A Liberal Art for the Future

By Nigel Nicholson, Reed College

This paper was delivered as part of "The Future of Classical Education: A Dialogue," a panel organized by the SCS Program Committee at the 147th annual meeting of the SCS in San Francisco, January 8, 2016.

The problem of perceived employability

The biggest challenge that Classics as a discipline faces in the current climate in this country is surely the perception that, unless you are going to be a teacher, a BA in Classics does not make you much more employable than a high school diploma. The challenge comes from a variety of stakeholders: students, of course, current, past and future; students’ parents (I am sure we have all had conversations with parents about what young Johnny will “do” with a classics degree); but also accrediting agencies, deans and provosts, foundations and donors; and, right now, crucially, employers, and indeed many of the employers that our students are interested in working for.

This problem is not just our problem; it afflicts all the humanities and arts, and also the social sciences, and even the life sciences. What young Johnny will “do” is often code for what young Johnny will earn, and there are a lot of organizations and institutions invested, purposefully or otherwise, in the reduction of a college degree to earnings after college – not just the Presidential Scorecard..1 All of these show roughly the same conclusion: higher salaries for engineers, computer scientists, physicists and chemists, and business degrees; lower for the rest of us (though certainly significantly higher than for those without a BA). Classics has particular problems of its own—the perception of privilege, of being out of touch with changing demographics or concerned only with the white and the male—and these are very real challenges for the discipline that I in no way mean to diminish, but I am going to focus on the problem of perceived employability, because this is the one that I, as Dean of Faculty, hear most from parents.The Colorado State University 2014 Spring College of Liberal Arts II Commencement ceremony, May 17, 2014. Photo: via flickr, © Colorado State University

Helping students express the value of their degree

What is so odd about this for many of us is that we grew up in a world where Classics was—or was until recently—an obvious and well-worn route to success in business and government—seen as making the best students better: stronger intellects, with a breadth of vision and understanding of ethics and history. In Britain in the 70s, if a government minister had gone to college, he or she had typically read History, PPE, or Classics; classicists were a major part of the fabric of public life, dominating the obituary pages in the “quality” newspapers. No one asked you why you wanted to study Classics or what you would do with it. It was assumed you would get a good education and be successful.

But times change, and we need to address the prevailing zeitgeist. That does not mean acceding to the idea that the point of college it to train you for an entry level job on graduation (and no more than that) or devaluing the value of a Classics degree or liberal learning in general in favor of business and technical degrees. But it does mean engaging with the questions these stakeholders are asking. And this is my main point today. Part of our job must be to help students transition to careers and vocations. We cannot leave this, as we once did, to the Office of Careers Services, or to the students themselves. The Classics degree cannot be taught under the sign of graduate school; some of our students go on to teach, but the vast majority do not, and we need to help that majority make this transition. And to do this, we need to articulate, and help our students articulate, what they learn in terms of broader, transferable skills and abilities so that they have a language in which to frame their considerable achievements when they want to begin or change a career.

This is not something we do well, according to a study done by Kenny Morrell and the Center for Hellenic Studies, and funded by the Teagle Foundation..2 Or at least the CHS group showed that Classics majors are rarely framed in terms of the broader goals of a liberal arts education—and I think such framing is a good place to start in helping students navigate what it means to be classics major in terms that are legible to employers and parents. The CHS group interviewed classics majors at four liberal arts colleges, including Reed, to construct a sense of what broader goals these students saw represented by their major, and the five most commonly agreed goals were:

  • Critical thinking. As the authors note, this rather vague category probably represented a catch-all for a number of more specific skills such as clarity of thought, reasoning, problem-solving etc.
  • Synthesizing information. The authors relate this to the fact that Classics, in contrast to most other language and literature departments, claims as its own the study of the culture as a whole, including history, art history, archaeology, philosophy, etc., and typically offers classes in them.
  • Research skills: finding, evaluating and appropriately deploying information, and doing a full survey of a problem, rather than reading superficially.
  • Communicating through writing.
  • Ability to continue learning throughout life.

