CFP: Symposium: Ancient Greek Pots and Social Class in Britain, 1789-1939

May 5, 2016, King’s College London

This symposium is convened by Dr. Alexia Petsalis-Diomidis under the aegis of the AHRC-funded Classics and Class research project based at King’s College London and directed by Professor Edith Hall and Dr. Henry Stead.

Classical material culture has been part of British material culture from at least the 17th century onwards and as such has played an important role in delineating class distinctions. Its popularity in the late 18th and 19th centuries is to be seen within the context of British colonialism and rising luxury consumption, itself a marker of class. In 18th- and 19th-century Britain, Greek pots were seen as the cheap cousins of more durable and “elevated” marble sculpture. While the reception of marginalized Greek pots is receiving increasing scholarly attention, research has focused predominantly on elite reception, notably collections in the houses of the rich, and expensive ceramics, furnishings and fashions, inspired directly by Greek pots and indirectly by their two-dimensional images in publications.

This symposium seeks to explore the reception of ancient Greek pots through the lens of social class and to bring to prominence hitherto marginalized working class and middle class engagements with this area of Classical material culture. The grounding of this project is threefold: first, the pots themselves are connected to non-elites of ancient Greece through their cheap material and manufacture by non-elite craftsmen, whose work had a direct analogue in that of the laborers in the Potteries and other factories; second, through their depiction of non-elite Athenian lives; and third, arguably, through their use by non-elites. A class-focused exploration of the reception of Greek pots offers the opportunity to analyze non-elite responses to ancient non-elites.

Abstracts of up to 300 words should be sent to alexia.petsalis-diomidis at kcl.ac.uk by 16 November 2015. Possible themes include (but are not limited to):

  • Greek pots and the objects they inspired within broader British material culture and consumption
  • Roles of gender in different class engagements with Greek pots
  • Roles and agencies of craftsmen inspired by Greek pots (e.g. potters, cabinet makers)
  • Widening access and viewing experiences of working and middle classes of Greek pots in houses and museums
  • Roles of Greek pots and inspired objects in demarcating class (particularly the appeal and consumption of cheaper objects such as Dilwyn pottery)
  • Relationship between different class engagements with classical pots (agency, top down models of influence or interpenetration)
  • Influence of arts & crafts movement on Sir John Beazley’s approach to Greek pots
  • View from abroad: class and ancient Greek pots in countries other than Britain (particularly Italy, France, Germany, Ottoman Empire). This could include the role of class in (licit and illicit) excavating, collecting and imitating Greek pots.

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Call for Papers
October, 26th 2019.
University of Florida, Gainesville, FL.
Third University of Florida Classics Graduate Student Symposium
 
Justice turns the balance scales
Δίκα δὲ τοῖς μὲν παθοῦσιν μαθεῖν ἐπιρρέπει (Aeschylus, Agamemnon, 250-1)
“But Justice turns the balance scales,
sees that we suffer and we suffer and we learn.” (trans. Robert Fagles)

The importance of the concept of justice in ancient literature and culture set the foundation for the philosophical, social, and political reflections on the subject in the centuries that followed. From archaic theodicy, to the great plays of the Tragedians, from Caesar’s debate with Cato, to life under tyrannical emperors, δίκη [dīke] and iustitia (νόμος [nomos] and ius…) come to the fore as key ideas to interpret the world and man’s role/duty in it.  Many human experiences that ancient literature describes broached the issue of justice, be it at a personal level (the problem of suffering, retribution, progress, etc.) or at a societal and historical level (administration of justice, redistribution of land, great legal cases of ancient history, etc.). These ideas have been the point of reference for many literary works and philosophical/political reflections in the cultural tradition that reaches us today.

View full article. | Posted in Calls for Papers on Thu, 03/21/2019 - 11:15am by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

The Department of Classics and the Ancient Theater Performance Group of Cornell University present....

TROADES 
“The Trojan Women”
by Seneca

In the original Latin
 
Directed by Daniel Gallagher and Nathan Chazan
  
Sunday, April 21, 2019 – 7:30 p.m.
Wednesday, April 24, 2019 – 7: 30 p.m.

Rhodes-Rawlings Auditorium – Klarman Hall
 
Admission is free.
For more information:lmb296@cornell.edu

---

(Photo: "Empty Theatre (almost)" by Kevin Jaako, licensed under CC BY 2.0)

View full article. | Posted in Performances on Thu, 03/21/2019 - 8:20am by Erik Shell.

The Many Faces of War V: An annual interdisciplinary symposium on the experience and impact of war throughout history

 October 17th-18th, 2019 at South Dakota State University

This annual interdisciplinary conference aims to address both the experience and impact of war for those fighting as well as for those on the periphery of combat.  

The conference is aimed equally at postgraduate students, researchers in the early stages of their careers and established academics. There are no specific geographical or temporal parameters regarding the subject matter of papers, and scholars and students of ancient, medieval and modern warfare are encouraged to submit proposals. We would also encourage the proposal of panels of three papers.

