CFP: Three Classical Panels at NeMLA

Panel 1: Reading and Writing the Classics in Antiquity and Beyond

NeMLA 2019, March 21-24 in Washington, D.C. 
Chair: Claire Sommers, csommers@gc.cuny.edu
Abstracts Due: September 30, 2018

The literature of ancient Greece and Rome has survived for thousands of years. As a result, Classical literary and philosophical works have served as a profound influence on the writings of subsequent time periods. Indeed, in many subsequent time periods, the ability to quote from Classical sources became a marker of status and intelligence. However, many works of ancient Greece and Rome are not wholly original, but in fact flaunt their use of source materials, citing earlier versions of myths and epics. Often, Classical and post-Classical authors would modify their source materials, and we are able to see them not only as writers, but as readers in their own right.

This panel will explore the use of ancient sources in Classical literature and its descendants. We will examine how Classical works engage with previous sources and how ancient works of literature and philosophy became important source materials in subsequent time periods. Possible approaches include:

  • Allusions to other ancient sources in Classical literature and philosophy
  • The use of Classical works in the texts of later time periods
  • Alterations and revisions that are made to Classical sources
  • The overlap between writer and reader in the use of Classical sources
  • The status of Classical sources throughout the ages
  • The use of satire and/or parody to engage with the Classics
  • Classical texts and the creation of new genres

Please submit a 300 word abstract and 100 word bio by September 30, 2018. You will need to create an user account through the NeMLA account in order to submit an abstract. Contact Claire Sommers (csommers@gc.cuny.edu) with any questions. 

Panel 2: Classical Metanarrative, Aesthetics, and the Creative Process

NeMLA 2019, March 21-24 in Washington, D.C. 
Chair: Claire Sommers, csommers@gc.cuny.edu
Abstracts Due: September 30, 2018

Ancient Greece and Rome have had a profound influence on subsequent literature. While our analyses of Classical literature, philosophy, and art often focus on the characters and stories they depict, these works often served as a means to examine the aesthetic process itself. One of the earliest surviving Greek texts, Homer’s Iliad, goes so far as to depict its protagonist Achilles singing of ancient heroes and strumming his lyre as a means of determining the effect of being remembered in epic.

This panel session will explore how ancient art, literature, and philosophy utilize metanarrative and meditate upon the act of creation, and how it serves as a means of examining the creative process in subsequent time periods. Possible approaches include:

  • Classical reflections on their own genres and media
  • Classical critiques of sources
  • Metanarratives in Classical texts
  • Classical theories of aesthetics and their influence
  • Discussions of contemporaneous art, music, literature, and drama in Classical literature
  • The use of Classical sources in subsequent literature as a means of reflection

Please submit a 300 word abstract and 100 word bio by September 30, 2018. You will need to create an user account through the NeMLA account in order to submit an abstract. Contact Claire Sommers (csommers@gc.cuny.edu) with any questions. 

Panel 3: Greco-Roman Myth in Literature and/or the Arts
Chair: Ronnie Ancona, rancona@hunter.cuny.edu

Since Classics is a new secondary area of inquiry for NeMLA, this session attempts to cast its net quite broadly. The intention is to appeal to classicists or others dealing with Greco-Roman literature, history, archaeology, and culture and its later reception for abstracts that will have wide appeal to the NeMLA audience.

Myth is a central feature of Greco-Roman studies as well as its legacy. We look for papers addressing any aspect of Greco-Roman myth in its original contexts or in its later reworkings. Papers may be theoretical in nature, addressing various ways of defining and interpreting myth, or may focus on one or more specific instantiations of Greco-Roman myth. Papers addressing the permutations of a single myth over time are welcome, as are discussions of pedagogical issues involving the teaching of Greco-Roman myth, in general, or of a specific myth or type of myth.

All abstracts (and eventual papers) should have in mind the general NeMLA audience and should not be aimed solely at classicists. All papers should be presented in English.

The topic of Greco-Roman myth will allow for a panel that deals with Greco-Roman literature and culture as well as its reception. The aim of the panel will be to demonstrate the contribution of Classics to a living tradition.

For further general information, go to the following links:

https://www.buffalo.edu/nemla.html

https://www.cfplist.com/nemla/Home/S/17374

For submissions (due September 30th), go to the first link above and click on “Submit Your Abstracts.” Then in the search box at the upper right corner, search by “Ancona” or the panel title. 

NeMLA membership is not required to submit abstracts, but is required to present at the convention.

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(Photo: "Handwritten" by A. Birkan, licensed under CC BY 2.0)

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Dear Members, 

As of Friday March 13, 2020, SCS staff will be working remotely until further notice. We have taken this step in order to comply with the current policies of NYU, our host institution. Fortunately, we expect there to be little disruption to our operations. You can still do the following online:

Renew your membership

Use the placement service

Make a submission for the 2021 meeting

Make a donation

- Access all portions of our website as usual

The best way to contact us during this period is at info@classicalstudies.org. We will respond promptly. To reach us by phone, please use 646 939 0435. We plan to check our physical mail on a regular basis but would prefer members to use online communication if possible at this time. 

View full article. | Posted in Public Statements on Thu, 03/12/2020 - 8:22pm by Helen Cullyer.

By Joel P. Christensen and Elton Barker

How does one (er, a pairing) write a collaborative book and how might we make sure that our work is accessible to students, teachers, and all those interested in Classics? Gather round for the biography of a new and freely available book, Homer’s Thebes: Epic Rivalries and the Appropriation of Mythical Pasts. 

