CONF: Symposium Cumanum 2013

The program for the 2013 edition of the Symposium Cumanum (June 25-27) has been set. If you would like to attend please use the link below. One can also send queries to
charles.gladhill@mcgill.ca
.

http://www.vergiliansociety.org/symposium_cumanum/

“Aeneid Six and Its Cultural Reception”

Villa Vergiliana, Cumae and the University of Naples Federico II, Italy
June 25-27

Sponsored by The Vergilian Society, Harry Wilks Study Center,  Dipartimento di Studi Umanistici University of Naples Federico  II,   British Virgil Society, McGill University,
Accademia Virgiliana di Mantova.

Program

June 24

Cocktails (7:00pm) and Dinner (7:30pm)

June 25

Breakfast (7:30 am)

Greetings and Introduction (9:30-1030)

Session one (10:30-11:45): Pasts of Aeneid Six

  • Emily Gowers (Cambridge University)
    “Why isn’t Homer in Virgil’s Underworld?- and other notable absences.”
  • Massimo Giuseppetti (Roma Tre University)
    “L’eroe e l’aldilà: Virgilio di fronte ai suoi modelli greci.”
  • Jelena Pilipovic (Belgrade University)
    Lumen purpureum: A comparative interpretation of Vergil’s description of Elysium in the Aeneid 6 and Plato’s description of earth below the heaven in the Phaedo.”
  • Fabio Stok (Università Di Roma Tor Vergata)
    “Peccatori e punizioni dell’ Oltretomba virgiliano nell’ esegesi tardoantica.”

Coffee Break (11:45-12:00)

Session Two (12:00-1:40): Performance and Afterlife in Vergil’s Underworld

  • Micah Myers (North Carolina State University)
    “Vergil’s Underworld and the Afterlife of Love Poets.”
  • Francisco Edi Sousa (Universidade Federal do Ceará)
    “Cynthie aux enfers de Virgile: réception de l’Énéide VI dan l’élégie 4.7 Properce.”
  • Lauren Curtis (Harvard University)
    “Paradise and Performance in Virgil’s Underworld and Horace’s Carmen Saeculare.
  • Ioannis Ziogas (The Australian National University)
    “Singing for Octavia: Vergil’s Life and Marcellus’ Death.

Lunch (1:45-2:30)

Session Three (2:30-4:15): Romanizing the Underworld

  • Alessandro Schiesaro (Università degli Studi di Roma "La Sapienza")
    “Virgil’s Lucretian Underworld”
  • Sarah Spence (University of Georgia)
    paci imponere morem and the role of discernment in Aeneid 6.”
  • Alison Keith (University of Toronto)
    Vergilian Underworlds in Ovid

Coffee Break (4:15)

Session Four (4:30-6:00): Aeneid Six in Imperial Poetry

  • John Schafer (Northwestern University)
    “Seneca’s Book 6.”
  • Emily Pillinger (King’s College London)
    Statius and the Sibylline (Information) Superhighway.
  • Damien Nelis (Université de Genève)
    "Sailing to Hades: Aeneid 6 in the Argonautica of Valerius Flaccus."

C.I.E.E Naples Meeting (6:30)
Serena Fusco (Resident Director, CIEE Study Center) and interested colleagues.

Cocktails (7:00)

Dinner (7:30)

June 26

Breakfast (7:30)

Session 1 (9:00-10:15): Aeneid Six in Late Antiquity

  • Moa Elisabeth Ekbom (Uppsala University)
    “The reception of Aeneid VI in the Historia Augusta: Prophecy, poignancy, and puns.”
  • Gaetano Bevelacqua, (King’s College London)
    “The Use and Reception of Aeneid Six in Late Antique and Early Medieval Epigraphy.
  • Gabriela Ryser (University of Göttingen)
    Impia Tartara: Receptions of Aeneid VI in Late Antique Epic Poems.”

Session 2 (10:15-11:30): Christian Peregrinations in Vergil's Hell

  • Tom Zanker (Harvard University)
    Aeneid VI and the Divinae Institutiones of Lactantius.
  • Jacob Mackey (Queens College CUNY)
    "The Silence of Aeneid 6 in Augustine's Confessions."
  • Andrea Doyle (University of Johannesburg)
    “The Sibyl of Cumae: A journey in text and image from Virgil to Michelangelo and beyond.”

