Feminism & Classics 2022: body/language

FemClas 2022, the eighth quadrennial conference of its kind, has been rescheduled from its original dates (delayed by the pandemic) and will now take place on May 19–22, 2022, in Winston-Salem, North Carolina, at the invitation of the Wake Forest University Department of Classics and Department of Philosophy.  **Virtual presentation and attendance is supported, as well.**  The conference theme is “body/language,” broadly construed, and papers on all topics connected to feminism, Classics, Philosophy, and related fields are welcome.

This conference focuses on the use of the body and/or language to gain, lose, contest, or express power and agency in the ancient Mediterranean world.  Bodies and words, at both the physical and the conceptual levels, can exert disproportionate, oppositional, or complementary forces.  Both have the power to transform their surrounding environments significantly.  Yet there is a problematic dichotomy between body/physicality and language/reason, a problem long noted by philosophers, literary theorists, and social historians. FemClas 2022 seeks to contest, blur, and even eradicate these boundaries through papers, panels, and other programming that promotes interdisciplinary exploration of the ancient world.

Bodies, language, and their intersections have become even more prominent since the first announcement of this iteration of Feminism & Classics.  An epochal pandemic has swept the globe, with drastic and often unequal effects on different identity groups. Calls for racial justice in the United States and elsewhere have become increasingly more urgent.

We invite contributions that use the lens of bodies, languages, or their intersections to address any aspect of the ancient world, modern encounters with ancient cultures, or the academic practices of Classics, Philosophy, and related fields.  Especially welcome are interventions that respond to the current moments in which our societies and disciplines find themselves.  Participants might explore how voices engender movement(s) and transform bodies, or how movement(s) in turn can stimulate recognition of unheard or otherwise suppressed voices and lead to change. These can be voices and movements within the ancient world, within the university, or within our modern disciplines.  The study of agency, expressed through the problematic body/language dichotomy, addresses critical questions not only in scholarly work but also in the governance, makeup, and power dynamics of our fields, currently and historically. Now, perhaps more than ever, is a critical time for us to consider ourselves as students of bodies past and present, as embodied scholars, and to interrogate the repercussions of body normativity — from race and gender to neurodiversity, dis/ability, and body types — on our work and our profession.

SUBMISSION DETAILS

All submissions are due September 15, 2021.  FemClas 2022 welcomes individual papers, organized panels, workshops, roundtables, posters, author-meets-critic sessions, and other, innovative forms of programming.  We encourage submissions from the widest possible range of perspectives, addressing all areas of the ancient world and its legacies. We also welcome proposals especially from related interest groups (such as Mountaintop, Eos Africana, the Asian and Asian American Classical Caucus, MRECC, Trans in Classics, CripAntiquity, Lupercal Legit, Classics & Social Justice, the Lambda Classical Caucus, the Women’s Classical Caucus, Hesperides, and EuGeSta) and from allied disciplines (e.g., English, comparative literature, media studies, environmental humanities, animal studies and Women’s, Gender, and Sexuality Studies).  

Proposals should aim for an abstract of approximately 300 words (not counting works cited), and should be anonymous where possible.  To submit a proposal for an individual paper or poster, visit:

https://forms.gle/ru3p2NcUEsdTcnVx8

To submit a proposal for any other type of session, visit:

https://forms.gle/FB6StiTDU6vuNCsj9

CODE OF CONDUCT

As part of submission, registration, and attendance at the conference, we will ask you to agree to our conference Code of Conduct & Anti-Harassment Policy, which prohibits harassment and discrimination of any kind.  A trained, experienced Anti-Harassment Administrator who is not a member of the discipline will receive and address or refer complaints about harassment and violations of the code of conduct. The Code of Conduct & Anti-Harassment Policy is available here:

https://femclas2020.wordpress.com/code-of-conduct/

ACCESSIBILITY

The in-person elements of FemClas 2022 will take place partially on the downtown campus of Wake Forest University and partially at a nearby hotel.  Each site is fully accessible for all forms of mobility.  At each site there will be all-gender bathrooms, a lactation room, a quiet room, and on-site childcare (which we intend to offer at no extra cost).

Some states prohibit using state funds to travel to North Carolina, despite the partial repeal of NC HB-2.  Wake Forest University, as a private institution, is not subject to NC state legislative regulations of public universities, and Wake Forest has a non-discrimination policy inclusive of sexual orientation and gender identity and expression:
https://titleix.wfu.edu/nondiscrimination-statement/

We are enthusiastic about developing a program that will work toward making our intellectual community more welcoming and accessible to all.  For this reason, we invite with special emphasis proposals for workshops, roundtables, and the like (creative formats welcome!) that will offer practical training about e.g. implicit bias, sexual harassment, racism, accessibility, developing diversity statements, and so forth.

