CFP: Race and Racism: Beyond the Spectacular

Revised 7/30/20

As previously announced, Patrice Rankine and Sasha-Mae Eccleston will serve as guest editors of a future issue of TAPA with the theme of race, racism, and Classics (issue 153:1, to appear April 2023). Covid-19 and the global Movement 4 Black Lives have highlighted the extent to which racism is a public health emergency whose reach extends across the Black Atlantic and far beyond. In light of these deeply imbricated developments of 2020, this volume becomes even more timely. A detailed call for papers, along with instructions and deadlines for submission in 2021, follows.

Race and Racism: Beyond the Spectacular

 

…the “cultural logic” of lynching enables it to emerge and persist throughout the modern era because its violence “fit” within the broader, national cultural developments. This synchronicity captures why I refer to lynching as “spectacular”: the violence made certain cultural developments and tensions visible for Americans to confront.

Jacqueline Goldsby, A Spectacular Secret: Lynching in American Life and Literature

 

The last few annual meetings of the Society for Classical Studies (SCS) have been the staging ground for long overdue discussions about race and other marginalized identities within the discipline of Classics. These discussions have taken place in spectacular fashion, to borrow from Jacqueline Goldsby’s analysis of the cultural logic of lynching, a violent example of the pervasive yet less visible realities structuring American life. This heightened awareness of race and racism might be a new watershed, but it recalls the polarizing controversies that revolved around Bernal’s Black Athena during the culture wars of the 1980s and 90s. That is, having escaped notice for a time, Classical Studies is once again being made to confront its relationship to broader cultural developments. Through keynotes, presidential panels, award ceremonies, and gatherings of caucus groups, classicists have sought of late to counter the public and blatant acts of racism that have drawn the attention of outlets outside of the regular disciplinary orbit. SCS sessions such as Robin DiAngelo’s “white fragility” workshop have revealed the stability of majoritarian, white supremacist practices, exposing what minoritized members of the field have long known: spectacular acts of bigotry and endangerment are not exceptional, not a blip in the otherwise ‘civilized’ rhythms of scholarly life. They are better publicized iterations of everyday experiences.

For Classical Studies, the spectacular is also prismatic. Modern instantiations of whiteness, race, and racism project back onto the past, so that scholarship regularly and unremarkably advances the cultural logic. This logic likewise recurs in conversations about representational diversity and inclusion. The academy at large has only recently begun to systematically interrogate how professional routines normalize racism and racialize other forms of discrimination.  As a field, the Classics must also imagine a full-throated response to the realities of this discrimination in both its spectacular and mundane manifestations. 

This issue of TAPA intends to be a catalyst for transformative ideas regarding the reality of race and racism within all aspects of Greek and Roman Studies. We seek contributions that analyze and critically engage phenomena which have been considered unrelated to race, have been so familiar as to remain un-critiqued as spectacular, have not yet been brought to light, or that have tended to be avoided for being too disruptive of the disciplinary status quo. Rather than cordon off advances from other branches of scholarship, this issue welcomes reflections on Classical Studies from other disciplines. We remain attentive to the discipline’s self-declared roots in philology. But the scope of this endeavor demands that we also open ourselves up to other models of critique and to the insights that those models produce. To that end, scholars from fields with similar disciplinary trajectories, with research interests that dovetail with Classics, or whose work is assumed to have no relationship to race and/in the Classics are especially encouraged to submit abstracts.

We offer the following clusters of questions as non-exhaustive entry points into a longer conversation:

What, if any, is the semantic force of the term ‘Classical Studies,’ as opposed to other potential rubrics, e.g., Greek and Roman Studies, Mediterranean Studies, etc.? What is the force of ‘Classical Studies’ in relation to Indigenous Studies, Asian American Studies, Arab American Studies, Latinx Studies and so on?

Are there disciplinary transformations we might use as guides for an anti-racist restructuring of the field?

Though it is often posited as objective and therefore outside of or resistant to so-called 'cultural difference', how can philology and other formalisms shed the garb of objectivity to operationalize racial competence?

How has the elasticity of whiteness manifested in periods when the discipline of Classical Studies has been most self-conscious? Has the warm reception of postcolonial studies within the field obscured the relationship between Classical Studies and contemporary forms of imperial conquest, e.g., global markets, philanthropy and humanitarian relief in the Global South, and American educational expansionism?

How can critical approaches to work and other institutions—universities, prisons, the healthcare industry and so on—inform our understanding of the entanglements of our field and its practitioners? What coalitions does such an approach make possible, perhaps at both the local/regional and national levels?

Submission deadlines and instructions:

  • Articles for this issue should be submitted no earlier than August 1, 2021, and no later than January 1, 2022.
  • Submissions should be directed to the regular TAPA editor (tapa@uci.edu).
  • Contributors should consult the current TAPA guidelines for authors and style sheet.
  • All submissions will receive double-blind refereeing as is usual for TAPA.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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From the website of Lady Margaret Hall, University of Oxford:

Everyone at LMH was deeply saddened by the death of Dr Simon Price on 14 June 2011. Simon was a distinguished scholar, and a much appreciated teacher to generations of students in Ancient History and in Classical Archaeology. He continued researching and writing after he had taken early retirement in 2008. He was able to complete The Birth of Classical Europe, written in collaboration with Peter Thonemann, which has recently been published in paperback by Penguin.

Simon’s funeral will be on Thursday 23 June at 2.45pm in St Margaret’s Church, 19 St Margaret’s Road, Oxford, OX2 6RX. All are welcome.  