There are certainly many reasons to be a Classics major; I suspect that most students are drawn to the major by simple enjoyment, the quality of the professors and the other students in the major, or the perceived difficulty or even prestige of the major—at least within the Humanities. But helping students think about what they are doing in these more general terms, in terms appropriate to all liberal education, will give them a language with which to express the value of their degree to someone who may have little understanding of what that degree represents. The CHS study concludes by encouraging faculty members to explicitly help students frame their work on this level, and some programs are doing that already. One very interesting experiment is going on at Skidmore, where Dan Curley teaches a class for seniors that takes as its goal encouraging reflection on such questions as well as on the constitution of Classics as a discipline, while making sure students know more immediate details like how to write resumes and cover letters..3

Challenging traditional classics curricula

The main limitation with the CHS study is that it reflects a kind of reverse engineering: it asks, “Given what you are studying now, how might you talk about it?” But I think one of the great benefits of this exercise is that it can be prospective, a chance not just to articulate the curricula we presently teach, but rethink aspects in order to better serve the larger goals that we identity as important. There is a lot of helpful educational work being done by supportive institutions that can help this process of proactive reflection. One rubric that I quite like, and that the CHS study also uses, is that provided by the American Association of Colleges and Universities. As part of its centenary the AAC&U is backing an advocacy program entitled LEAP (Liberal Education and America’s Promise) that champions the importance of liberal education today, both for an individual’s intellectual and moral development, and for a nation’s economic and democratic vitality. The rubric is not a perfect fit for majors—it concerns rather the whole curriculum—but there is a lot of useful research involved, plenty of food for thought, and the backing of an important advocacy organization..4

The AAC&U picks out ten practices that they see as having a major impact on student development:

  • Writing-intensive courses
  • Capstone projects that require integration of prior learning
  • Undergraduate research: involving students early on in the current open questions in a discipline
  • Diversity/Global learning: study of different cultures, often with experiential learning or study abroad
  • Intense, small-group seminars for first-year students
  • Learning Communities: pursuit of questions across different disciplines in different classes
  • Common intellectual experiences: suites of required courses that work together
  • Collaborative work
  • Service-learning or community-based learning
  • Internships

Looking at this list the first reaction for many of us will be to say that many of these elements are already part of a typical program. Classics majors are typically writing intensive; capstone projects—in many cases whole classes devoted to senior theses—are regular features; the fundamentally interdisciplinary nature of the field encourages the pursuit of questions through different disciplines; study abroad and learning about difference are often central; first-year seminars tend to be intense; and current research regularly features on syllabuses. So prima facie this rubric is a flattering one, and we can use its language, and its authority, to pick out and frame what outsiders who may never have heard of Catullus or the polis will recognize as valuable in what we do.

But, again, the goal here is not just to give a new description to what we do, but also to test ourselves against it.

  • Do we really teach in an integrative and interdisciplinary way? Are the different disciplines brought into real contact, or do they remain separate, studying different questions, with different students involved? What would it mean to really integrate different disciplinary modes and methods in the study of a single problem?
  • Or our capstones: how effective are they? Do they really draw together what the students have worked on and require that they use what they have learned?
  • How much do our syllabuses lean to explaining old debates and how they were solved, rather than pitching students into the new questions that as yet have no answers?
  • Is study abroad integrated into the students’ learning? Does the study abroad program involve the student in a different culture, or protect them from it?

And perhaps we can stretch further. Are there elements on this list that we do not typically pursue but might be able to if we did some rethinking? Two on this list are surely possibilities. Collaborative work is one, and surely a key one. I am speaking in broad strokes here, and there are certainly programs that stress collaborative work, but the SCS program itself is testament to the fact that classics research is still largely figured as an individual endeavor. Few articles, books and talks, certainly outside of archaeology, feature the multi-author lists of science papers, but there is no reason why this should be so. Collaborative work does take practice, though, and thought is required to build it into a curriculum. That is, of course, why it is a real skill.

