In Memoriam: Garrett G. Fagan

In Memoriam: Garrett G. Fagan

(Submitted by Stephen Wheeler, Department of Classics and Ancient Mediterranean Studies, The Pennsylvania State University)

The untimely death two months ago of Garrett George Fagan (January 15, 1963 -- March 11, 2017), the Irish-American ancient historian best known for his social histories of Roman bathing and the spectacles of the Roman arena, is a great loss to the community of classical studies. A long-time member of the SCS and AIA, Garrett contributed unstintingly to the programs of the joint annual meetings and promoted a wider public understanding and appreciation of the ancient world. Fellow ancient historians have been deprived of a resourceful collaborator in research projects; students and lifelong learners, of an inspiring teacher.

Great also is the loss to the Penn State Department of Classics and Ancient Mediterranean Studies (CAMS) of a highly-valued colleague. With his interests in social and political history, epigraphy, imperial Latin prose, material culture, archaeology, and Assyriology, Garrett played an integral part in a department that embraced the interdisciplinary study of the civilizations of the Ancient Near East, Egypt, Greece, and Rome. During his twenty years of research, teaching, and service at Penn State, CAMS enjoyed a dynamic period of growth in majors, doctoral students, and Education Abroad students. Garrett was especially active in hosting visiting scholars and lecturers for the department and the local chapter of the AIA.

Greatest of all is Garrett's loss to his many friends and to his extended family in State College and Ireland: especially his teenaged sons, George and Emmet; his sister and brother, Linda and Mark, of Dublin; his former spouse, Katherine; and his life-partner of five years, Julia.

The cause of Garrett's death was pancreatic cancer, an aggressive and debilitating disease that evades early detection and is ruthless in its end game. In November 2016, he received the diagnosis that his cancer was late-stage and incurable. Without treatment, he would die in a matter of weeks. Or he could try chemotherapy and see whether he could prolong his life a few months. One can scarcely conceive Garrett's dismay upon hearing his death sentence, but he did not give up hope and was ready to fight the cancer with whatever weapons were available (he even added to his collection of swords a Winchester rifle). For two months, the therapy provided him with brief windows of precious time to spend with his family and friends. But the chemo also ravaged his body, causing extreme fatigue and persistent nosebleeds--adding to the discomfort of the cancer itself. Nevertheless, buoyed by the support of his family and circles of friends at home and from far and wide, Garrett kept defying expectations and reaching new milestones in his radically curtailed calendar: Christmas, New Year's Day, his 54th birthday. At the end of January to everyone's wonderment, he even satisfied the seemingly impossible desire to return to Ireland for two weeks, visiting old friends in Dublin and vacationing for the last time in Galway. When he came back to Pennsylvania, however, he learned that the chemotherapy was no longer working. Garrett commenced hospice care at home. During this time of precipitous decline, he faced the prospect of death with inner calm. He was grateful for the outpouring of sympathy and for the financial contributions in excess of $20K made to the GoFundMe campaign, which his son Emmet started to cover mounting medical costs. He made every effort to collect himself for every visitor and to make the most of his farewells, in spite of his terrible condition. Four months after his diagnosis, Garrett passed away peacefully and with dignity, thanks to palliative care, at home in the hands of his family. All the while, the malignant disease that consumed his vitality could not blot out the remembrance nor diminish the tributes to an extraordinary individual who made the most of his opportunities in life and left a lasting impression on others, both when he was hard at work and when he was the life of the party.

Garrett had a strong sense of his professional calling from his school days. To pursue his ambition, he wended his way from Dublin, Ireland, where he was born and raised, to Canada, Europe, and the U.S., before finally settling down in central Pennsylvania, where he started a family, built his first home, and became a US citizen. His career, which turned out to be more successful than he could have ever imagined, began with an unexpected swerve. It happened the summer he was twelve. As he told the story, his family had made final preparations to move into a new house, but the builders were behind schedule. There was nothing to do but wait the remaining time in makeshift quarters -- rooms conveniently located above his father's dentist office, but in a part of the city Garrett's mother deemed less than salubrious. Maire Fagan placed her Garry under a sort of house arrest to keep him from going outside. She feared that he would get beaten up by the local boys for having the wrong kind of accent. Little did she realize, she was not protecting her son from a bloody nose but giving him the reason to become a classicist. Left to his own devices, and not yet acquainted with video games, Garry spent the summer reading books about the ancient Romans and became taken with the Roman army and gladiators.