View full article. | Posted in on Thu, 03/12/2020 - 1:56pm by Joel Perry Christensen.

"Techne Agathe: Ethics of Art and Technology from Antiquity to Our Times"

The Second International Conference of Hellenic Studies will take place in Budva (Montenegro), from 14 to 19 September 2020. The topic of the conference is "Techne Agathe: Ethics of Art and Technology from Antiquity to Our Times".

Deadline for submissions: 1 July 2020

Conference website: http://ichs.me

View full article. | Posted in Calls for Papers on Thu, 03/12/2020 - 10:46am by Erik Shell.

As the COVID-19 virus becomes more widespread in the US and in many other countries, the SCS office and the Board of Directors are making plans to deal effectively with disruptions to all our operations and programs.

Since many academic institutions are now placing restrictions on domestic travel, cancelling trips and programs abroad, and even teaching online due to the COVID-19 outbreak, the SCS Board of Directors has approved, effective 3/6/20, the deferred spending by award winners of short-term award and grant funds for travel, programs, and events. Winners of the Frank M. Snowden Jr. Scholarships (formerly the Undergraduate Minority Scholarships), Coffin Fellowship, Pedagogy Awards, Koenen Fellowship, and Classics Everywhere micro-grants will be allowed to postpone their awards until 2021, subject to terms that will be included in all award letters going forward. Detailed instructions will be included in all award letters. SCS will continue to receive applications for these programs in accordance with posted deadlines, and 2020 winners may use funds in 2020 if they are able to do so.

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View full article. | Posted in Public Statements on Sun, 03/08/2020 - 2:32pm by Helen Cullyer.

Our second interview in the Contingent Faculty Series is with Ryan C. Fowler, who is currently Visiting Assistant Professor of Classics at Franklin & Marshall College. Ryan teaches a wide variety of classes, including Ancient Medicine and Ancient Rhetoric and Persuasion. He has written a number of articles and books on Platonism in the early Roman Empire.  Ryan held a residential fellowship at the Center for Hellenic Studies in 2014, was Sunoikisis fellow for curricular development from 2012-2016, and has also taught at Grinnell College and Knox College.  He holds a Ph.D. in Classics from Rutgers University, an M.A. in Classical Greek from Columbia University, and an M.A. in philosophy from San Francisco State University.

How has working in a contingent position affected your work as a teacher? And do you think working in such a position has given you a different perspective on teaching or working at a college or university?

View full article. | Posted in on Fri, 03/06/2020 - 6:23am by Andrew G. Scott.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

A Forum on Thornton Wilder's Alcestiad at Fordham University

The Dean's Office of Fordham College at Lincoln Center, the Fordham Theatre Program, and the Fordham Department of Classics will present A Forum on Thornton Wilder’s Alcestiad on March 6, 2020. This June, Fordham Artist-in-Residence and Artistic Director of Magis Theatre Company, George Drance S.J., will stage Thornton Wilder’s Alcestiad at Four Freedoms Park in New York City.  In anticipation of the production, a panel discussion of the script will be held on March 6, 2020 at 6:30pm. The event will be held at the Twelfth Floor Lounge at Fordham Lincoln Center. Panelists will include George Drance, S.J. (Fordham University and Magis Theatre Company), Elizabeth Scharffenberger (Columbia University) and Jerise Fogel (Montclair State University).  Actors from Magis Theatre will also present a few scenes from the upcoming production.  The event is free and open to the public.

View full article. | Posted in Performances on Thu, 03/05/2020 - 1:06pm by Erik Shell.

The 2020 SCS Election Slate and narrative report of the 2019-2020 Nominating Committee are now available on our website. 

Thank you to our Nominating Committee members and to all those who have agreed to stand in summer 2020.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Thu, 03/05/2020 - 9:13am by Helen Cullyer.

Revised 7/30/20

As previously announced, Patrice Rankine and Sasha-Mae Eccleston will serve as guest editors of a future issue of TAPA with the theme of race, racism, and Classics (issue 153:1, to appear April 2023). Covid-19 and the global Movement 4 Black Lives have highlighted the extent to which racism is a public health emergency whose reach extends across the Black Atlantic and far beyond. In light of these deeply imbricated developments of 2020, this volume becomes even more timely. A detailed call for papers, along with instructions and deadlines for submission in 2021, follows.

Race and Racism: Beyond the Spectacular

 

View full article. | Posted in Calls for Papers on Wed, 03/04/2020 - 9:28am by Helen Cullyer.

The program submission system is now open and accepting proposals.

You can visit the main page at https://program.classicalstudies.org/

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Tue, 03/03/2020 - 8:29am by Erik Shell.

Workshop: Socratic eudaimonia and the care for others

An event sponsored by the International Society for Socratic Studies

Verona, April 8-9, 2020

Despite the appearances given by certain texts, the moral psychology of Socrates need not imply selfishness. On the contrary, a close look at passages in Plato and Xenophon (see Plato, Meno 77-78, Protagoras 358, Gorgias 466-468, Euthydemus 278, Lysis 219; Xenophon, Memorabilia 3.9.4-5) suggests that the egoist’s welfare depends upon the welfare of others (i.e. family or friends). Since the welfare of the egoist’s family and friends is part of the egoist’s own eudaimonia, the egoist has a direct and intrinsic motive to promote the welfare of these others.

View full article. | Posted in Conferences, Lectures, and Meetings on Mon, 03/02/2020 - 9:03am by Erik Shell.

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