In Memoriam: Georg Nicolaus Knauer

(From the UPenn website)

G. N. Knauer, 1926–2018

Georg Nicolaus Knauer, Emeritus Professor of Classical Studies at the University of Pennsylvania, died on October 28, 2018 in Haverford, PA at the age of 92. His long life and career were distinguished by high scholarly achievement and enriched by extensive travel and many friendships. He was also deeply involved in political controversies that were the result of two tragic events that affected so many Germans of his generation: the rise of National Socialism in their youth and the division of Germany into two separate states in their maturity.

Nico, as his friends knew him, was born in Hamburg on February 26, 1926. In 1944, he was drafted into the Wehrmacht and dispatched to the Eastern front at a time when the German defense against the Red Army of the USSR was starting to collapse. Very soon after his arrival, he was almost killed by a land mine, which destroyed most of his right leg. That he even survived is remarkable enough, but his relentless refusal to let this injury limit his activities is in some ways even more so.

After the war, Nico studied Classics at the University of Hamburg with Ernst Zinn, the classicist who also produced that generation’s standard edition of Rilke’s complete works. Nico earned his PhD in 1952 for a dissertation on Psalm citations in the Confessions of St. Augustine, which laid the methodological foundations of his subsequent work. From 1952 to 1954 he was a fellow at the Institute for the Thesaurus Linguae Latinae in Munich, and then from 1954 to 1974 he taught at the Free University of Berlin, rising through the ranks from Assistent to Professor Ordinarius. He is best known for the book that originated as his 1961 Habilitationsschrift on Vergil’s imitation of Homer in the Aeneid, which was published as Die Aeneis und Homer in1964. During these same years, he was a British Council Scholar at the University of London (1957–1958), Visiting Professor at Yale University (1965–1966), Nelly Wallace Lecturer at Oxford University (1969), and a member of the Institute for Advanced Study (1973–1974). In 1975 he moved to Penn, where he remained until his retirement in 1988.Honors continued to accrue: he was in 1978 Visiting Professor at Columbia University, in 1979 a Guggenheim Fellow, in 1984 a Fellow of the National Endowment for the Humanities, in 1985 a Resident of the American Academy in Rome, in 1989 a Resident of the Rockefeller Foundation in Bellagio, and in 1991 and 2002 a Guest Researcher of the Herzog August Bibliothek in Wolfenbüttel.

At the time of his death, Nico had been working for years on a vast project to catalogue and contextualize commentaries on and translations of the works of Homer from antiquity to the Renaissance. Although he was not able to see the project through to publication, he left it very close to completion, along with a substantial archive of research materials on which it is based.  It will be finished and published posthumously, and he made provisions for this to happen.

No remembrance of Nico Knauer could be complete without mention of his wife, Kezia, with whom he shared his personal and professional life from before their wedding in 1951 until Kezia’s death in 2010. Kezia’s real name was Elfriede, and she used that name officially, e.g. as the author of many scholarly publications; but almost no one called her that, and therein lies a tale. Because she and her twin sister, Sybil, were born while their father was away on a business trip, the babies were not actually named until his return. In the interim, a midwife decided to call them Kezia and Keren-happuch after two of Job’s daughters from his second family (cf. Job 42.14). The name Kezia stuck, because everyone hated Elfriede, with the result that many people were unaware what Kezia’s “real” name was. (According to family lore, during a party to celebrate Nico and Kezia’s wedding, Nico’s father answered a phone call from a well-wisher, which caused him to turn to those assembled and ask, in puzzlement and horror, “Is there anyone here named Elfriede?”) Kezia was a classical archaeologist and art historian who specialized in iconography, but became an expert in an astoundingly wide variety of subjects. Perhaps chief among these was the Silk Road as a vector of culture between East Asia and the ancient Mediterranean basin. One result of this interest was that Nico and Kezia spent decades traveling together, he in search of humanist translations and commentaries on Homer (the bulk of them preserved in unpublished manuscripts in European libraries, large and small), she in pursuit of information about all aspects of trade, religion, art and architecture, and especially textiles, in the Middle East, Central Asia, and East Asia. Together, Nico and Kezia were among the last foreigners to visit freely countries like Afghanistan (where they photographed the now-destroyed Buddhas of Bamyan) between the time when that country’s war with the Soviet Union ended and the current American war against the Taliban and Isis began. When the improbable Karakoram highway between Pakistan and Xinjiang province in China was completed, they were on a bus there a few months later, rolling past washouts at high altitudes. They were genuinely indefatigable.