The flowering of his classical interests in the summer of 1975 may appear accidental, and perhaps it was, but as Lucretius would say--not an author Garrett was in the habit of quoting (he preferred the epigrams of Martial), nothing comes from nothing. The seeds had already been planted in his first year of Latin at the renowned secondary school Belvedere College, S.J., in Dublin. Belvedere is proud of its commitment to the tradition of a liberal education, which it advertises, with a touch of irony, in a blurb about its Classics program: "when the Jesuits were unable to obtain the services of a lay Catholic teacher to teach the Classics in the 1830s, they took the unusual step of employing a Protestant teacher to do so, so earnestly did they wish to maintain Latin and Ancient Greek." The experience of taking Latin (from Jesuits?) had initially terrified the young Garry, but he quite liked it and took to it. By the end of his summer under his mother's lock and key, he had filled countless copy books with notes and written and illustrated his own history in two booklets, thirty pages each, called The Romans, Volume I and II (source 1, 2, 3, 4). After summer vacation, the teaching staff at Belvedere College became aware of Garry's opus aestivum when he attempted to hand in the booklets instead of a required English essay. His attempt to gain credit for work not done did not quite work out the way he expected. Credit was denied by the English teacher, and subsequently Garry's Latin class received an ominous visit from the headmaster, an event usually associated with punishment for some misbehavior. The headmaster reassured the murmuring class that he was there to award a prize, a prize to recognize a student in the class for excellent work in the Classics. To Garry's astonishment, it was he who received the prize. On his next vacation, his father took him to Rome, a trip that confirmed his calling. They spent two weeks together, getting up at dawn to do all the ancient sites and museums. Garry was blown away and told his father on that trip, "I don't know how it is people make a living at this. But this is what I want to do." Cecil Fagan said, "Sure. I'll support you in that."

Garry went on to Trinity College, Dublin, to earn an honors B.A. (1985) in the areas of Ancient History and Archaeology and Biblical Studies, and qualified for an M.Litt. in Classics (1987) with a thesis on "The Roman Imperial Succession Under the Julian-Claudians" -- a subject that engaged his historical imagination throughout his life and was the focus of his last book project The Political Purge: Origins, Mechanics, and Aftermath, which he was writing under contract for Johns Hopkins Press before he received his diagnosis. At the age of 24, twelve years after the summer spent over his father's offices, Garrett left his patria to enter the Ph.D. program in Roman Studies at McMaster University in Hamilton, Ontario. His supervisor was Richard Talbert, who oversaw the production of a patiently researched dissertation on a hitherto unexplored area: the origins, growth, and social aspects of Roman public bathing. Talbert also facilitated a year's research visit by Garrett to UNC at Chapel Hill, where he made contacts with classicists and ancient historians in the U.S. Garrett completed his McMaster doctorate in 1993 and was appointed a visiting professor at Davidson College (1993-1994). He then received a Killam Postdoctoral Fellowship at the University of British Columbia for the year 1995-1996. Penn State offered Garrett a visiting appointment in 1996 and the following year a tenure-track position as an assistant professor. Garrett's promotion to associate professor with tenure came in 2002; he became full professor in 2011 and assumed the title Professor of Ancient History. During his tenure at Penn State, Garrett also spent two years abroad: he held an Alexander-von-Humboldt Fellowship at the University of Cologne (2003-2004) and the Andrew W. Mellon Professor-in-Charge at the Intercollegiate Center for Classical Studies. (2015-2016).