The family has asked people not to send flowers for the funeral but if anyone would like to make a donation in Simon’s memory to do so for the Ancient History Fellowship at LMH. This was Simon's wish.

Cheques, made payable to ‘LMH Development Fund’ and marked ‘Simon Price’ should be sent to the Development Office, Lady Margaret Hall, Oxford, OX2 6QA.  Donations may also be made online.

View full article. | Posted in In Memoriam on Wed, 07/06/2011 - 3:52pm by .

"When the name Cleopatra is mentioned, images of a powerful, exotic seductress may come to mind. While that may not necessarily be false, a Miami University professor is looking to flesh out the infamous femme fatale in a presentation working in conjunction with the Cincinnati Museum Center at Union Terminal’s exhibit of the Egyptian queen. Associate professor of classics Denise McCoskey’s presentation, “Cleopatra, a fatale monstrum? Encountering the Egyptian Queen in Roman Literature and Propaganda,” examines Cleopatra’s entire person, both as an able, multicultural ruler of a powerful state as well as how the Augustan propagandists presented her in the midst of Rome’s civil war — an image McCoskey said endures to this day."

Read more at http://beingcleopatra.blogspot.com.es/2011/08/cincinnati-lecture-encountering.html

View full article. | Posted in Classics in the News on Sat, 07/02/2011 - 5:48pm by Information Architect.

"Trojan Women (after Euripides), a new version of one of the greatest anti-war dramas of all time, will be the sixth annual outdoor theatrical production in the Getty Villa's Barbara and Lawrence Fleischman Theater. New York-based Siti Company, one of America's leading ensemble theater companies, will perform an original retelling of Euripides' ancient Greek tragedy, in the world premiere of a Getty-commissioned production. These performances will mark one of Siti Company's rare appearances on the west coast. Directed by the company's artistic director Anne Bogart, the play features original music composed by Christian Frederickson and a text adapted by playwright Jocelyn Clarke."

Read more at losangeles.broadwayworld.com…

View full article. | Posted in Classics in the News on Sat, 07/02/2011 - 5:44pm by Information Architect.

"On Friday, July 1, 2011, the Royal Ontario Museum (ROM) opens a suite of new permanent galleries, reintroducing its visitors to the ancient civilizations of Rome, Byzantium and Nubia. Several never-before-seen objects are featured while others have been unseen by the public since previous galleries were closed in 2004 during the Renaissance ROM expansion project. To showcase these remarkable empires as never before, extensive new videos, shot on location, are featured alongside impressive artifacts in this new, dynamic space." Read more at artdaily.org…

View full article. | Posted in Classics in the News on Sat, 07/02/2011 - 5:33pm by Information Architect.

"Some time in the 1920s, the Conservative statesman F. E. Smith — Lord Birkenhead — gave a copy of the “Nicomachean Ethics” to his close friend Winston Churchill. He did so saying there were those who thought this was the greatest book of all time. Churchill returned it some weeks later, saying it was all very interesting, but he had already thought most of it out for himself. But it is the very genius of Aristotle — as it is of every great teacher — to make you think he is uncovering your own thought in his. In Churchill’s case, it is also probable that the classical tradition informed more of his upbringing, at home and at school, than he realized." 

Read more of Harry Jaffa's review of Aristotle's Nicomachean Ethics (Robert C. Bartlett and Susan D. Collins, trans.) at the New York Times online…

View full article. | Posted in Book Reviews on Sat, 07/02/2011 - 5:31pm by Information Architect.

Mary Beard regrets that an elegant history of Rome is marred by howlers. Read the review at The Guardian online.

View full article. | Posted in Book Reviews on Wed, 06/29/2011 - 1:13pm by Information Architect.

http://www.digitalclassicist.org/

The Digital Classicist is a decentralised and international community of scholars and students interested in the application of innovative digital methods and technologies to research on the ancient world. The Digital Classicist is not core funded, and nor is it owned by any institution. The main purpose of this site is to offer a web-based hub for discussion, collaboration and communication.

View full article. | Posted in Websites and Resources on Thu, 06/23/2011 - 1:35pm by .

"An enigmatic message on a Roman gladiator's 1,800-year-old tombstone has finally been decoded, telling a treacherous tale. The epitaph and art on the tombstone suggest the gladiator, named Diodorus, lost the battle (and his life) due to a referee's error, according to Michael Carter, a professor at Brock University in St. Catharines, Canada. Carter studies gladiator contests and other spectacles in the eastern part of the Roman Empire." Read more at LiveScience.com…

View full article. | Posted in Classics in the News on Mon, 06/20/2011 - 1:25pm by Information Architect.

"Jacques A. Bailly, an associate professor of classics at the University of Vermont, is the department's director of graduate studies. He has also been the official pronouncer of words at the Scripps National Spelling Bee since 2003. He won the annual bee as an eighth grader in 1980." Read the interview with Prof. Bailly at The Chronicle of Higher Education's web site.

View full article. | Posted in Classics in the News on Thu, 06/16/2011 - 3:37pm by Information Architect.

"NATO refused to say Tuesday whether or not it would bomb ancient Roman ruins in Libya if it knew Moammar Gadhafi was hiding military equipment there. 'We will strike military vehicles, military forces, military equipment or military infrastructure that threaten Libyan civilians as necessary,' a NATO official in Naples told CNN, declining to give his name in discussing internal NATO deliberations." Read more at CNN World online.

View full article. | Posted in Classics in the News on Tue, 06/14/2011 - 2:30pm by Information Architect.

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