After more than half a century, Nico’s study of Vergil and Homer remains one of the most frequently cited books in the field of Classics, and it enjoys what will probably be a permanent place in bibliographies of Vergil and Latin literary studies generally. Its success is the more remarkable in that not all agree with its premises and methods, which are extremely positivistic and, as such, somewhat out of synch with contemporary notions of imitative, emulative, and allusive relationships among classical poets. Still, there are few serious students of Vergil who have not profited from this work. Indeed, it has advanced the field by inspiring both adaptive imitation of its methods among sympathetic scholars, and committed opposition, revision, and the adoption of methods based on quite different assumptions on the part of skeptics. In addition, despite an approach that looks back to the nineteenth century rather than forward to the twenty-first, the book is in many ways ahead of its time, not only in its firm commitment to the study of what ae now called intertextual relations as a fundamental and immensely creative component of classical Latin poetics, but also in its anticipation of contemporary reception studies. This is especially evident in its first chapter, which traces the growing familiarity with Homer in the early modern period through the gradual discovery by generations of Vergilian commentators of Homer’s extensive and detailed influence on their poet.

Although Nico’s scholarly vision drove him to take on projects of such scope that they would seem to have left him no time for other pursuits, he was deeply committed to the defense of specific social principles. His youthful experience of National Socialism convinced him that, after the end of World War II, it was of the utmost importance that European and, especially, German society be on the alert against any possible recrudescence of similar pathologies. Understandably, he initially expected that the likeliest threat would be from the political right; but his experience of Cold War realities in a divided Germany, and especially in occupied Berlin, convinced him that there was a more imminent danger from the left. Like many other German professors, he found it impossible to teach in the supercharged ideological atmosphere of the late sixties and early seventies. In response, he became one of the founding members and leaders of the Emergency Organization for a Free University (Notgemeinschaft für eine freie Universität) and the Freedom of Science Federation (Bund Freiheit der Wissenschaft). Ultimately, the volatile political situation caused Nico to move to the U.S. and to leave political action, though not strong political beliefs and opinions, behind.

Nico’s personal habits were ascetic and sybaritic in approximately equal measure. When he was hot on the trail of new evidence or the solution to an old problem, he would work long hours in the library without a break, sustaining himself with nothing but occasional spoonfuls of freeze-dried coffee crystals. When he felt he had the time for a proper lunch, he made it an occasion, usually enjoying the company of just one friend at a time, always with a carafe of white wine within reach. In either mode, even younger colleagues found it challenging to keep up with him. His enthusiasm for work and pleasure were equally great. The dinner parties that he and Kezia hosted from time to time in their high-rise apartment, filled with books and overlooking Philadelphia’s Fairmount Park, were memorable events. Nico always cut a dashing figure, with his bow ties (many of them made by Kezia from fabrics collected during their travels), his beret, his scarf (a souvenir from a visiting stint at Corpus Christi College, Oxford), and his silver-handled walking stick. He drove his red VW Golf, specially outfitted to accommodate his injury, like a Formula 1 racer. He especially enjoyed driving in Rome. His Penn students were in awe of both his personal and his intellectual style, recognizing that, through him, they had some contact with scholars like Eduard Fraenkel, Bruno Snell, Otto Skutsch, and many other great names from long ago and far away. He felt keenly the responsibility to pass on what his teachers had given him, insisting that the entire point of our work is to serve “the next generation,” one of his favorite and most often repeated phrases.

Nico Knauer is survived by Dr. Sabine Solf, his close companion during the years since Kezia’s death, a few family members, and many devoted students and colleagues.

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(Photo: "Candle" by Shawn Carpenter, licensed under CC BY 2.0; picture of Georg Knauer used with permission)   

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Greek vases, with their distinctive red and black, are one of the most recognizable faces of ancient Greece. Their decorative scenes of deities, myth, and everyday life offer a beautiful and informative window into classical culture. With the Panoply Vase Animation Project we’re encouraging people to enjoy and learn about ancient vases and society by placing the artifacts center-stage in short, lively animations made from the vase-scenes themselves. The animations keep as close as possible to the original artwork, using the existing figures and decoration and drawing on existing iconography. But the figures can now move, and the animations explore the possibilities within the vase scenes: runners can sprint past, dice are thrown, and those poised to strike can use their weapons. The tone of the animations varies. The Cheat is a light-hearted romp; Hoplites! Greeks at War will send shivers down your spine.

View full article. | Posted in on Fri, 02/14/2020 - 6:06am by .