Garrett made and secured his name as a Roman social historian through two substantial and influential monographs: Bathing in Public in the Roman World (University of Michigan Press, 1999; reprinted in a corrected paperback edition in 2002), and The Lure of the Arena: Social Psychology and the Crowd at the Roman Games (Cambridge University Press, 2011).  He also co-authored with Paul Murgatroyd the textbook From Augustus to Nero: An Intermediate Latin Reader (Cambridge University Press, 2006).  Throughout his career, he was active in multiple networks of scholars and profited from working work collaboratively with his contacts at home and abroad. He especially liked being involved in the program of the joint annual meetings of the APA and AIA (in the case of the latter, he was a member and chair of the program committee for a number of years). He had a knack for parleying the joint APA/AIA sessions he proposed and organized into book publications, especially when the annual meeting took place in San Diego every sixth year from 1995 to 2007. In 1995, he made his inaugural splash in San Diego by organizing the joint APA/AIA session, "Roman Baths and Bathing Culture," at which he shared the dais with the most eminent scholars of his subfield and aired material from his dissertation that was destined for publication in his first monograph. Six years later, in 2001, San Diego was again the site for Garrett's next self-organized mega- joint APA/AIA session "Interpreting Roman Spectacles," which was a preliminary to the publication of his second monograph a decade later. Six years later, at the 2007 San Diego meeting, Garrett mounted his third joint APA/AIA session, "New Perspectives in Ancient Warfare," which became the volume of the same title he co-edited with Matthew Trundle for Brill's Ancient Warfare Series (2010). Six years later, in 2013, the APA/AIA did not meet in San Diego, but coasted up to Seattle. For this occasion, Garrett varied his modus operandi: he co-organized with Paul Christesen the APA Outreach Panel "Sport and Spectacle in the Ancient World," which was a preview of A Companion to Sport and Spectacle in Greek and Roman Antiquity, edited by Paul Christesen and Donald Kyle (Wiley, 2014), to which he contributed a chapter on gladiatorial combat.

In the annals of the AIA, it will also be remembered that Garrett organized for the 2002 meeting in Philadelphia a workshop on the controversial subject of pseudoarchaeology, in which he gathered archaeological authorities to think about pseudoscience as a social phenomenon. This event resulted in his edited collection of papers Archaeological Fantasies: How Pseudoarchaeology Misrepresents the Past and Misleads the Public (Routledge, 2006). In retrospect, this book turned out to be prescient of the hegemony of alternate facts in a post-truth era.

At the end of 2013, Garrett was invited to be a guest blogger when the APA rebranded itself SCS; his brief was to comment as a classicist on contemporary issues. He wrote three blog-pieces that are still relevant:

·      Bombing Syria and the “Logic of Empire" (11/5/2013)

·      Classics and the "Crisis" in the Humanities (12/12/2013)

·      Climate Change and the End of Civilization(s) (1/27/2014)

Garrett's most recent research project was to co-edit with Werner Riess The Topography of Violence in Classical Antiquity (University of Michigan Press, 2016), for which he wrote two chapters, one on urban violence, the other on the manipulation of space in the arena.  At the time of his death, he was carrying out his duties as co-editor of The Cambridge World History of Violence, taking responsibility for vol. 1: Prehistory and the Ancient World.

Garrett's skills as a public lecturer were always much in demand. He was an expert consultant and on-screen contributor for several television series, including NOVA's "Secret of Lost Empires" and The History Channel's "Rome: Rise and Fall of an Empire." He also recorded 108 video lectures for three series in "The Great Courses" program.  He had also been a national speaker for the AIA since 2007 (and long-standing President of its Central Pennsylvania chapter). Nowhere, however, was he in better form as a presenter of antiquity than at an archaeological site in the Mediterranean. He was a co-founder of Penn State's education abroad program in Rome and a veteran of its Athens program. He also enjoyed accompanying and guiding passengers of Mediterranean cruises on their port calls to the rich remains of classical antiquity.

At Penn State, Garrett taught Latin at all levels (his favorite author was Tacitus), Roman history and civilization, and signature courses such as "Ancient Warfare" in the ancient Mediterranean world, which students filled to capacity. He was also the doctoral supervisor of Andrea Gatzke, whose dissertation "Language and Identity in Roman Anatolia: A Study in the Use and Role of Latin in Asia Minor," was approved in 2013. She accepted a tenure-track position in History at SUNY-New Paltz in the same year.

