stem from this reliance on contingent labor. At the same time, and despite these challenges and problems, contingent faculty members have been making important contributions to our fields in the areas of service, teaching, outreach and research, and these contributions have only grown in their significance as the number of scholars working in these positions has grown. As members of the Committee on Contingent Faculty, we believe it is time to acknowledge these contributions and celebrate the accomplishments of faculty who are working off the tenure track in our related fields. While we continue to search for solutions to the problems of contingency and advocate for those in precarious positions, we think it is equally important to bring visibility to some of these exceptional members of our scholarly community. To that end we seek to publish a series of individual profiles/interviews on the SCS blog over the course of the next year featuring some of our NTT colleagues at various stages in their careers, who are making a difference and making their mark in our discipline.

View full article. | Posted in on Tue, 12/31/2019 - 1:50pm by Chiara Sulprizio.
 
The SCS Board is delighted to announce a new prize, which will be awarded for the first time in 2020. The Gruen Prize honors Erich S. Gruen, Gladys Rehard Wood Professor of History and Classics Emeritus at the University of California, Berkeley.  It will be an essay prize for the best graduate student research on multiculturalism in the ancient Mediterranean, and submissions about any aspect of race, ethnicity, or cultural exchange will be considered. 
View full article. | Posted in Awards and Fellowships on Tue, 12/31/2019 - 11:04am by Helen Cullyer.

The SCS is pleased to announce the appointment of Patrice Rankine and Sasha-Mae Eccleston as guest editors of a future issue of TAPA with the theme of race, racism, and Classics. A detailed call for papers will be issued in early 2020, and a timetable for submissions will be provided. This themed issue is likely to appear as TAPA 153:1 in spring 2023.

View full article. | Posted in Websites and Resources on Sun, 12/29/2019 - 7:32pm by Helen Cullyer.

SCS is pleased to be able to offer professional learning units (PLUs) to K-12 teachers in the District of Columbia who attend the AIA-SCS Annual Meeting from January 2-5 at the Marriott Marquis, Washington DC. Forms for PLUs will be available at the SCS booth in the exhibit hall.

View full article. | Posted in SCS Announcements on Sun, 12/29/2019 - 7:12pm by Helen Cullyer.

It might seem that Plato and Xenophon have little in common with heavy metal bands; however, they do share an admiration for those warlords of Laconia: the Spartans. In a word, each expressed a degree of laconophilia. What drew ancient philosophers and heavy metal bands alike to Sparta may be a feeling of disenchantment with their respective mainstreams. Socrates’ pupils were no doubt disillusioned with Athenian democracy following his execution in 399 BCE, and the Spartan alternative arguably inspired in Plato’s Republic and Xenophon’s Constitution of the Spartans was a type of escapist fantasy.

View full article. | Posted in on Fri, 12/27/2019 - 5:55am by Jeremy J. Swist.

The SCS Board is delighted to announce a new prize, which will be awarded for the first time in 2020. The Gruen Prize honors Erich S. Gruen, Gladys Rehard Wood Professor of History and Classics Emeritus at the University of California, Berkeley.  It will be an essay prize for the best graduate student research on multiculturalism in the ancient Mediterranean, and submissions about any aspect of race, ethnicity, or cultural exchange will be considered. 

View full article. | Posted in Awards and Fellowships on Mon, 12/23/2019 - 9:53am by Helen Cullyer.

The 2020 Annual Meeting is less than two weeks away.  Registration numbers continue to be strong, but we are still lagging behind with the reservations at the Renaissance hotel.  We understand that some attendees will opt to stay with local friends or find a less-expensive accommodation, but we rely on hotel reservations to secure the meeting space each year.

View full article. | Posted in SCS Announcements on Sat, 12/21/2019 - 7:03am by Helen Cullyer.

In November of 1897, a review of an English poetry collection titled The Flower of  the Mind was published in literary journal The Academy. In his review of Alice Meynell’s anthology of the great English poems, publisher Grant Richards ruminated on the difficulties, worth, and effects of anthologies as a genre:

Anthologies, these latter years, come thick as Vallombrosa…For the making of an anthology is not merely the prettiest of literary amusements, it is also a delicate and fine mode of criticism. To select is to judge; tacitly, but no less deliberately. Admission or exclusion becomes the last word of a patient investigation, in the course of which, tests for genius are devised, and many an established reputation fails to sustain the ordeal. A history of anthologies would be a curious chronicle of the slow but inevitable determination of greatness.

The invention of literary anthologies, canonical readings, and sourcebooks goes back to antiquity and debates over their construction are perhaps just as archaic. Within the history of western education, the genre is a result of ancient and then medieval teachers and religious figures who privileged the teaching of texts from Homer, Virgil, or Augustine for generations.

View full article. | Posted in on Fri, 12/20/2019 - 8:12am by Sarah E. Bond.

Special tours for AIA / SCS: January 2, 2020, 3:00-5:00 pm
Woven Interiors: Furnishing Early Medieval Egypt and Cotsen Textile Traces Study Center
The George Washington University Museum and The Textile Museum
701 21st Street, NW, Washington, D.C.

Woven Interiors (closing on Jan. 5), co-organized by The Textile Museum and Dumbarton Oaks, presents 45 exceptional interior textiles from the villas, palaces, churches, mosques, and humble homes of late antique and early medieval Egypt (300–1000). Join us for curator-led tours of the exhibition and for a preview of The Cotsen Textile Traces Study Center. Tours will rotate throughout the 2 hour period, so we hope you can join us as your schedules permit. Museum/tour admission free with conference badge or proof of AIA/SCS membership.

The GWUM-TM is located just 1.4 miles from the Marriott Marquis. In addition to walking or taking a taxi/Uber, visitors can use the Metro: from the Mt. Vernon Sq. Station, take the Yellow/Green Metro toward Branch Ave./Huntington, exit at the third stop at L’Enfant Plaza; transfer to Blue/Orange/Silver toward Franconia/Springfield/Vienna/Wiehle-Reston, and exit at the sixth stop at Foggy Bottom-GWU stop; the Museum is just 0.4 miles walk, two blocks east and one block south between H and G Sts. on 21st St. NW. 

View full article. | Posted in SCS Announcements on Thu, 12/19/2019 - 12:06pm by Erik Shell.

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