Coffee break (11:30-11:40)

Session 3 (11:40-1:15): Aeneid Six and its Commentators

  • Anna Jourbina (Gorky Institute of World Literature of Russian Academy of Science)
    “Fulgentius and his Exposition of the Content of Vergil: Gathering Knowledge in the Underworld.”
  • Adrian Mihai (École Pratique des Hautes Études)
    “L’ au-delà du livre VI de l’ Énéide de Virgile dans le miroir du Néoplatonisme latin.
  • Séverine Clément-Tarantino (Lille 3 Charles de Gaulle)
    “La lecture du chant VI de l’ Énéide selon Tiberius Claudius Donat: une reception singulière-une lecture sans reception?”
  • Luigi Galasso (Università di Pavia)
    “Some Aspects of the commentary by Norden on Book VI of the Aeneid.”

Lunch (1:15-2:15)

Session 4 (2:15-3:30): Aeneid Six and Memorialization of the Dead

  • Nandini Pandey (Loyola University Maryland)
    “Some Architectural ‘Ghosts’ and Their Reader Reception in Aeneid 6.”
  • Ourania Molyviati (Thessaloniki Greece)
    “Reconfiguring Aeneid VI: Elysium and the Campus Martius of Rome.
  • Linda Robertson (Hobart and William Smith Colleges)
    “To pull history through to the present: The Aeneid and Artistic Design of the National September 11 memorial and museum.

Coffee Break (3:30-3:45)

Session 5 (3:45-5:30):  Tracking Aeneid Six from the Renaissance to Modernity

  • Matteo Soranzo (McGill University)
    “Exploring the Forests of Antiquity: The Golden Bough in Renaissance Literature.”
  • Valentina Prosperi (Università degli Studi di Sassari)
    “Virgilian Katabasis and Trojan Genealogy in Early Modern Italian Poetry.”
  • Ippokratis Kantzios (University of South Florida)
    “Fénelon’s Subversive Uses of Aeneid VI.”
  • Hallie Marshall (University of British Columbia)
    “’My Mind moves upon silence and Aeneid VI’: the silent void in Classical Reception.”

Keynote Address (6:00-6:45)

  • Alessandro Barchiesi (University of Siena at Arezzo/Stanford University)
    “Into the Woods”

Cocktails (7:00)

Dinner (7:30)

June 27

Breakfast (7:00)

Travel to Naples (8:00-9:00)

Session 1 (9:45-11:30) Virgilio e la Campania nella ricerca dipartimentale
Chair e introduce Dir. Arturo De Vivo

  • Valeria Viparelli
    “Tracciabilità del patrimonio culturale della Campania.”
  • Marisa Squillante
    “BibCLat Biblioteca digitalizzata Commentari Latini.”
  • Giancarlo Abbamonte
    “Letture lessicografiche di Virgilio e dei suoi commentatori nel XV secolo.”
  • Concetta Longobardi (Postgraduate)
    “I commentatori virgiliani e la localizzazione cumana di Dedalo”

Coffee Break (11:30-11:45)

Session 2 (11:45-1:30): Aeneid Six, Inspiration and the Soul

  • Renaud Gangé (Cambridge University)
    “The Sibyl and Oracular Poetry.”
  • Bill Gladhill (McGill University)
    “Situating the Soul in Vergil’s Aeneid.”
  • Grant Parker (Stanford University)
    “Spiritualist Philology.”
  • Miguel Herrero de Jáuregui (Universidad Complutense de Madrid)
    “Ritual Readings of Aeneid VI: Mystics and Skeptics.”

Lunch Break (1:30-2:30)

Session Three (2:30-4:00): Literary Reincarnations

  • Joseph Farrell (University of Pennsylvania)
    “Reading the Vergilian Underworld through Dante and Homer”
  • Maggie Kilgour (McGill University)
    “The Afterlife’s Afterlife”
  • Philip Hardie (Cambridge University)
    “Some Early Modern Afterlives of the Virgilian Underworld”

Tour of the Underground City (5:00-6:30)

Return trip to Villa (6:30)

Dinner (7:30)

 

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A black-and-white image of the reverse of a diadrachm of Magas, dated 300–275 BCE, depicting the silphium plant, with a small crab on the right side and Greek letters interspersed in the branches of the plant.

