CFP: Sailing with the Gods

Sailing with the Gods: Religion and Maritime Mobility in the Ancient World

           Sponsored by: The Society for Ancient Mediterranean Religions

           Location: Grand Hotel Excelsior, Floriana, Malta

           Dates: June 17-21, 2020

           Ritual practices dedicated to maritime success appear across a wide span of human cultural history, from the Mediterranean to the North Sea, Southeast Asia across the Pacific to the west coast of the Americas. Culturally-constructed seafaring rituals could be seen as spiritual or superstitious, and respond to the combination of risk and profit endemic in even short voyages by water. Maritime religion infuses all water-borne contact across cultural boundaries; the crafts of those who build rafts, canoes, and sailing vessels; navigational skills which may reach back to ancestors who have faded into cultural legend; and myriad mnemonic and naming strategies extending to littoral markers and celestial patterns. Mythic and ritual responses are accordingly complex, ranging from apotropaia to the divine authorization of civic structures, shipboard shrines and functional epithets which could link divinities, heroes and nearly-deified rulers to the control of the waves and winds.

           Studies of religion and maritime mobility are often framed within individual cultural contexts, but this international conference seeks to bring together scholars from across a range of disciplines and historical periods, from prehistoric to the seventh century CE, to address critical questions in method and theory relevant to religion in the context of maritime mobility. Among these questions are:

           • What are the benefits and limitations of the types of data available for the investigation of ancient seafaring – myths, legends and histories, the excavations of harbors and shipwrecks, the iconography of sea gods, the analysis of artifacts?

           • What is the range of critical frameworks – from network analyses to iconography – appropriate for these data sets?

           • How do data from ports and land-based institutions complement or even contradict evidence from seagoing vessels?

           • How can we de-essentialize the question of ‘maritime ritual’; what might the role of cross-cultural or cross-chronological studies contribute to this end?

           • How might the studies of maritime ritual offer fresh questions for the analysis of Christianity vis-à-vis traditional Greco-Roman and Mediterranean religions?

           • How do Judaism, Christianity and/or Islam deploy maritime religion in different yet complementary ways to one another, or to polytheistic traditions such as Indian or Chinese religions?

           • How do the divine protections sought for religiously-motivated journeys such as pilgrimage compare with the day-to-day appeal to the gods on seafaring vessels?

           Abstracts should be submitted by email attachment as .doc or .docx files to socamr@gmail.com and should be from 500-600 words in length for a paper to last between 25 to 30 minutes. Abstracts should contain a title and a word count, but should not have any information regarding the identity of the submitter.  The deadline for submission of abstracts is January 1, 2020, and all abstracts for papers will be reviewed anonymously. Please direct all queries to SAMR at socamr@gmail.com. To register for the conference and see schedules as they develop, please visit: http://classics.emory.edu/home/news-events/samr.html

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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National Humanities Center

Residential Fellowships 2020-21

Call for Applications

The National Humanities Center invites applications for academic-year or one-semester residential fellowships. Mid-career, senior, and emerging scholars with a strong record of peer-reviewed work from all areas of the humanities are encouraged to apply.

Scholars from all parts of the globe are eligible; stipends and travel expenses are provided. Fellowship applicants must have a PhD or equivalent scholarly credentials. Fellowships are supported by the Center’s own endowment, private foundation grants, contributions from alumni and friends, and the National Endowment for the Humanities.

Located in the vibrant Research Triangle region of North Carolina, the Center affords access to the rich cultural and intellectual communities supported by the area’s research institutes, universities, and dynamic arts scene. Fellows enjoy private studies, in-house dining, and superb library services that deliver all research materials.

Applications are due by 11:59 p.m. ET, October 10, 2019. For more information and to apply, please visit the link below.

View full article. | Posted in Awards and Fellowships on Tue, 07/30/2019 - 12:37pm by Erik Shell.
The Conference on Mediterranean and European Linguistic Anthropology 2020
 
Following the growth of The Global Network for Linguistic Anthropology, we announce The COMELA 2020, The Conference on Mediterranean and European Linguistic Anthropology 2020.

