CFP: Theory and Practice of Cosmic Ascent

The Theory and Practice of Cosmic Ascent: Comparative and Interdisciplinary Approaches

Trinity College, Dublin
19-20 June, 2020

Conference Sponsors: Trinity College Department of Classics, and The Centre for the Study of the Platonic Tradition, Trinity College, Dublin

Conference Organisers: Professor John Dillon (Emeritus, Trinity College, Dublin) and Nicholas Banner (Trinity College, Dublin) 

Date:  19-20 June, 2020
Submission Deadline:  13 March, 2020
Confirmation Date:  01 April, 2020

One of the most striking tropes in the history of western thought is the account of cosmic ascent; we find narratives of humans ascending to the stars and beyond in a vast array of sources from among the earliest written accounts of western literature, through antiquity, and up to (at least) the High Middle Ages. From the Hellenistic period onward, Mediterranean religions and philosophies (understood broadly) looked increasingly to a model of human ascent as a primary locus for spiritual achievement; however, the ways in which such ascent was conceptualized vary enormously from tradition to tradition (we might compare e.g. Jewish apocalyptic texts with the ascent-accounts of Platonist philosophers, or Hermetic with Sethian ascent-accounts), and even from thinker to thinker (we might contrast e.g. Plutarch with Plotinus or St Paul with Clement of Alexandria). 

The vast range of genres invoking cosmic ascent – including revealed scriptures, magical texts, scientific philosophic theory, religious devotional literature, and more – invites explanation. These ascent-accounts are often set in parallel with ascent-practices and ascent-experiences which are very difficult to interpret and model, adding further complexity to the enquiry.  

This conference will bring together specialists from a number of fields and methodological approaches with a view to expanding understanding of the significance of cosmic ascent-accounts. Papers are welcome from any methodological background, and neurological, cognitive, and other quantitative and qualitative scientific approaches are particularly welcome. The Mediterranean focus of the above description should by no means be taken to rule out any relevant geographical area; Manichæan or Islamicate texts from Central Asia, for example, are of obvious pertinence to the Mediterranean cosmic ascent topos. Themes for papers might include: 

  • Studies of ascent-accounts or the theory of cosmic ascent in a given writer, tradition, or cultural milieu, or comparative approaches to multiple such,
  • Cognitive or other approaches to the phenomenology of cosmic ascent as reported by ancient or later ascent-practitioners,
  • Cosmic ascent as a practice, whether considered phenomenologically, cognitively, as ritual, from a neuroscientific basis, or through other methodological frameworks,
  • Proposals for new typologies of cosmic ascent, or the refinement of existing ones.

The format of the conference will be one of traditional papers (30 minutes with ten to twenty minutes for discussion, depending on available time) interspersed with cross-disciplinary panel discussions and ample time and space for collegial interchange. It is especially hoped that disciplinary boundaries are crossed in this conference, so collaborative, cross-disciplinary papers are especially welcome.

Proposals of c. 200-300 words should be sent to Nicholas Banner (bannern@tcd.ie) not later that the submission deadline of 13 March, 2020. Successful applicants will be informed by the first of April. Applicants are welcome to propose panels or single papers.

The conference will be held in the Long Room Hub, Trinity College, Dublin. Limited funding for travel costs is available on the basis of need. Selected articles may be published as a special volume after a full double blind peer-review process.

---

(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

Categories

Follow SCS News for information about the SCS and all things classical.

Use this field to search SCS News
Select a category from this list to limit the content on this page.

Many thanks to our Local Arrangements Committee for creating a fantastic guide to the DC area for our January 2020 meeting. The guide features plenty of family-friendly activities and also includes walking tours of classical DC. 

Read and download the Local Arrangements Guide for 2020.

---

(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Sat, 11/30/2019 - 7:13am by Helen Cullyer.

Precollegiate Teaching Award

College Teaching Award

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:10am by Helen Cullyer.

The Committee on Public Information and Media Relations is pleased to announce that this year's Forum Prize, for a work originating outside the academy, has been awarded to Jeff Wright for Odyssey: The Podcast.

The winner of the 2019 Society for Classical Studies Forum Prize—Jeff Wright, creator and performer of Odyssey: The Podcast—takes many turns toward and away from his illustrious epic source. Jeff’s Homer is a composite character built on the bases of English translations among the most appealing today. But Jeff is not content merely to play rhapsode to Homer’s bard.

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:08am by Helen Cullyer.

The deadline for the Undergraduate Minority Scholarships is December 13.

---

(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in Awards and Fellowships on Sat, 11/30/2019 - 7:04am by Helen Cullyer.

