CFP: Theory and Practice of Cosmic Ascent

The Theory and Practice of Cosmic Ascent: Comparative and Interdisciplinary Approaches

Trinity College, Dublin
19-20 June, 2020

Conference Sponsors: Trinity College Department of Classics, and The Centre for the Study of the Platonic Tradition, Trinity College, Dublin

Conference Organisers: Professor John Dillon (Emeritus, Trinity College, Dublin) and Nicholas Banner (Trinity College, Dublin) 

Date:  19-20 June, 2020
Submission Deadline:  13 March, 2020
Confirmation Date:  01 April, 2020

One of the most striking tropes in the history of western thought is the account of cosmic ascent; we find narratives of humans ascending to the stars and beyond in a vast array of sources from among the earliest written accounts of western literature, through antiquity, and up to (at least) the High Middle Ages. From the Hellenistic period onward, Mediterranean religions and philosophies (understood broadly) looked increasingly to a model of human ascent as a primary locus for spiritual achievement; however, the ways in which such ascent was conceptualized vary enormously from tradition to tradition (we might compare e.g. Jewish apocalyptic texts with the ascent-accounts of Platonist philosophers, or Hermetic with Sethian ascent-accounts), and even from thinker to thinker (we might contrast e.g. Plutarch with Plotinus or St Paul with Clement of Alexandria). 

The vast range of genres invoking cosmic ascent – including revealed scriptures, magical texts, scientific philosophic theory, religious devotional literature, and more – invites explanation. These ascent-accounts are often set in parallel with ascent-practices and ascent-experiences which are very difficult to interpret and model, adding further complexity to the enquiry.  

This conference will bring together specialists from a number of fields and methodological approaches with a view to expanding understanding of the significance of cosmic ascent-accounts. Papers are welcome from any methodological background, and neurological, cognitive, and other quantitative and qualitative scientific approaches are particularly welcome. The Mediterranean focus of the above description should by no means be taken to rule out any relevant geographical area; Manichæan or Islamicate texts from Central Asia, for example, are of obvious pertinence to the Mediterranean cosmic ascent topos. Themes for papers might include: 

  • Studies of ascent-accounts or the theory of cosmic ascent in a given writer, tradition, or cultural milieu, or comparative approaches to multiple such,
  • Cognitive or other approaches to the phenomenology of cosmic ascent as reported by ancient or later ascent-practitioners,
  • Cosmic ascent as a practice, whether considered phenomenologically, cognitively, as ritual, from a neuroscientific basis, or through other methodological frameworks,
  • Proposals for new typologies of cosmic ascent, or the refinement of existing ones.

The format of the conference will be one of traditional papers (30 minutes with ten to twenty minutes for discussion, depending on available time) interspersed with cross-disciplinary panel discussions and ample time and space for collegial interchange. It is especially hoped that disciplinary boundaries are crossed in this conference, so collaborative, cross-disciplinary papers are especially welcome.

Proposals of c. 200-300 words should be sent to Nicholas Banner (bannern@tcd.ie) not later that the submission deadline of 13 March, 2020. Successful applicants will be informed by the first of April. Applicants are welcome to propose panels or single papers.

The conference will be held in the Long Room Hub, Trinity College, Dublin. Limited funding for travel costs is available on the basis of need. Selected articles may be published as a special volume after a full double blind peer-review process.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities all over the US and Canada with the worlds of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from children’s programs to teaching Latin in a prison. In this post we focus on four programs that use the performing arts for the exploration and appreciation of Greek and Latin literature.

Observing artists who work imaginatively and freely with the ancient material encourages students to think and act in non-linear ways. Cultivating one’s imagination is particularly important for Classicists, who are constantly seeking for new interpretations and new approaches to the ancient past. The projects below funded by the SCS’ Classics Everywhere Initiative invite their audiences to examine Greek and Roman literature through dance, theater, and staged readings; to explore known stories through different lenses; to stimulate their imagination; and to satisfy the human desire for creativity, entertainment, and learning.

View full article. | Posted in on Fri, 09/27/2019 - 6:12am by .