Purpose and Structure - Over 500 scholars globally will gather to present papers and engage in progressive discussion on the Linguistic Anthropology, Language and Society, and related fields, of The Mediterranean and Europe. The COMELA is fully Non-Profit, where all publishing with the JOMELA (its scholarly journal) is free, as the COMELA refuses to implement a pay to publish system. The COMELA sources funding/grants to assist people in impeded economic positions, who require funding to access the COMELA Conference, and display strong ability in their work. COMELA proceedings will be indexed with SCOPUS and will contribute to ranked and cited publications for all those accepted to present, as well as publishing papers in Top Tier Journal Publication Special Issues.

Location - American University of Greece, Athens, Greece

Date - September 2-5, 2020

View full article. | Posted in Calls for Papers on Mon, 07/29/2019 - 9:38am by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

Calling all Actors, Designers, and Creatives—to participate in a staged reading of

The Gladiator
by Robert Montgomery Bird

Directed by Rob Groves

Friday, January 3, 2020

SCS/AIA Annual Meeting, Washington D.C.

The Committee on Ancient and Modern Performance's annual tradition of staged readings at the annual general meeting will continue this year with a production of an engaging example of Classical reception, Robert Montgomery Bird's 1831 retelling of the Spartacus story, The Gladiator!

View full article. | Posted in Performances on Tue, 07/23/2019 - 9:24am by Erik Shell.

I have always been a proponent of reading outside of one’s own field. We are all pressed for time, of course, and keeping up with the scholarship in our own areas of expertise is itself a constant challenge. But reading outside of our traditional areas of study is one of those intellectual activities in which even a little goes a long way towards exposing us to real and imagined worlds that can allow us to better reconstruct the ancient Mediterranean.

As an ancient Mediterranean historian, I have gained most from my reading in (loosely) adjacent historical fields, especially early China and early modern Europe. I have also benefitted from exploring research in social-scientific disciplines with which history is in ongoing dialogue, especially sociology and cultural anthropology. My reading in these fields could hardly be called systematic, but it doesn’t matter. The time spent reading outside of ancient Mediterranean history almost always repays the reader by presenting new questions, new approaches, and new ways to think about familiar material.

However, today I want to explore something a little different: how my ideas about the Roman Empire, my research and teaching focus, have been shaped by creative literature—an essential tool, I have found, for facilitating the leaps of historical imagination necessary for an empathetic (if ultimately incomplete) understanding of a world so alien from our own.

View full article. | Posted in on Mon, 07/22/2019 - 2:21pm by Carlos Noreña.

Classical Representations in Popular Culture

Southwest Popular / American Culture Association (SWPACA)

Area Chair: Benjamin S. Haller (bhaller@vwu.edu)

41st Annual Conference, February 19-22, 2020
Hyatt Regency Hotel & Conference Center
Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: October 31, 2019

Proposals for papers and panels are now being accepted for the 41st annual SWPACA conference.  One of the nation’s largest interdisciplinary academic conferences, SWPACA offers nearly 70 subject areas, each typically featuring multiple panels.  For a full list of subject areas, area descriptions, and Area Chairs, please visit http://southwestpca.org/conference/call-for-papers/

Classical Representations in Popular Culture

Papers on any aspect of Greek, Roman, or Mediterranean antiquity in contemporary or popular culture are eligible for consideration.

Classical Representations welcomes submissions on a broader range of topics including:

View full article. | Posted in Calls for Papers on Fri, 07/19/2019 - 1:29pm by Erik Shell.

Call for Lightning Papers: Classics and Civic Activism

Joint AIA/SCS workshop, January 2–5, 2020, Washington, D.C.

Organizers: Yurie Hong (Gustavus Adolphus College), Marina Haworth (North Hennepin Community College), Amit Shilo (UC, Santa Barbara), T. H. M. Gellar-Goad (Wake Forest University)

Classicists at all levels have knowledge, experience, skills, and contacts that can usefully contribute to civic activism outside of academia proper.  The Classics & Social Justice Affiliated Group has organized a workshop on the subject of Classics and Civic Activism for the upcoming AIA/SCS meeting. We invite proposals for a lightning round on outward-facing activism in which presenters will spend 3 minutes sharing their own experiences and making recommendations. These presentations will become integral to discussions among participants during the following breakout sessions.