The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities all over the US and Canada with the worlds of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from teaching Latin in a prison to collaborations with artists in theater, music, and dance. In this post we focus on a variety of programs directed to children: summer camps, classics days, after-school programs, and the creation of children-oriented animated videos.

View full article. | Posted in on Fri, 11/29/2019 - 1:52am by .

Registration for the Career Networking event at the 2020 Annual Meeting is now open. Graduate students and contingent faculty interested in careers outside of academia are encouraged to attend.  There is no extra charge for this event but space is limited.

Registered attendees of the 2020 meeting can sign up for this event by filling out this form. Sign up will be open until December 6th or close sooner if the event reaches capacity before that date. 

---

(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Wed, 11/27/2019 - 12:39pm by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0
Juliette Deschamps
The Tragedy of Dido
 
US Premiere
Friday, December 6, 2019, 7:30pm
 
Featuring acclaimed actor Gale Harold

Post-performance Q&A with Juliette Deschamps

Mixing captivating video projection, live jazz music, and powerful storytelling, The Tragedy of Dido created by French videographer Juliette Deschamps paints an extraordinary portrait of Queen Dido, the legendary founder of Carthage.

Part of A Weekend Celebration of Tunisia, the sensory and aesthetic performance will feature narration and music inspired by North African melodies performed by pianist Paul Lay. The performance will be introduced by Professor Judith P. Hallett and narrated in English by acclaimed actor Gale Harold (Falling for Grace, Queer as Folk, Grey’s Anatomy).

View full article. | Posted in Performances on Wed, 11/27/2019 - 10:44am by Erik Shell.

CfP: “Class before Capitalism?: Social Structure and the Ancient World” (Deadline: January 1, 2020)

Saturday, March 28, 2020

Keynote speaker: Johanna Hanink (Brown University)

The graduate students at Harvard University’s department of the Classics invite abstract submissions for the upcoming graduate student conference, “Class before Capitalism?: Social Structure and the Ancient World”.

Socio-economic status and the intergenerational structures which maintain it have been a persistent source of tension across the world and across history. In the influential tradition of thought following Karl Marx, class has been seen as a fundamental agent of socio-political change and an inescapable force that conditions the production of literature, art, and other cultural materials. The application of ideas formed in a post-industrial, capitalist age to pre-modern societies presents some significant methodological challenges, however, and has been the source of an intense scholarly debate which continues to this day. 

View full article. | Posted in Calls for Papers on Wed, 11/27/2019 - 10:38am by Erik Shell.

Recogito is a software platform that facilitates annotation of text and images. Through both automatic annotation and manual annotation by users, the software links uploaded files to geographic data and facilitates the sharing and downloading of this data in various formats. The software is freely available for download through GitHub, and a version is also hosted online. In the online version, users have a private workspace as well as the ability to share documents among a group or publicly. Recogito was developed from 2013 to 2018 as part of the Pelagios network, a much wider project dedicated to creating gazetteers and tools for annotation, visualization, pedagogy, collaboration, and registering linked data.

ANNOTATION

View full article. | Posted in on Thu, 11/21/2019 - 7:03pm by Kilian Mallon.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

CAMP Press Release

The SCS’ Committee on Ancient and Modern Performance (CAMP) would like to announce a change in its staged reading for the 2020 meeting in Washington D.C.  Instead of Robert Montgomery Bird’s “the Gladiator,” the committee will instead present Joseph Addison’s “Cato.”  Both plays provoke interesting discussion on the connections between American history and Classical Rome.  “Cato,” which dramatizes the stoic and patriotic Cato’s last stand against a tyrannical Julius Caesar, was quoted and alluded to by the leaders of the American Revolution, and staged by George Washington for his troops at Valley Forge in defiance of a congressional ban on plays.

Both plays and their authors are also rooted in the ideologies of their own times, ideologies which include some racist and colonialist viewpoints.  That these viewpoints have been connected with Classics as an academic field is an important element of both the history of and the contemporary challenges of our discipline.  CAMP believes that by working with and presenting such material, even when (and in fact especially when) it is problematic, we can simultaneously acknowledge the field’s entanglement with historical wrongs, and have fruitful discussions about how we can productively move forward.

View full article. | Posted in Performances on Wed, 11/20/2019 - 8:17am by Erik Shell.

Pages

Latest Stories

Calls for Papers
Calls for Papers
Call for Abstracts: Greco-Roman Antiquity and White Supremacy
Calls for Papers
Flavian Sicily: An Academic Conference and Tour of A

© 2019, Society for Classical Studies Privacy Policy