The organizers (T. H. M. Gellar-Goad and Emily Austin) and the Program Committee of FemClas 2022 are committed to an inclusive, welcoming, and accommodating conference.  Submissions from graduate students, contingent and underemployed faculty, and independent scholars are especially welcome. Submissions from undergraduate students are also welcome and will be considered separately for a dedicated panel.  We will be able to provide reduced conference fees and some travel assistance for attendance by participants who cannot obtain institutional support.

CONTACT

Please contact T. H. M. Gellar-Goad at thmgg@wfu.edu with questions.

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The logo for Asterion. A wide oval with a black background filled with stars. In the middle is a red circle with a Greek meander pattern, and inside the circle text reads "Asterion: Neurodiverse Classics."

As an autistic classicist, one of the things I’ve always struggled with is social interaction. In class, I teach students about Bourdieu and habitus and cultural scripts, while all the time feeling that, whatever the cultural script of our time is, mine got lost in the mail. I’ve spent my life pretending (without much success) to understand people and the codes that underpin their actions. The easiest solution for me has always been to hide because, when I’m on my own, I’m not uncomfortable, awkward, or afraid.

But hiding sends the wrong message and models the wrong behavior, as I realized when my son was diagnosed with autism, too. How can you advise a child to pretend to be like everyone else, because difference makes them a target? How can you warn them that their honesty will make them an outcast, their sensitivities will make them vulnerable, and their hyperempathy will make them a victim? How can you commit to inclusion in your professional life while accepting exclusion in your personal life?

You can’t — or, at least, I couldn’t.

View full article. | Posted in on Tue, 01/18/2022 - 9:38am by .
A brightly colored manuscript page. On the left is calligraphy in Sanskrit; on the right is a woman in printed garb sitting in a carriage pulled by two white horses. She makes a gesture with her two palms press together. A black figure looks back at her.

Like many educators, I have found myself in an endless loop lately of thinking and rethinking my teaching principles and practices — a loop caused by the unprecedented teaching conditions the pandemic has brought upon us. Though I consider myself a thoughtful instructor, I admit that I have never thought so extensively, carefully, and critically about the purposes and desired outcomes of my teaching as I have in the months between March 2020 and now. Each week of each semester involves calibrating and recalibrating my courses, as I hope to meet the needs of my students and help them balance their lives within the classroom and without. I have become more attuned to the extramural realities that bear on my students’ learning, and as someone who works at a Hispanic-serving Institution, a desire for inclusivity increasingly informs the way I teach. My own institution just recently offered its first workshop on culturally responsive pedagogy, which provided me with many new tools for teaching in inclusive ways. Among other things, I realized that any kind of responsive pedagogy involves constant conversation with one’s colleagues, to generate, refresh, and fine-tune ways of teaching with a view toward inclusion and accessibility.

View full article. | Posted in on Sun, 01/09/2022 - 9:37pm by .
A Macbook sits on a wooden desk showing a Zoom screen filled with faces. Left of it, a turquoise mug sits on the desk.

To write about the Capitol Insurrection, as the one-year anniversary approached, I went back through my chat logs from January 6, 2021, in the interest of refreshing and confirming my memory. What I found, in lieu of any particularly meaningful conclusions, was a window into that day and how some friends and I were dealing with catastrophic events as they unfolded.

That day, I had a university meeting wedged between SCS panels, and I think I actually found the precise moment when I realized what was going on. That moment is a fairly profanity-laden series of messages with a very-online friend of mine, to whom I sent “So what the fuck is happening in DC?? I've been in meetings and the capitol building is being stormed??” followed by “i allegedly have another meeting right now and i am physically nauseous after having like a 5 minute break and seeing the news.”

In all my other group chats, things progressed about the same. Conversation about the SCS conference and pre-semester preparation, interrupted by a confused panic about what was happening on the news. A bunch of millennial classicists trying frantically to figure out where they can watch live news and wondering why all the afternoon panels weren’t canceled (though some were), processing anger and fear in countless group-chats and DMs.

View full article. | Posted in on Fri, 01/07/2022 - 12:48pm by .
A painting of Rome featuring a crowd of men fighting on a hill. Behind them is an obelisk, a column, and a toppled white marble statue of a nude man.

At 2:00 pm on January 6th, 2021, a mob made its way up the steps of the U.S. Capitol following a morning of brinkmanship, speeches, and speculation. I sat in my office at home, logged into a Zoom session, watching Twitter and a streaming news channel on one screen, all while pretending to be engaged with the beginning of an SCS Panel, “The Powers and Perils of Solitude in Greek Literature.”

At 2:20 or so, I was slated to begin a talk entitled “Being Human, Being Alone” as the Capitol was evacuated and our legislators were put under protection. At 2:24 pm, President Trump tweeted, “Mike Pence didn't have the courage to do what should have been done to protect our Country and our Constitution, giving States a chance to certify a corrected set of facts, not the fraudulent or inaccurate ones which they were asked to previously certify. USA demands the truth!”