The lightning round is the second of three parts of the workshop:

1) Three featured presenters from Indivisible, the National Humanities Alliance, and the American Federation of Teachers will offer guidance in community organizing, engaging with representatives, and other advocacy work, specifically focusing on how academics and educators can combine their skills and expertise with activism.

View full article. | Posted in Calls for Papers on Fri, 07/19/2019 - 8:25am by Erik Shell.

The United States was more than a century old before it saw its first play staged in Latin. What follows is a story about its producers’ struggle for recognition and the external factors that doomed it to obscurity. Beyond a footnote in theatrical history, the 1877 production of a Jesuit Latin play at Boston College offers a glimpse into the fraught politics of education in the United States in the late 19th century, the origins of the modern college elective, and a form of Classical curriculum that might have been—if an ugly fight in Boston had turned out differently.

In April of 1894, Harvard’s production of its first Latin play had set Boston buzzing. The event  even rated a couple columns in the New York Times, which remarked:

Latin plays have been given in this country and in England, but never with the careful study of detail bestowed upon the Phormio of Terence, to be produced by Harvard students in Sanders Theatre this week… Educators from all parts of the country are expected to witness the production.

View full article. | Posted in on Thu, 07/18/2019 - 4:24pm by Christopher Polt.

Seneca 2020. International Conference

What more can we say about Seneca?

The Centre for Classical Studies of the School of Arts and Humanities of the University of Lisbon is organizing an International Conference on Seneca to promote and encourage a critical reflection on the permanence of themes, values, perspectives and representations of Seneca’s works in Western literature and culture.

The Conference will take place between 14-17 December 2020, and, through the interdisciplinary debate of the contribution given by the experiences of researchers from different fields of study, it aims:

- to think of how Seneca became one of the most prominent figures in Western culture;

- to consider, examine and reflect on our current knowledge about Seneca, his life and works;

- to explore new study angles and what remains to be said about Seneca in the Twenty-First Century, in light of the renewed interest shown in his works.

Confirmed Keynote Speakers

António Pedro Mesquita (University of Lisbon)

Alessandro Schiesaro (University of Manchester)

Catharine Edwards (University of Cambridge)

Gareth David Williams (Columbia University)

Chiara Torre (University of Milan)

Jesús Luque Moreno (University of Granada)

José Pedro Serra (University of Lisbon)

View full article. | Posted in Calls for Papers on Thu, 07/18/2019 - 2:54pm by Erik Shell.

“Performing Texts”
Network for the Study of Archaic and Classical Greek Song
6th Open Conference, July 1-5, 2020, Spetses, Greece

 

Gregory Nagy (Classics, Harvard University) announces the 6th Open Conference, which is organized by Harvard University’s Center for Hellenic Studies in Washington, DC (CHS DC) on behalf of the Network for the Study of Archaic and Classical Greek Song. The organization of the Conference will be administratively and logistically supported by Harvard University’s Center for Hellenic Studies in Greece (CHS Greece).

The conference will take place on the island of Spetses in Greece from July 1 to July 5, 2020. The topic of the conference is "Performing Texts."

View full article. | Posted in Calls for Papers on Thu, 07/18/2019 - 11:03am by Erik Shell.

Justin Slocum Bailey will give a two-day series of workshops, BRINGING LATIN TO LIFE IN THE CLASSROOM, in Syracuse on Sept. 20-21, hosted by SU and generously supported by Binghamton University, Le Moyne College, The Humanities Corridor (and others).

Justin will help explore new and interactive techniques of Latin instruction. His pedagogy has proved to be very fruitful on all levels of Latin language classrooms (high school, college, etc.). Please consider attending and help spread the word.

Registration is $40 for one day, $75 for both: this will help cover a at least the lunches and refreshments. Students can attend for free. If the fee is an impediment to participation, we can offer a reduction.

Tina Chronopoulos (tchronop@binghamton.edu) and I will be happy to learn if you want to attend and to hear any suggestions.

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View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 07/17/2019 - 10:20am by Erik Shell.

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