In sketching the life and achievements of Garrett G. Fagan by way of tribute, I cannot but feel inadequate to the task, knowing how much there was of him that I cannot capture in words.  Some will be better able to assess the significance of his scholarly work that began by extending Roman social history into the bathing complexes described by classical archaeology; and that continued more recently by applying psychological and sociological theory to his historical interpretation of spectacles of violence.  Others will appreciate his gift of making the ancient world more accessible and relevant to the present:

To learn about the people of antiquity is to examine the foundations of how we live today. They are at once alien and familiar, an image of ourselves glimpsed in a distant mirror. (source)

Garrett's scholarship, teaching, and career was never about himself, but about sharing the experience of contemplating the past with colleagues and students. This meant that he did not indulge in obscurantism or "mind-numbing overspecialization," as my Assyriologist-colleague, Gonzalo Rubio, observes elsewhere. Garrett was a breath of fresh air not only in the current academic climate, but also thirty years ago at a time when the air had been sucked out of the room by the last generation of traditionalists. Given Garrett's conviction about recovering the past, one may wonder what image he glimpsed of himself in the distant mirror of the Romans. To judge from his actions in his professional life, he recognized the benefits of hard work (industria) and the importance of mutual trust (fides) in friendship, politics, and battle.  Like the Romans, Garrett also observed the strict division of the day and week into time for business (negotium) and time for play (otium). He managed his day efficiently so that he enjoyed both. What he did or said in his leisure never impinged on what he did or said when he worked. Public and private life were completely separate. The joy of Garrett's life was that his negotium was another kind of otium.  Every day he got up and, with the assent of his father, aptly named after Caecilius, he went to work with the Romans.

---

(Photo: "Candle" by Shawn Carpenter, licensed under CC BY 2.0)   

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Header Image: Late antique mosaic likely depicting Theseus sailing away from the Labyrinth (Utica, Tunisia, 3rd C CE, now at the University of Pennsylvania Museum of Archaeology and Anthropology. Image by Sarah E. Bond).

'Addressing the Divide' is a new series of columns that looks at the ways in which the modern field of Classics was constructed and then explores ways to identify, modify, or simply abolish the lines between fields in order to embrace broader ideas of what Classics was, is, and could be. This month, Kathryn Topper addresses the divisions between Art History and Classics.

For specialists in Greek and Roman art, professional life is an endless navigation of disciplinary divides. Often it seems like we belong to a disciplinary no man’s land – too archaeological for other art historians, too art historical for field archaeologists, and too visual for text-oriented Classicists whose training has predisposed them to doubt the intellectual seriousness of scholars who study something as seemingly straightforward as pictures.

The uneasy position of ancient art historians relative to the allied disciplines arises from historical factors, but it’s also a consequence of the nature of our material. When you work in a field in which reconstruction and interpretation almost invariably go hand in hand, you tend to need all the tools in your own toolbox, and in the neighbors’ toolboxes, too. As a result, historians of ancient art spend a lot of time working in disciplines dominated by colleagues whose priorities and training are very different from our own.

View full article. | Posted in on Thu, 08/01/2019 - 9:09pm by Kathryn Topper.

National Humanities Center

Residential Fellowships 2020-21

Call for Applications

The National Humanities Center invites applications for academic-year or one-semester residential fellowships. Mid-career, senior, and emerging scholars with a strong record of peer-reviewed work from all areas of the humanities are encouraged to apply.

Scholars from all parts of the globe are eligible; stipends and travel expenses are provided. Fellowship applicants must have a PhD or equivalent scholarly credentials. Fellowships are supported by the Center’s own endowment, private foundation grants, contributions from alumni and friends, and the National Endowment for the Humanities.

Located in the vibrant Research Triangle region of North Carolina, the Center affords access to the rich cultural and intellectual communities supported by the area’s research institutes, universities, and dynamic arts scene. Fellows enjoy private studies, in-house dining, and superb library services that deliver all research materials.