The Ancient Mediterranean for Modern Audiences: Reception, Pedagogy, Entertainment

March 6-7, 2020
Ohio Union, Columbus, Ohio

The aim of the OSU Classics Graduate Student Colloquium is to explore various directions in which the Ancient Mediterranean has been adapted and utilized by different cultures in Modern world from the Renaissance to the present day. In recent years, the online journal “Eidolon” and other public scholarship media have already successfully demonstrated how the cultures of the Ancient Mediterranean can be accessed, interpreted, and applied through various experiences by scholars, students, writers, and by the wider communities. We believe that the reception of Ancient Mediterranean cultures has become an important element of Classical scholarship and pedagogy. It is a critical point of contact between the academic community and the general audience.

The OSU Classics Graduate Student Colloquium invites papers on a range of topics that discuss and analyze the reception of the Ancient Mediterranean from a point of view of philology, linguistics, theater and performance studies, history, pedagogy, archaeology, art history, philosophy, anthropology, political studies, media studies, and/or gender studies. Possible topics include, but are not limited to:

View full article. | Posted in Calls for Papers on Thu, 09/26/2019 - 12:34pm by Erik Shell.

Conference: Cathartic History

University of West Georgia, Carrollton, GA
February 25-27, 2021

The aim of this conference and the edited collection that will result is to propose Aristotelian catharsis as a new lens for historical inquiry. The project aims to do so, specifically, through the study of cathartic history as a phenomenon in the Greco-Roman Mediterranean and in the field of Classical history today. In the process, the project will serve as an example of the productive application of catharsis to the study of the past, and thus a model for other fields of historical research.

View full article. | Posted in Calls for Papers on Thu, 09/26/2019 - 10:22am by Erik Shell.

SCS member and Classical Studies professor at the University of Pennsylvania Emily Wilson has won a 2019 MacArthur Fellowship by the John D. and Catherine T. MacArthur Foundation.

You can read the full announcement on the UPenn page here.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Thu, 09/26/2019 - 9:55am by Erik Shell.

International Association for Presocratic Studies

Seventh Biennial Conference: 15-19 July 2020
Belo Horizonte, Brazil: Universidade Federal de Minas Gerais

Chair of Organizing Committee: Miriam Peixoto

The International Association for Presocratic Studies announces its Seventh Biennial Conference. The meeting will take place at the Universidade Federal de Minas Gerais, Belo Horizonte, Brazil 15-19 June 2020 (http://www.ufmg.br). 

View full article. | Posted in Calls for Papers on Wed, 09/25/2019 - 11:37am by Erik Shell.

Poetry, Philosophy, and Mathematics: Performance, Text, and External Representations in Ancient Greek Cultural Practices

View full article. | Posted in Calls for Papers on Wed, 09/25/2019 - 11:02am by Erik Shell.

The SCS board of directors has endorsed a statement on the use of student evaluations of teaching developed by the American Sociological Association.

The board has also reaffirmed its own statement of November 28, 2016 that condemns “the use of the texts, ideals, and images of the Greek and Roman world to promote racism or a view of the Classical world as the unique inheritance of a falsely-imagined and narrowly-conceived western civilization.” In accordance with that statement, the board has also endorsed the American Historical Association’s statement on Domestic Terrorism, Bigotry, and History and would like to draw attention to its condemnation of the “recent deployment of histories invented in the interest of bigotry, violence, and division.”

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View full article. | Posted in SCS Announcements on Wed, 09/25/2019 - 10:22am by Erik Shell.

Registration is now live for the Spatial Turn in Roman Studies Auckland conference, to be held January 22-24, 2020. For information about the conference, please see https://www.dur.ac.uk/classics/spatialturn/auckland/

If you plan to attend the Auckland conference, please fill out this registration form, including reading the event code of conduct linked to in the form.  

View full article. | Posted in Conferences, Lectures, and Meetings on Wed, 09/25/2019 - 9:09am by Erik Shell.

Here are a few important deadlines coming up at the end of this month:

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View full article. | Posted in SCS Announcements on Fri, 09/20/2019 - 8:32am by Erik Shell.

Of the slew of Disney’s new live-action remakes, perhaps the most anticipated release was this summer’s The Lion King, directed by Jon Favreau. After all, the original 1994 version was arguably the crown jewel of the ‘Disney Renaissance’, enjoying massive commercial and critical success (followed by a highly successful Broadway production). More importantly - at least for those like me who grew up in the 90’s - it was a cultural touchstone, a perennial source of references, parodies, and praise.

View full article. | Posted in on Thu, 09/19/2019 - 10:00pm by Colin MacCormack.

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