 This year we encourage a focus on veterans and associated studies or experiences. Suggested topics are: PTSD; the social stigma of retreat or cowardice; social security systems for war widows and orphans; the effect of training on a soldier’s mindset and actions (before, during and after combat); the social position of soldiers and veterans;  literature and poetry of war; the art and architecture of war and remembrance. 

Proposals/abstracts should be no longer than 250 words and should be sent to:

View full article. | Posted in Calls for Papers on Wed, 03/20/2019 - 8:42am by Erik Shell.

SCS is pleased to announce the addition of a candidate to the 2019 election slate for President-Elect. Professor Shelley P. Haley has received the support of over 30 SCS members, and, in accordance with Bylaw 30, she has been added as a candidate in the upcoming summer elections. You can view the updated slate here.

View full article. | Posted in SCS Announcements on Mon, 03/18/2019 - 1:34pm by Helen Cullyer.

The 2019 Election Slate is now available. Please click here for a list of candidates nominated by the Nominating Committee and for instructions for those members who wish to petition to be added to the ballot. 

View full article. | Posted in SCS Announcements on Mon, 03/18/2019 - 11:41am by Helen Cullyer.
Three Roman votive offering representing faces. Credit: Wellcome Collection. CC BY 4.0: https://wellcomecollection.org/works/vy2engnk

Emma-Jayne Graham discusses her newly launched digital project with Jessica Hughes called The Votives Project, which examines ancient religion, medicine, and the divine through the lens of votive offerings in ancient sanctuaries and beyond. 

“There must be lots of people working on material like this – wouldn’t it be great to be able to talk to them too?” This was the gist of a conversation with my colleague Jessica Hughes which eventually led to the creation of The Votives Project: a website and network of people from different backgrounds who study, create, or use votive offerings or other related ways of communicating with the divine.

View full article. | Posted in on Thu, 03/14/2019 - 3:45pm by Emma-Jayne Graham.

11–14 November 2019
Faculty of Arts, Masaryk University, Brno

The event represents a unique opportunity to bring together scholars from various disciplines of Classical Studies and other Humanities to share ideas on the playwriting of Titus Maccius Plautus, especially the performative aspects of his comedies and the process of their reception and adaptation to different languages and for the stage.

The participants are invited to fit their talk into one of the following panels:

1) Plautus on Page
Possible issues: How does the linguistics, art history, social/cultural/judicial studies, etc. contribute to our understanding of Plautine comedies as play texts? What are the sources and limits of reconstructing the actual stage practices of the ancient Roman theatre performances? Ancient intradialogical and extradialogical stage directions – how to read and understand them? And other.

View full article. | Posted in Calls for Papers on Tue, 03/12/2019 - 2:30pm by Erik Shell.
Blue Women

All tickets are now reserved for the free staged reading and discussion of Emily Wilson's Odyssey translation at BAM on March 15 at 7.30pm. There will be a standby line. Reserved seats must be claimed by 7:20 p.m. Unclaimed seats will then be released to those on the standby line. 

Doors open at BAM Fisher (321 Ashland Pl, Brooklyn, NY 11217) at 6:30 p.m. for a book signing by Emily Wilson. Please bring your own copies for signing, as we will not be selling books.

View full article. | Posted in SCS Announcements on Mon, 03/11/2019 - 8:51am by Erik Shell.

March 6, 2019

RE: Statement to the Field about the State of Classics at the University of Vermont (UVM)

Dear Friends and Colleagues,

After receiving a number of concerned queries about recent cutbacks to Classics at UVM (Universitas Viridis Montis), the department’s faculty have composed the following statement:

Jeffrey Henderson and Richard Thomas, conducting our Academic Program Review of 2014–2015, concluded their positive assessment as follows:

View full article. | Posted in on Thu, 03/07/2019 - 9:08pm by University of Vermont.

The World Upside-Down: Absurdities, Inversions, and Alternate Realities

Columbia University Ancient Mediterranean Graduate Student Conference
November 1-2, 2019. Columbia University in the City of New York, USA.                           

Keynote Speaker:  Patrick R. Crowley (University of Chicago)

In an era of ‘fake news’ and ‘alternative facts’ it can seem like no form of media should be entirely trusted. While these issues are a modern problem, exacerbated by the unprecedented rise of social media, evidence from the ancient world produces a similar ‘truthiness’: an upside-down world or alternate reality that is latent, barely below the surface of the present and just beyond the borders of civilization and norms. Unlike utopias, which are placeless or displaced, many of these imagined dystopic or feigned worlds are presented as dangerously close to their contemporaries.

We invite papers from graduate students working across disciplines related to the ancient world––and interdisciplinary approaches are encouraged––for a conference that will explore the relationships between fact and fiction, order and chaos. From representations of alternate realities in ancient drama, painting, and sculpture, to disparate histories and archaeological evidence, we hope to discuss the motivations behind, and effects of, the absurd, inverted, and alternative.

View full article. | Posted in Calls for Papers on Wed, 03/06/2019 - 3:04pm by Erik Shell.

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