Applications are due by 11:59 p.m. ET, October 10, 2019. For more information and to apply, please visit the link below.

View full article. | Posted in Awards and Fellowships on Tue, 07/30/2019 - 12:37pm by Erik Shell.
The Conference on Mediterranean and European Linguistic Anthropology 2020
 
Following the growth of The Global Network for Linguistic Anthropology, we announce The COMELA 2020, The Conference on Mediterranean and European Linguistic Anthropology 2020.

Purpose and Structure - Over 500 scholars globally will gather to present papers and engage in progressive discussion on the Linguistic Anthropology, Language and Society, and related fields, of The Mediterranean and Europe. The COMELA is fully Non-Profit, where all publishing with the JOMELA (its scholarly journal) is free, as the COMELA refuses to implement a pay to publish system. The COMELA sources funding/grants to assist people in impeded economic positions, who require funding to access the COMELA Conference, and display strong ability in their work. COMELA proceedings will be indexed with SCOPUS and will contribute to ranked and cited publications for all those accepted to present, as well as publishing papers in Top Tier Journal Publication Special Issues.

Location - American University of Greece, Athens, Greece

Date - September 2-5, 2020

View full article. | Posted in Calls for Papers on Mon, 07/29/2019 - 9:38am by Erik Shell.
"Empty Theatre (almost)"by Kevin Jaako, licensed under CC BY 2.0

Calling all Actors, Designers, and Creatives—to participate in a staged reading of

The Gladiator
by Robert Montgomery Bird

Directed by Rob Groves

Friday, January 3, 2020

SCS/AIA Annual Meeting, Washington D.C.

The Committee on Ancient and Modern Performance's annual tradition of staged readings at the annual general meeting will continue this year with a production of an engaging example of Classical reception, Robert Montgomery Bird's 1831 retelling of the Spartacus story, The Gladiator!

View full article. | Posted in Performances on Tue, 07/23/2019 - 9:24am by Erik Shell.

I have always been a proponent of reading outside of one’s own field. We are all pressed for time, of course, and keeping up with the scholarship in our own areas of expertise is itself a constant challenge. But reading outside of our traditional areas of study is one of those intellectual activities in which even a little goes a long way towards exposing us to real and imagined worlds that can allow us to better reconstruct the ancient Mediterranean.

As an ancient Mediterranean historian, I have gained most from my reading in (loosely) adjacent historical fields, especially early China and early modern Europe. I have also benefitted from exploring research in social-scientific disciplines with which history is in ongoing dialogue, especially sociology and cultural anthropology. My reading in these fields could hardly be called systematic, but it doesn’t matter. The time spent reading outside of ancient Mediterranean history almost always repays the reader by presenting new questions, new approaches, and new ways to think about familiar material.

However, today I want to explore something a little different: how my ideas about the Roman Empire, my research and teaching focus, have been shaped by creative literature—an essential tool, I have found, for facilitating the leaps of historical imagination necessary for an empathetic (if ultimately incomplete) understanding of a world so alien from our own.

View full article. | Posted in on Mon, 07/22/2019 - 2:21pm by Carlos Noreña.

Classical Representations in Popular Culture

Southwest Popular / American Culture Association (SWPACA)

Area Chair: Benjamin S. Haller (bhaller@vwu.edu)

41st Annual Conference, February 19-22, 2020
Hyatt Regency Hotel & Conference Center
Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: October 31, 2019

Proposals for papers and panels are now being accepted for the 41st annual SWPACA conference.  One of the nation’s largest interdisciplinary academic conferences, SWPACA offers nearly 70 subject areas, each typically featuring multiple panels.  For a full list of subject areas, area descriptions, and Area Chairs, please visit http://southwestpca.org/conference/call-for-papers/

Classical Representations in Popular Culture

Papers on any aspect of Greek, Roman, or Mediterranean antiquity in contemporary or popular culture are eligible for consideration.

Classical Representations welcomes submissions on a broader range of topics including:

View full article. | Posted in Calls for Papers on Fri, 07/19/2019 - 1:29pm by Erik Shell.