I guess I should say “thank you.” Gratias vobis ago. Thank you to the Republican Party’s long game, a partisan SCOTUS, years of deliberate Democratic avoidance. You see, I’ve been wanting for a while to write a book about social control, forced reproduction, and their effects on real people living under an authoritarian government. Of course, I was planning to write about Augustan Rome. But with the Court’s decision yesterday, ending nearly 50 years of Roe (that is, legal abortion in America), I’ve got a great reception study. And in real time.

View full article. | Posted in on Sat, 06/25/2022 - 1:39am by .

The 2023 Alexander G. McKay Prize competition for the best new book in Vergilian studies is now open!

The Vergilian Society is pleased to announce the opening of the next competition for the Alexander G. McKay Prize for the best book in Vergilian studies. The prize, which is accompanied by a cash award of $500 or a life membership in the Vergilian Society (valued at $800), is awarded every other year to the book that, in the opinion of the prize evaluation committee, makes the greatest contribution toward our understanding and appreciation of Vergil or topics related to Vergil. Works of literary criticism, biography, bibliography, textual criticism, reference, history, archaeology, and the classical tradition are all eligible, provided that Vergilian studies represent a significant portion of the discussion. The current competition will cover books published during the years 2020 and 2021. The winner will be announced at the Vergilian Society session at the annual meeting of the Society for Classical Studies in New Orleans in January 2023. The authors of books being considered for the McKay Prize must be members of the Vergilian Society at the time their books are submitted; for new members or to renew memberships see https://www.vergiliansociety.org/memberships-and-donations.

View full article. | Posted in SCS Announcements on Tue, 06/21/2022 - 11:44am by .

Symposium Cumanum – Call for Proposals for June 2023

View full article. | Posted in SCS Announcements on Tue, 06/21/2022 - 11:40am by .
A row of six people, all but one dressed in varied togas. Two of the men raise their right hands in an oratorical gesture. Above each person is the name of a character in the Phormio.

In a discussion of the concept of the “good slave” in her book Reconstructing the Slave: The Image of the Slave in Ancient Greece, Kelly Wrenhaven rightly argues that “representations of good slaves are as much a part of the rationalizing ideology of slavery as bad slaves, as both help to justify and reinforce the institution.” Examining enslaved nurses depicted on Athenian tombstones, Wrenhaven points out that, out of a total of 15 extant tombstones for nurses, nine include the word chreste. Other inscriptions further confirm the association between the adjective chrestos and enslavement. On a 4th-century tombstone from Thasos, a shepherd named Manes is described as chrestos tais despotais (“useful to his masters”). Enslaved people are also described with this adjective in Menander as well as in Greek tragedy. What we get from considering the adjective chrestos in these and other contexts, as Wrenhaven makes clear, is that “the positive qualities most often attributed to slaves are precisely those which were most useful in the context of slavery.”

View full article. | Posted in on Mon, 06/20/2022 - 10:24am by .
A mosaic with a black background. The top reads SCA PERPETUA. Beneath that is a bust image of a woman in a circle. She has brown hair pulled back, wears gold robes, and has a gold saint halo around her head.

Last year, I published an edition of Perpetua’s Passio together with a group of students: Mia Donato, Carolyn Engargiola, Eli Gendreau-Distler, Elizabeth Hasapis, Jacob Nguyen, Siddharth Pant, Shamika Podila, Anna Riordan, and Oliver Thompson. I worried that a book with ten names in the byline would look like a monstrosity. I worried that, since nine of those names belong to students, people would dismiss it as a school project, of interest only to the parents of the students on the cover. Yet the book has been warmly received: reviewed in journals, adopted for classes, and most recently honored with the 2022 Ladislaus J. Bolchazy Pedagogy Book Award from CAMWS. I say this not to trumpet their work (though I’m certainly proud of it), but rather because I think it speaks to a question that is relevant to the wider scholarly world: what role can students take in academic research and publication?

View full article. | Posted in on Mon, 06/13/2022 - 1:50pm by .
A screencap from Hypotactic.com showing the text of Catullus, Poem 1. The words in the second line are highlighted in different colors by syllable.

Hypotactic.com is a website that provides open-license metrical scansions for a broad range of Greek and Latin texts. The main project interface, while relatively simple in its design, supports the user in reading ancient texts metrically through a variety of customizable annotations. The user can toggle between various display formats, including the addition of macrons, scansion, and marks for foot-breaks and/or caesuras. Particularly helpful for reading aloud is the innovative option to apply color-coding that highlights metrical units (and elisions) without the need to consult a separate line of metrical annotations.