View full article. | Posted in on Thu, 01/06/2022 - 10:00am by .
A monochromatic stone statue of a man with short hair wrapped in a toga and sitting in a large chair. His right arm is leaning on the back of the chair, and his left hand holds a writing tablet on his lap. The base of the statue reads "SALLVSTIVS"

What do you read for an insurrection? Classics offers plenty of material for revolutionary bibliophiles: compilations for the budding revolutionary, handbooks for coups both successful and failed. The Capitol rioters certainly had their Classics before their eyes, as Curtis Dozier outlined shortly after the event: Caesar and XenophonVergil and Herodotus.

But in January 2021, I was reading Sallust—and an apt choice it was, too. Not because of what Sallust writes — Catiline’s attempt to overthrow the government or Marius’ attempt to change Roman institutions — but because of what he passes over. He was there at the swelling of the atmosphere that led to the burning of the Senate house on January 19th (what is it about Januaries?), 52 bce, during the funeral of Publius Clodius.

View full article. | Posted in on Wed, 01/05/2022 - 11:20am by .
New WCC logo reading WCC 50th, 1972-2022. Beige font on a dusty pink background.

The year was 1971. In the lobby of a hotel in Cincinnati, OH, a small group of early career faculty and graduate students, mostly women, met and decided to form a caucus. Frustrated by the lack of transparency, mentors, and opportunities in Classics both for women in the field and for those who studied women in antiquity, they wanted something different, both for themselves and for future generations. At the next year’s Annual Meeting of the American Philological Association (APA) in Philadelphia, PA, they made it official. The Women’s Classical Caucus (WCC) was born.

By phone, mail, and intermittent gatherings at regional conferences and the APA (now SCS), the founders and early members of this young caucus stayed connected and encouraged each other in its early decades to publish feminist scholarship and introduce to their departments new, revolutionary courses on “women in antiquity,” which received almost immediate backlash.

Fast forward 50 years, and it’s hard to imagine a time when women and feminist scholars were not a strong presence in the profession, whether publishing scholarship through the lens of feminist theory, teaching about ancient women at both the K-12 and university levels, or taking on leadership roles both in the SCS and in their local institutions.

View full article. | Posted in on Mon, 01/03/2022 - 10:14am by .

Every year at the annual meeting we hold the Career Networking event, a meeting that gives academics access to former classicists, historians, and archeologists who have made career shifts into new fields. They speak candidly about their transition, and are there to offer advice to anyone looking to change career paths. This year we have more networkers than in any year previous, with a broad range of fields and experiences represented.

We will hold our annual Career Networking event at this year's virtual AIA/SCS Annual Meeting on Saturday, January 8th, from 1:30 - 3:00 p.m. Pacific Time.

Please block off time to attend this extraordinarily helpful event. It'll be accessible through the digital meeting platform.

View full article. | Posted in SCS Announcements on Mon, 01/03/2022 - 9:01am by Erik Shell.

The AIA and SCS have made the difficult decision to switch our upcoming 2022 Annual Meeting to a virtual only event.  We had high hopes to once again have an in-person component to our meeting, but the rapid rise in Covid cases due to the Delta and Omicron variants have made that impossible to do safely.  While we are eager to see everyone in-person again, the overall health and safety of our attendees, staff, and hotel and meeting personnel take precedence. 

Since we were already planning to hold our meeting in a hybrid format the transition to a virtual only meeting will not be difficult.  We are using the same platform as last year and all sessions will be available through the virtual meeting platform.  Details on how to access it will be emailed out to all attendees next Monday (January 3).

If you had been planning to attend in person, please contact the Hilton to cancel your reservation.  We will be reaching out to all in-person registrants following the meeting regarding refunds for the difference in registration rates. 

We hope everyone is staying safe and healthy and look forward to seeing you online during our virtual meeting. 

View full article. | Posted in SCS Announcements on Wed, 12/29/2021 - 2:17pm by Helen Cullyer.

SCS is pleased to announce the following winners of the 2021 excellence in teaching awards. Please join us in congratulating the winners!

Excellence in Teaching at the K-12 Level

Jessie Craft (Reagan High School, WSFCS school district)

Mathew Olkovikas (Pinkerton Academy)

Margaret Somerville (Friends' Central School)

Excellence in Teaching at the College and University Level

Deborah Beck (University of Texas at Austin)

Richard Ellis (University of California, Los Angeles)

Wilfred Major (Louisiana State University)

Brett Rogers (University of Puget Sound)

View full article. | Posted in Awards and Fellowships on Mon, 12/27/2021 - 9:09am by Helen Cullyer.
Oil painting of a white man sitting in a large chair facing left with a dissatisfied expression. He wears a white toga with red drapery over his left arm, a crown, a gold cuff bracelet, and short curly hair. A tiger sits between his legs.

It is a truth universally acknowledged that humor ages poorly. Jokes tend to be topical, and to be based on the social expectations of a particular group at a particular moment. The deterioration of humor over time is often a matter of changing contexts as well as changing tastes: ideas that once made a coherent joke cease to fit together.

View full article. | Posted in on Mon, 12/27/2021 - 8:34am by .

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