Call for Lightning Papers: Classics and Civic Activism

Joint AIA/SCS workshop, January 2–5, 2020, Washington, D.C.

Organizers: Yurie Hong (Gustavus Adolphus College), Marina Haworth (North Hennepin Community College), Amit Shilo (UC, Santa Barbara), T. H. M. Gellar-Goad (Wake Forest University)

Classicists at all levels have knowledge, experience, skills, and contacts that can usefully contribute to civic activism outside of academia proper.  The Classics & Social Justice Affiliated Group has organized a workshop on the subject of Classics and Civic Activism for the upcoming AIA/SCS meeting. We invite proposals for a lightning round on outward-facing activism in which presenters will spend 3 minutes sharing their own experiences and making recommendations. These presentations will become integral to discussions among participants during the following breakout sessions.

The lightning round is the second of three parts of the workshop:

1) Three featured presenters from Indivisible, the National Humanities Alliance, and the American Federation of Teachers will offer guidance in community organizing, engaging with representatives, and other advocacy work, specifically focusing on how academics and educators can combine their skills and expertise with activism.

View full article. | Posted in Calls for Papers on Fri, 07/19/2019 - 8:25am by Erik Shell.

The United States was more than a century old before it saw its first play staged in Latin. What follows is a story about its producers’ struggle for recognition and the external factors that doomed it to obscurity. Beyond a footnote in theatrical history, the 1877 production of a Jesuit Latin play at Boston College offers a glimpse into the fraught politics of education in the United States in the late 19th century, the origins of the modern college elective, and a form of Classical curriculum that might have been—if an ugly fight in Boston had turned out differently.

In April of 1894, Harvard’s production of its first Latin play had set Boston buzzing. The event  even rated a couple columns in the New York Times, which remarked:

Latin plays have been given in this country and in England, but never with the careful study of detail bestowed upon the Phormio of Terence, to be produced by Harvard students in Sanders Theatre this week… Educators from all parts of the country are expected to witness the production.

View full article. | Posted in on Thu, 07/18/2019 - 4:24pm by Christopher Polt.

Seneca 2020. International Conference

What more can we say about Seneca?

The Centre for Classical Studies of the School of Arts and Humanities of the University of Lisbon is organizing an International Conference on Seneca to promote and encourage a critical reflection on the permanence of themes, values, perspectives and representations of Seneca’s works in Western literature and culture.

The Conference will take place between 14-17 December 2020, and, through the interdisciplinary debate of the contribution given by the experiences of researchers from different fields of study, it aims:

- to think of how Seneca became one of the most prominent figures in Western culture;

- to consider, examine and reflect on our current knowledge about Seneca, his life and works;

- to explore new study angles and what remains to be said about Seneca in the Twenty-First Century, in light of the renewed interest shown in his works.

Confirmed Keynote Speakers

António Pedro Mesquita (University of Lisbon)

Alessandro Schiesaro (University of Manchester)

Catharine Edwards (University of Cambridge)

Gareth David Williams (Columbia University)

Chiara Torre (University of Milan)

Jesús Luque Moreno (University of Granada)

José Pedro Serra (University of Lisbon)

View full article. | Posted in Calls for Papers on Thu, 07/18/2019 - 2:54pm by Erik Shell.

“Performing Texts”
Network for the Study of Archaic and Classical Greek Song
6th Open Conference, July 1-5, 2020, Spetses, Greece

 

Gregory Nagy (Classics, Harvard University) announces the 6th Open Conference, which is organized by Harvard University’s Center for Hellenic Studies in Washington, DC (CHS DC) on behalf of the Network for the Study of Archaic and Classical Greek Song. The organization of the Conference will be administratively and logistically supported by Harvard University’s Center for Hellenic Studies in Greece (CHS Greece).

The conference will take place on the island of Spetses in Greece from July 1 to July 5, 2020. The topic of the conference is "Performing Texts."

View full article. | Posted in Calls for Papers on Thu, 07/18/2019 - 11:03am by Erik Shell.

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