A second interesting area is service learning or community-based learning, which is probably the preferred term right now, with its emphasis on partnership rather than charity. Some schools have fantastic programs. I think of Gonzaga’s program run by Dave Oosterhuis of translating historical documents written by Jesuits in the archives of a local Native American tribe. Few have such opportunities, but there are often tutoring possibilities in local schools, and in many if not most colleges, senior students tutor more junior students, building community, improving their own understanding and taking some of the workload of the professors in the process. This could be built into the requirements for upper-level language classes.

There are possibilities outside of this list too. First, oral communication is rarely emphasized in the way that written communication is, an odd thing in the department of Cicero and Demosthenes. Second, developing an ethical sense of one’s place in a community is increasingly common in college mission statements, and that could easily be one of our goals, given the importance of Plato, Cicero and Seneca, not to mention the centrality of the polis and Greek democratic institutions. And, third, technological expertise is often underplayed also, despite the obvious achievements made by classicists in this area, often well ahead of the curve—I think of BMCR, Perseus, the various digitization projects or Sunoikisis. (Sunoikisis is a collaboration that links together several mainly liberal arts colleges in a team-taught course each fall.) One of the elements that students in the Sunoikisis collaboration flag is that they develop a facility with distance communication software. But I am thinking of integrating technology on a different level, although integrating it into the modes of presentation of student work is surely productive. Our discipline, again outside of archaeology, is still very much guided by close reading, but the digitization of our texts gives us a great opportunity to do a different kind of big-data (or at least bigger-data) reading that could be particularly open to undergraduates who lack the kind of advanced language skills to read really closely. If we trained classicists, and not just some archaeologists, to do statistics, they might do more of this work.

This may not fit your vision of a Classics major, or even of an undergraduate liberal arts degree, but my larger point does not rest on the details; these are offered as one potential rubric, or several potential rubrics, that might help one plan and organize a major. My central point is simply that we need to articulate broader goals that are legible beyond Classics, and use these to interrogate what we actually do in the major. Different programs will surely articulate different goals, or like Dan Curley’s class encourage the students to articulate goals for themselves as well. But the key is to build this in, and not leave it to the students to make this leap—as many, if not most, will not be able to until later in their careers. Typically our students just need a foot in the door; employers love them when they see them. We just need to make sure they get that foot in the door. And this will not just help the students; a well-conceived and executed set of goals will also help the program represent itself to deans and accreditors also.

Getting involved

One further point: Good ideas don’t necessarily sell themselves; you have to make sure people are listening or have a chance to hear them. This means putting ourselves forward. The Liberal Arts College Caucus convened annually at the SCS by Barbara Gold of Hamilton College and Michael Arnush of Skidmore spends a lot of time thinking about how requirement systems (diversity requirements, language requirements) might advantage or disadvantage programs, or make it hard for people to begin, say, Greek in the fall. This is obviously not only sensible, but crucial, and having this vehicle for liberal arts professors to share good ideas has been one of my favorite pieces of recent SCS meetings. It also makes sense to volunteer to teach in first-year writing programs or other classes aimed at first-year students, or be part of learning communities and other initiatives that often are more generously underwritten than traditional programs—even if it takes more work, pulls us out of our comfort zones, or involves learning some new tricks or areas. I am speaking here especially to those of us with tenure here, who can afford to put more time into new programming.

Similarly, taking the time to cultivate relationships with admissions and development can pay dividends. On the one hand, it helps if a group of students comes as first-years already interested in classics; on the other hand, if a department has funds to send students on summer digs or fund unpaid internships of other sorts, students in the major are more likely to do something over the summer that will help them develop a vocation.

And finally, even if administration is not to your taste, it is important to serve on major committees—to make oneself available and also do the kinds of things that get you elected or appointed to such committees. The more places we occupy on these committees, the more our ideas will be heard within a college, but also the more we will know about how decisions are made, and against what criteria. If they have low enrollments, Classics programs may seem expensive, but with no lab assistants, no expensive equipment and few physical plant demands, they may still be a better deal than programs with many more students. It is in our interest to be at the table when questions and criteria are framed.

And that is my final point: that we need to engage rather than retreat. We have a strong story to tell—Classics can be a great training—but we need to tell it in words designed for an outside audience, even if that involves using a language that we find reductionist or getting involved in administrative work we find tedious or reframing and reinventing some of our courses or even our curricula. If we do that, we will not only help our students transition to their life beyond college, but we will also strengthen and improve our programs.


