Letter on the Annual Meeting from Joseph Farrell

January 15, 2018

Dear Members,

Looking back on the recently concluded Annual Meeting, I’m of two minds. For those who took part, I think it was a big success. Newer-format events, like Career Networking and Ancient Maker Spaces, were really lively and well attended, especially by younger members. Georgia Nugent’s presidential panel on the PhD as a launching pad for careers other than college teaching was really inspiring. And the Program Committee’s special session on “Rhetoric: Then and Now” brought our professional responsibility to be political into the spotlight in a way that I feel was both fruitful and long overdue.

The success of these events is all the more impressive because every one of them underwent major changes at the last minute when key participants simply could not make it to Boston because of the weather. Amazingly few sessions were actually cancelled. But if you couldn’t get to Boston, it wasn’t a good convention for you. I’m very sorry for those whose travel plans were thwarted, and I’m extremely grateful to all those got there in spite of the extra effort, expense, and delay that it cost. Frankly, your success in doing so probably saved the convention from being a total disaster.

(Speaking of expense, Helen Cullyer and her staff are working with those who couldn’t get in to mitigate their financial exposure. Everyone affected has now received instructions on requesting refunds.)

Since this is the second Annual Meeting in four years to suffer the impact of extreme winter weather, many members are asking why we continue to meet in early January and in cities like Boston and Chicago. The question is important, and we have to take it seriously. Two events like this in just four years could be coincidental, but in view of all of the other extreme weather events in recent years, you would have to be a climate-change denier to think that this won’t happen again. So the issue is now top priority for the SCS Board of Directors, and I was happy to learn that Jodi Magness, the President of the AIA, is more than willing to work with us.

That said, just what to do is not obvious. Many members already wonder why we don’t meet more often in warm-weather cities, but even at this time of year we do not have our pick of venues; far from it. Next year, at least, we do have San Diego, and we can look forward to celebrating the Society’s Sesquicentennial in a warm climate. Still, another badly timed storm on the east coast or in the midwest might prevent many of us from arriving in time for the start of the conference. So, in addition to the question of where we meet, we also have to raise the question of when.

We have already signed contracts through 2024, and the time to identify venues for the years beyond that — while they are still available — is now. If we moved to a new time of year in 2025, we would have to avoid conflicts with CAMWS, CAAS, and the other Classical organizations, as well as with CAA, AAR-SBL, and other conventions that our members attend. Holidays and teaching schedules also come into play. It would not be easy. These are the reasons why we meet when we do, in the first place, and it is not impossible that we will continue to do so, although something has to be done to mitigate the risk of another Bomb Cyclone or Polar Vortex. Disruptions like that are bad for our members — especially younger members, those with families, those who have no access to research and travel funds, and so on — and they threaten the Society’s financial health while taxing our professional staff, who worked heroically to keep the most recent convention on track, and who are still dealing with a vastly more complicated aftermath than they expected. Thanks to them, as well as to all of you who made it to Boston in spite of everything, the convention was, against the odds, a success, intellectually and socially. And I promise that we will do everything possible to ensure that future events will be even more successful, and that the risk of weather-related disruption will be as small as possible.

Sincerely,

Joseph Farrell

SCS President, 2018

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The new Classics Everywhere initiative, launched by the SCS in 2019, supports projects that seek to engage communities all over the US and Canada with the worlds of Greek and Roman antiquity in new and meaningful ways. As part of this initiative the SCS has been funding a variety of projects ranging from teaching Latin in a prison to collaborations with artists in theater, music, and dance. In this post we focus on a variety of programs directed to children: summer camps, classics days, after-school programs, and the creation of children-oriented animated videos.

View full article. | Posted in on Fri, 11/29/2019 - 1:52am by .

Registration for the Career Networking event at the 2020 Annual Meeting is now open. Graduate students and contingent faculty interested in careers outside of academia are encouraged to attend.  There is no extra charge for this event but space is limited.

Registered attendees of the 2020 meeting can sign up for this event by filling out this form. Sign up will be open until December 6th or close sooner if the event reaches capacity before that date. 

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Wed, 11/27/2019 - 12:39pm by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0
Juliette Deschamps
The Tragedy of Dido
 
US Premiere
Friday, December 6, 2019, 7:30pm
 
Featuring acclaimed actor Gale Harold

Post-performance Q&A with Juliette Deschamps

Mixing captivating video projection, live jazz music, and powerful storytelling, The Tragedy of Dido created by French videographer Juliette Deschamps paints an extraordinary portrait of Queen Dido, the legendary founder of Carthage.

Part of A Weekend Celebration of Tunisia, the sensory and aesthetic performance will feature narration and music inspired by North African melodies performed by pianist Paul Lay. The performance will be introduced by Professor Judith P. Hallett and narrated in English by acclaimed actor Gale Harold (Falling for Grace, Queer as Folk, Grey’s Anatomy).

