CONF: Roman Error: The Reception of Ancient Rome as a Flawed Model

A Conference at the University of Michigan
September 20th–21st, 2013
Angell Hall 3222

The idea of large-scale Roman missteps—whether imperial domination, sexual immorality, political corruption, greed, religious intolerance, cultural insensitivity, or the like—has been a notion “good to think with” since antiquity, and persists in familiar comparisons between the Roman Empire and the present-day United States. This conference seeks to go beyond a merely thematic discussion to re-examine the connections between “Roman error,” broadly conceived, and basic features of the reception of antiquity including: misunderstanding and misprision, repetition and difference, the subject’s relation to a (remembered or unconscious) past, performance and illusion, and links between text and image. If the Romans “erred,” what are the consequences for Rome’s inheritors as they attempt to construct a stable relation to Rome as a flawed “source” or model? We ask not simply, “Are Rome’s errors ours?” but, “How does Roman error figure in the reception of Rome itself?”

FRIDAY, September 20th

2:00 Welcome

Error and Empire

2:15 Phiroze Vasunia (University of Reading), “The Roman Empire and the Error of Civilization”

3:00 Margaret Malamud (New Mexico State University), “Worse than Cato? How to Think about Slavery”

Error and the Body Politic

4:00 Michèle Lowrie (University of Chicago), “Civil War and the Republic to Come in Victor Hugo’s Quatrevingt-treize” 

4:45 Joy Connolly (New York University), “Past Sovereignty: Roman Freedom in Modernity”

SATURDAY, September 21st

Error and Affect

9:00 Marc Bizer, (University of Texas at Austin), “Romans into (Elite) Frenchmen: Michel de Montaigne’s Revision of Cicero on the Politics of Friendship”

9:45 Craig Williams (Brooklyn College, CUNY), “False Friends: Moments in the Reception of amicitia

Error and Assessment

10:45 Caroline Vout (University of Cambridge), “The Error of Roman Aesthetics”

11:30 Serafina Cuomo (Birkbeck, University of London), “Measurement, Error, and Accuracy in the Roman World”

Error, Religion, and Philosophy

2:00 Marco Formisano (Ghent University), “Roman Errors and Religion: Symmachus and Lorenzo Valla”

2:45 Richard Fletcher (The Ohio State University), “The Kristevan Slip: Narcissus, Eros, and Other Errors in Roman Philosophy”

Error, Narrative, and Film

3:45 Catharine Edwards (Birkbeck, University of London), “The Romance of Roman Error: Encounters with Antiquity in Hawthorne's The Marble Faun

4:30 Maria Wyke (University College, London), “The Pleasures and Punishments of Roman Excess: Elagabalus at the Court of Early Cinema”

This event is co-sponsored by the following sources at the University of Michigan: the Contexts for Classics research consortium, the Department of Classical Studies, the Departments of Comparative Literature, History, Philosophy, English, History of Art, Romance Languages and Literatures, Asian Languages and Cultures, American Culture, and Afroamerican and African Studies, the Program in Medieval and Early Modern Studies, the Institute for the Humanities, the International Institute, the LSA Organize an Event Fund, and the Rackham Dean’s Strategic Fund.

For information please contact Basil Dufallo, Associate Professor of Classics and Comparative Literature, University of Michigan (dufallo@umich.edu).

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A man in a light blue toga hugs a woman with black hair, seen only from the back, who buries her head in his shoulder and raises her left hand in lament.

I have always enjoyed Latin class because it felt like a puzzle, much like math. Find the verb, find the noun that matches with the right case, number, and gender, then piece it all together. I had never connected with the language beyond its algebraic nature until my teacher gave me the opportunity to take ownership over the material — with a self-directed research assignment to be presented at a colloquium. Completing this project during a period of remote learning, I felt inspired by the ability to have greater independence and take control of my own learning. On top of all that, we would be presenting our work to the entire school and the wider community at the end of the year.

But first, I needed to choose what I wanted to study.

View full article. | Posted in on Mon, 03/21/2022 - 10:31am by .
A hand-drawn map on yellowed parchment with drawings of buildings and an aqueduct. In the center, a togaed man sits on a throne with a spear in his right hand and a halo behind him, indicating his sainthood. Red text behind his head reads ANTIOCHIA.

Research ideas often develop out of chance encounters or unplanned circumstances. My dissertation project was born just like that: when the intersection between an author that I was falling in love with and a pressing question that emerged from a completely unrelated event started bugging my young researcher’s mind.

I completed my M.A. by producing a translation, with commentary, of the letters of Libanius of Antioch to Datianus. A Greek sophist under the Roman empire, Libanius held the chair of rhetoric in Antioch for the greater part of the second half of the 4th century CE. His immense production, often mined for its wealth of historical information, has been the object of a resurgence of interest in the past few decades. I started working on his epistolary corpus only a few years after the publication of a precious volume that collected the state of the art in Libanian scholarship. A teacher myself and forced to maintain long-distance relationships with friends and family in my home country, I felt in familiar territory making the acquaintance of this ancient teacher, who gracefully preserved copies of some 1500 letters he sent to friends, students’ parents, bureaucrats, politicians, governors, and emperors of his time. 

View full article. | Posted in on Fri, 03/18/2022 - 10:24am by .