1. E.g. the NACE (National Association for Colleges and Employers) statistics (.pdf). This does not mean that humanities graduates are not employed, and it is clear that they are much more successful than those without a BA, but even defenders agree that their median salaries are lower than those of BA holders as a whole. Cf. Wilson Peden, “The Myth of the Unemployed Humanities Major,” LEAP Challenge Blog [published by the AAC&U], November 11, 2015.

2.Center for Hellenic Studies, “The Classics Major and Liberal Education,” Liberal Education [published by the AAC&U] 95.2.

3.Dan Curley, CC 395: The Classics Major and Beyond, Skidmore College.

4. George Kuh, High-Impact Educational Practices: What They Are, Who Has Access to Them, and Why They Matter (Washington, DC: Association of American Colleges and Universities, 2008) (summary).]

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The new Classics Everywhere initiative, recently launched by the SCS, supports projects that seek to introduce and engage communities all over the US with the worlds of Greek and Roman antiquity in new and meaningful ways. During the first round of applications, the SCS funded 13 projects, ranging from performances and a cinema series to educational programs and inter-institutional collaborations. In this post we focus on four programs that engaged audiences with the study of Greek and Roman antiquity and its connection to our modern world through the visual and performing arts.

The mythical past was a great source of inspiration not only for the Athenian 5th century playwrights, but also for many artists in the performing and visual arts ever since. The Greeks performed and dramatized stories from a mythologized history to explore emerging tensions between family and community values, gender dynamics, human relationships, the definition of justice, and the role of the divine world in human life. Putting these stories on the theatrical stage during their city’s most important festivals served to encourage audiences to think about the organization and structure of their society, their policies, and values.

View full article. | Posted in on Thu, 05/23/2019 - 8:04pm by Nina Papathanasopoulou.

Topic:  Hindsight in 2020

The saying “hindsight is 20/20” refers to the notion that it is easier to evaluate choices and understand events and their consequences after they have already occurred. Your task is to imagine how a historical, literary, or mythological figure from antiquity might have acted differently if they knew then what we know now. You may choose to focus on a single event and its repercussions or examine a pattern of behavior or a general character trait in light of current knowledge.

Contest Parameters and Judging

This contest is open to any student enrolled full-time in high school anywhere in the world during the current school year. An award of $250 will be given to the author of the best entry, which may take the form of a short story, essay, play, poem, or original literary work of any other sort.

Entries will be judged on accuracy to ancient sources, appropriate use of those sources, originality, quality of material, thematic development, correctness of English style, and effectiveness of presentation.

Contest Guidelines

View full article. | Posted in Calls for Papers on Fri, 05/17/2019 - 10:19am by Erik Shell.

At a 2010 forum at the New York Public Library featuring Harvard professor Cornel West and Jay-Z (Shawn Carter), Prof. West recalled one of his seminars at Princeton, which had featured a panel of Jay-Z, Toni Morrison, and Phylicia Rashad. West recalled discussing how Plato “made the world safe for Socrates, so the people would remember the name of Socrates forever,” and Jay-Z replied, “Well I have been playing Plato to Biggie’s Socrates.” As it turns out, there is a great deal of classical allusion to unpack in the world of hip-hop, many embedded within the lyrics of Jay-Z.


Figure 1: Jacques-Louis David, The Death of Socrates (1787).
(Image via Wikimedia Commons).

View full article. | Posted in on Thu, 05/16/2019 - 4:42pm by Samuel Ortencio Flores.

"Motion and Migrancy in the Formation of Roman Literature"

Joy Connolly, Interim President and Distinguished Professor of Classics, Graduate Center CUNY

8th Floor Faculty/Staff Dining Room, Hunter West Building
SW Lexington Ave & 68th St.
 
Friday, May 17th, 2019
  • 4:30 - 5:00 Pre-Lecture Reception
  • 5:00 - 5:30 Student Award Ceremony
  • 5:30 - 6:30 Lecture
  • 6:30 - 7:00 Post-Lecture Reception

This lecture is free and open to the public.