View full article. | Posted in Performances on Wed, 11/27/2019 - 10:44am by Erik Shell.

CfP: “Class before Capitalism?: Social Structure and the Ancient World” (Deadline: January 1, 2020)

Saturday, March 28, 2020

Keynote speaker: Johanna Hanink (Brown University)

The graduate students at Harvard University’s department of the Classics invite abstract submissions for the upcoming graduate student conference, “Class before Capitalism?: Social Structure and the Ancient World”.

Socio-economic status and the intergenerational structures which maintain it have been a persistent source of tension across the world and across history. In the influential tradition of thought following Karl Marx, class has been seen as a fundamental agent of socio-political change and an inescapable force that conditions the production of literature, art, and other cultural materials. The application of ideas formed in a post-industrial, capitalist age to pre-modern societies presents some significant methodological challenges, however, and has been the source of an intense scholarly debate which continues to this day. 

View full article. | Posted in Calls for Papers on Wed, 11/27/2019 - 10:38am by Erik Shell.

Recogito is a software platform that facilitates annotation of text and images. Through both automatic annotation and manual annotation by users, the software links uploaded files to geographic data and facilitates the sharing and downloading of this data in various formats. The software is freely available for download through GitHub, and a version is also hosted online. In the online version, users have a private workspace as well as the ability to share documents among a group or publicly. Recogito was developed from 2013 to 2018 as part of the Pelagios network, a much wider project dedicated to creating gazetteers and tools for annotation, visualization, pedagogy, collaboration, and registering linked data.

ANNOTATION

View full article. | Posted in on Thu, 11/21/2019 - 7:03pm by Kilian Mallon.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

CAMP Press Release

The SCS’ Committee on Ancient and Modern Performance (CAMP) would like to announce a change in its staged reading for the 2020 meeting in Washington D.C.  Instead of Robert Montgomery Bird’s “the Gladiator,” the committee will instead present Joseph Addison’s “Cato.”  Both plays provoke interesting discussion on the connections between American history and Classical Rome.  “Cato,” which dramatizes the stoic and patriotic Cato’s last stand against a tyrannical Julius Caesar, was quoted and alluded to by the leaders of the American Revolution, and staged by George Washington for his troops at Valley Forge in defiance of a congressional ban on plays.

Both plays and their authors are also rooted in the ideologies of their own times, ideologies which include some racist and colonialist viewpoints.  That these viewpoints have been connected with Classics as an academic field is an important element of both the history of and the contemporary challenges of our discipline.  CAMP believes that by working with and presenting such material, even when (and in fact especially when) it is problematic, we can simultaneously acknowledge the field’s entanglement with historical wrongs, and have fruitful discussions about how we can productively move forward.

View full article. | Posted in Performances on Wed, 11/20/2019 - 8:17am by Erik Shell.

Vergilian Society Call for Proposals to direct June 2021 Symposium in Italy

View full article. | Posted in Calls for Papers on Tue, 11/19/2019 - 8:54am by Erik Shell.

Today we wish to introduce a new project: Women in Classics: Conversations. This venture consists of a series of interviews with female professors of Classics, many of whom were the first hired or the first to receive tenure at their institutions in the 1970’s and 1980’s. These academic women blazed a new trail as teachers and scholars at a time when university positions in many fields were overwhelmingly held by men. They did so in a discipline that has been described as “one of the most conservative, hierarchical, and patriarchal of academic fields.” Their experiences, as presented in these interviews, provide colorful, candid snapshots of a critical moment in the history of the discipline.

View full article. | Posted in on Fri, 11/15/2019 - 6:19am by Claire Catenaccio.

Information and an RSVP form for our Career Networking Event at this year's annual meeting are now available.

You can read about this event and sign up here:

https://classicalstudies.org/annual-meeting/2020/151/2020-annual-meeting-career-networking-event

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Tue, 11/12/2019 - 11:29am by Erik Shell.

What is the interplay between Classics and literary translation? What are the preparatory actions for launching a new journal that will address problems and lacunae within the field? Adrienne K.H. Rose explores the challenges of beginning a translation journal which will address the philosophies, difficulties, and necessity for diversity within the area of classical translation.

Early Latin translators, including Cicero (De optimo genere oratorum iv. 13-v.14), Horace (Ars poetica II.128-44), Quintilian (Institutio Oratoria X.xi 1-11; X.v.1-5), and Jerome (Chronicle 1-2) distinguish between the act of word for word––or literal translation––and literary translation. The latter type of translation prioritizes senses, aesthetics, and rhetorical verve. However, language pedagogy in Classics departments emphasize the first type of translation, word for word, and often stop short of encouraging more literary pursuits. In fact, creative translations that deviate from translationese (a kind of literal, affected translation style from which the reader may deduce the exact parsing of the original word) is actively discouraged.

View full article. | Posted in on Fri, 11/08/2019 - 6:29am by Adrienne K.H. Rose.

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