A screencap from Hypotactic.com showing the text of Catullus, Poem 1. The words in the second line are highlighted in different colors by syllable.

Figure 1: Clicking on a line reveals the metrical analysis.

In metrically complex texts, such as Plautus or Pindar, every line is annotated with its metrical identification (e.g., ia6 for iambic senarii), such that transitions between meters are obvious to the reader without having to consult a separate commentary.

A screencap showing text with annotations. One line is highlighted green and blue by syllable.

View full article. | Posted in on Fri, 06/10/2022 - 11:32am by .
TAPA Books Fanned

JOIN TAPA FOR A VIRTUAL OPEN HOUSE

Join co-editors Joshua Billings and Irene Peirano Garrison, and editorial board members Catherine Conybeare, Lorenzo Garcia, and Nandini Pandey, for an open house via Zoom on June 15, 2022 @12:00 pm EDT.

Click Below to Register Now!

CLICK TO REGISTER

*Once you are registered you will receive a Zoom link 24 hours before the event and a reminder on the morning of June 15.

Open house attendees will learn about how to submit to TAPA, the peer review and editorial process, and particular areas of focus.

The Spring 2022 issue of TAPA is now out and that it includes scholarly articles and also short essays on Classics after COVID.

View full article. | Posted in Conferences, Lectures, and Meetings on Tue, 06/07/2022 - 10:15am by .
Four fragments of pottery with different marks on each. Beneath each photo of a pottery sherd is a drawing of that sherd. From left to right, the sherds are labeled Geometric Mark, Complex Mark, Script Sign, and Multi-sign.

Today we take our saturation in a graphic world for granted. When we see baseball caps with logos or nonsense writing on graphic t-shirts, we don’t immediately recognize them as evidence for writing. But in the case of the Late Bronze Age script of Cyprus (ca. 1600–1000 BCE), the undeciphered Cypro-Minoan script, we have more baseball caps and t-shirts than longer texts. Multi-sign texts with two or more contiguous signs, likely to represent words, number around 250. Most of these multi-sign texts are quite short, consisting of only one or two words.

The baseball caps in this analogy most often take the form of what are called Cypro-Minoan “potmarks,” mercantile vessels bearing single-sign texts. The potmarks contain both Cypro-Minoan script and non-script marks without equivalents in the Cypro-Minoan script. The single-sign text potmarks number over 1000. Like a Yankees cap or a graphic tee, the potmarks employ recognizable and non-recognizable elements of writing. But should they be taken as evidence for literacy?

This is the question at the heart of my dissertation. If the single-sign text potmarks were made by literate individuals, then Cypro-Minoan is not a meagerly attested script, but a mercantile script in wide use within Cyprus and, less widely, outside of it. Significantly, it would be one of the few scripts in the region that survive the Late Bronze Age collapse, and the only one that would be well-documented during this transitional period.

View full article. | Posted in on Mon, 06/06/2022 - 12:47pm by .

Call for Papers: AMPRAW (Annual Meeting for Postgraduates in the Reception of the Ancient World)

AMPRAW is an annual conference that is designed to bring together early-career researchers in the field of classical reception studies, and will be held for the tenth year. It aims to contribute to the growth of an international network of PhDs working on classical reception(s), as well as to strengthen relationships between early career researchers and established academics.

AMPRAW 2022 will be held at Yale University from Thursday 3rd November to Saturday 5th November 2022, with the generous support of the Department of Classics at Yale University, the ARCHAIA program, and the Whitney Humanities Centre.

We anticipate holding this conference in a hybrid format. We hope that participants will be able to join us in person in New Haven, but will also allow remote access for both speakers and audience members.

This year’s theme is “Islands”. Possible topics may include, but need not be limited to, the following:

View full article. | Posted in Calls for Papers on Mon, 06/06/2022 - 9:26am by .

posted on behalf of the conference organizers

Classical Studies and the Americas

CIUDAD DE MÉXICO 1-5 / AGOSTO / 2022

The upcoming triannual Congress of FIEC will be a virtual conference, hosted in Mexico City.

Click Here to Register for virtual attendance

Visit the conference website (English and Spanish versions)

The FIEC International Congress for Classical Studies returns to this side of the Atlantic Ocean searching to arouse a plurality of voices. 

Contact for questions and more information: fiec_mexico2022@unam.mx

View full article. | Posted in Conferences, Lectures, and Meetings on Fri, 06/03/2022 - 9:51am by .

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