Seneca 2022 --- SPECIAL/FINAL CALL FOR PAPERS 

Deadline for proposals: March 30, 2022

The Centre for Classical Studies of the School of Arts and Humanities of the University of Lisbon is organizing an International Conference on Seneca to promote and encourage a critical reflection on the permanence of themes, values, perspectives and representations of Seneca’s works in Western literature and culture. 

The Conference will take place between 17-20 October 2022, and, through the interdisciplinary debate of the contribution given by the experiences of researchers from different fields of study, it aims to:

- determine how Seneca became one of the most prominent figures in Western culture;

View full article. | Posted in Calls for Papers on Thu, 03/17/2022 - 10:14am by .

(From the Classics Department at Emory University)

View full article. | Posted in In Memoriam on Wed, 03/16/2022 - 3:10pm by .
Women Latinists, Summer Course

Join us for two weeks in Florence on this unique learning experience that brings language to life in the real spaces where women wrote Latin. Includes 6 hours daily content, site visits, immersive learning, text-based activities and optional cultural programming every evening.*

When: July 17 - 31, 2022. 

Where: Florence, Italy.

View full article. | Posted in Summer Programs on Wed, 03/16/2022 - 2:59pm by .

The Classical Association of the Atlantic States (CAAS) has extended its Call for Proposals for the 2022 Fall Annual Meeting submission deadline to Monday, March 28, 2022.

You can read more about the Annual Meeting here: https://caas-cw.org/2021/12/17/call-for-papers-caas-2022-fall-annual-meeting/ .

The full CFP can be downloaded here: CAAS 2022 CFP.

View full article. | Posted in Calls for Papers on Tue, 03/15/2022 - 4:36pm by .
A shirtless black man with tattoos and a red bandana sits on a box of records facing right. He looks at a black boy in a red and white striped shirt. Both of their shadows are visible on the wall behind them.

Because it’s spirits, we ain’t even really rappin’
We just letting our dead homies tell stories for us.

Tupac Shakur, saying these words to journalist Mats Nileskär in 1994, articulated the centrality of community and collective history to hip hop and offered his response to the vexed question of the wellspring of poetic inspiration. Nearly two decades after Tupac’s murder, Pulitzer Prize-winning rapper Kendrick Lamar gave new life to those words in his track “Mortal Man,” recasting Nileskär’s interview and intersplicing Tupac’s voice with his own, so that it is Lamar who seems to be in dialogue with Tupac. The result is an impossible conversation between the living and the dead: impossible because Tupac died when Lamar was just nine years old. But in highlighting and embodying Tupac’s perception that rap gives voice to the stories of one’s dead comrades, Lamar’s “sampling” of the conversation centers Tupac’s vision and acknowledges the debt Lamar owes to his predecessors, cementing the connection between them.

View full article. | Posted in on Mon, 03/14/2022 - 10:37am by .
Four women in white tunics sit and lie in a landscape of ferns. Some play instruments.

If you attended the 2022 Annual Meeting earlier this year — and if you woke up bright and early on Saturday morning! — you may have been lucky enough to tune in to the very first panel sponsored by the Ancient Worlds, Modern Communities Initiative (AnWoMoCo). Recent recipients of a microgrant from this program gathered from all over America, Canada, and even Ghana to present seven exciting public-facing projects that aim to bring Classics and Ancient Mediterranean Studies out of the ivory tower. The goal is to reach audiences, organizations, and people who might otherwise never have the opportunity to engage with the history, literature, language, archaeology, culture, texts, and individuals of the ancient Mediterranean world.

Ten presenters shared their projects, which ranged from primary school curricula, prison programming, visual and performing arts, and digital initiatives. I was beyond inspired by all of the incredible people who presented that day, so I jumped at the chance to summarize their contributions here for those who missed it.

View full article. | Posted in on Fri, 03/11/2022 - 10:09am by .
Title: Papyrus in Greek regarding tax issues (3rd ca. BC.)  Currently in the Metropolitan Mueum of Art. https://www.metmuseum.org/art/collection/search/251788 Source: Wikipedia Commons https://commons.wikimedia.org/wiki/File:Papyrus_in_Greek_regarding_tax

(publishing on behalf of Thea Sommerschield, a Marie Curie fellow at Ca’ Foscari University of Venice and Fellow at Harvard’s CHS)

View full article. | Posted in Classics in the News on Thu, 03/10/2022 - 11:48am by .

Res Difficiles: A Conference on Challenges and Pathways for Addressing Inequity in Classics 

When: May 20, 2022 , 9:00am - 4:00pm 

Where: Live-streamed via Zoom [Registration now open]

Classical Studies at Boston University and Classics, BU Center for the Humanities, Philosophy, & Religious Studies at the University of Mary Washington present Res Difficiles: A Conference On Challenges and Pathways for Addressing Inequity In Classics. [Res Difficiles 3: Difficult Conversations in Classics].

Dr. Kelly Nguyen (Stanford University) will deliver the keynote address.

The event will be live-streamed via Zoom, and will be live-captioned. Participants/viewers may live-tweet the event on the hashtag #ResDiff3.

You can find more information about the speakers and sessions here: https://resdifficiles.com/

You can register here

Any questions can be directed to the co-organizers: Hannah Čulík-Baird and Joseph Romero.

View full article. | Posted in Conferences, Lectures, and Meetings on Tue, 03/08/2022 - 12:35pm by .

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