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(Photo: "Empty Boardroom" by Reynermedia, licensed under CC BY 2.0)

View full article. | Posted in Conferences, Lectures, and Meetings on Tue, 05/14/2019 - 2:09pm by Erik Shell.
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The Digital Latin Library has published a blog post detailing new its new website, upcoming text releases, and other new features.

You can read the blog post here: https://digitallatin.org/blog/updates-ldlt

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(Photo: “Switch!" by Andrew Hart, licensed under CC BY-SA 2.0)

View full article. | Posted in Classics in the News on Mon, 05/13/2019 - 9:15am by Erik Shell.

This month, we spotlight the graduate research of Dr. Vivian A. Laughlin, who recently defended her dissertation on the Roman imperial appropriation of Serapis this spring.

While excavating at Hadrian’s Villa in 2015 with Columbia University I noticed that there were various architectural designs and material culture that appeared to be influenced by Egyptian culture. Then when roaming through various parts of the city of Rome, I began to see similar aesthetic references to Egyptian iconography in many places from Augustus’ House on the Palatine to Roman imperial works within various museums throughout the city. I questioned the Egyptian iconography I saw and why the visual references were being made. The more I questioned it, the more it created a burgeoning reason to investigate further and to better understand the relationship between Rome and Egypt. It was almost as if the material culture was speaking to my soul.

View full article. | Posted in on Fri, 05/10/2019 - 6:40am by Vivian A. Laughlin.

The SCS is proud to announce that it is now hosting the newest version of Joy Connolly's "Going on the Market...and What Comes Before," a detailed and practical guide to preparation for the academic job market.

The text is hosted on the SCS website here, and can be found on the Placement Service toolbar.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Thu, 05/09/2019 - 9:13am by Erik Shell.

CfP: The spatial turn in Roman studies

Auckland, January 22-24 2020
Durham, June 10-12 2020

Organised by Amy Russell and Maxine Lewis

We write to announce two international conferences plus a year-long programme of events in Durham on the theme ‘The spatial turn in Roman studies’. This is the call for papers for the Auckland conference, 22-24 January 2020. A call for papers for the Durham conference will follow.

View full article. | Posted in Calls for Papers on Thu, 05/09/2019 - 9:03am by Erik Shell.

By Urmila Mohan and Courtney O’Dell-Chaib

Scholars of religion have developed a framework for exploration of interactions between religion and tangible objects called "material religion." Over the past two decades, the focus within the study of material religion has emphasised object agency, aesthetics and networks. Disseminated in part by the journal Material Religion, a materialised study of religion explores religiosity as inseparable from a matrix of components including people, divine forces, institutions, things, places and communities. However, what still remains to be unpacked is a focus on the way material religion takes place globally. That is not merely editing case studies from different parts of the world based on theory generated in the West, but trying to see how vectors of bodies, affect, objects and ecologies might generate new theoretical approaches and data based on close cultural or ethnographic analyses.

View full article. | Posted in on Thu, 05/02/2019 - 4:47pm by .

(From the University of Mississippi's website)

Former University of Mississippi professor Lucy Turnbull will always be remembered as a beloved educator who could make her curriculum both easy to understand and infinitely interesting to her students, a mentor and a champion of civil rights at Ole Miss.

Her enthusiasm for the classics was contagious, which propelled her students to success in her art history, archaeology, mythology and classical civilization courses. Turnbull, 87, of Oxford, joined the university faculty in 1961 and taught until 1990. She died Sunday (April 21).

Dewey Knight, recently retired UM associate director of the Center for Student Success and First-Year Experience, was one of Turnbull’s friends. He entered the university as a freshman in 1966 and found himself in one of her classes that year.

“She walked into the classroom that first day,” Knight said. “There were about 25 of us, and we were immediately very afraid of Professor Turnbull. She was incredibly intelligent. She could read Greek like we read English.

“We all were in fear of her, but we had the ultimate respect for her, because it was very obvious she was brilliant.”

View full article. | Posted in In Memoriam on Thu, 05/02/2019 - 8:39am by Erik Shell.

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