The Classical Association of the Atlantic States
Call for Papers: 2020 Annual Meeting, October 8-10, 2020

Hotel DuPont, Wilmington, DE

We invite individual and group proposals on all aspects of the classical world and classical reception, and on new strategies and resources for improved teaching.  Especially welcome are presentations that aim at maximum audience participation and integrate the concerns of K-12 and college faculty, that consider ways of communicating about ancient Greece and Rome beyond our discipline and profession, and that reflect on the past, present, and future of classical studies in the CAAS region.

View full article. | Posted in Calls for Papers on Thu, 02/13/2020 - 8:44am by Erik Shell.

Hybrid Epicenters: Peripheral Adaptation in Flavian Literature

With a response by Antony Augoustakis

Adaptation and change in Imperial Rome tend to aggregate on the margins and at the edges of things, in extremis as it were. In Flavian literature, various dynamic changes have been observed, in the textual space as well as in the socio-political background under which this literature is being produced. One example is the sudden transition between books 11 and 12 in Statius’ Thebaid wherein the fraternas acies of the first 11 books gives way to (attempted) reconciliation. Or from a geographical stance, one example is Scipio Africanus’ rapid rise to power as he pushes Rome’s military might to her future imperial edges in Spain and North Africa in books 16 and 17 of the Punica; from a sociocultural angle, the complex dynamics in the Silvae between Campania and Rome causes difficulties in recognizing which location is central and which peripheral in Statius’ conceptualization of the geography of Roman power in Italy.

View full article. | Posted in Calls for Papers on Tue, 02/11/2020 - 2:13pm by Erik Shell.

The following was approved by the SCS board of directors on February 7, 2020.

The Society for Classical Studies joins the Society of Architectural Historians in opposing the proposed Executive Order “Making Federal Buildings Beautiful Again.”  As students and scholars of the ancient Greco-Roman world and its ongoing cultural impact, we recognize that classical antiquity provided some of the many traditions that have shaped this nation, and we appreciate the examples of neo-classical architecture, both public and private, to be found throughout the United States.  But we firmly believe that the architectural style of public buildings should not be dictated in advance, but rather freely and deliberately chosen in view of all relevant considerations, and we reject the supposition that a style derived from classical models is necessarily better suited than any other to express the history, values, and aspirations of the American people.

Please see the letter below from the Society of Architectural Historians and a number of other scholarly societies, including SCS.

February 10, 2020

The President
The White House
1600 Pennsylvania Avenue, N.W.
Washington, DC 20500

Re: Opposition to proposed Executive Order “Making Federal Buildings Beautiful Again”

Dear Mr. President,

View full article. | Posted in Public Statements on Mon, 02/10/2020 - 11:49am by Helen Cullyer.

The deadline to apply for Classics Everywhere is February 14, 2020.

Applications can be submitted through the above link by filling out the application form linked half way down the page.

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(Photo: "_DSC7061" by rhodesj, licensed under CC BY 2.0)

View full article. | Posted in SCS Announcements on Mon, 02/10/2020 - 8:29am by Erik Shell.

TITLE: The Bridge

DESCRIPTION: Vocabulary building tool

URL: https://bridge.haverford.edu/

NAME: Mulligan, Bret in ongoing collaboration with Haverford College students

PUBLISHER: [none]

PLACE: Haverford College

COLLECTION TITLE (parent resource of the resource being described; collection of which the resource is a part): [none]

DATE CREATED: 2014-pres. (revisions and updates ongoing)

DATE ACCESSED: December 1, 2019

AVAILABILITY: Free

RIGHTS (license restrictions imposed on access to a resource): The Bridge and its byproducts are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

CLASSIFICATION: databases, dictionaries, Greek, language learning tools, language processing, Latin, linked open data, reference materials, texts.

View full article. | Posted in on Fri, 02/07/2020 - 6:37am by .

In 2020 the Society for Classical Studies (SCS) will again award the David D. and Rosemary H. Coffin Fellowship for study and travel in classical lands.

The Fellowship is intended to recognize secondary-school teachers of Greek or Latin who are as dedicated to their students as the Coffins themselves by giving them the opportunity to enrich their teaching and their lives through direct acquaintance with the classical world.  It will support study in classical lands (not limited to Greece and Italy); the recipient may use it to attend an educational program in (e.g. American Academy, American School) or to undertake an individual plan of study or research. It may be used either for summer study or during a sabbatical leave, and it may be used to supplement other awards or prizes.

For full details and instructions please visit the David D. and Rosemary H. Coffin Fellowship page. Materials must be received no later than February 27, 2020.

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View full article. | Posted in SCS Announcements on Tue, 02/04/2020 - 12:35pm by Erik Shell.

Cultural Identity in Political Rhetoric: Past and Present

Society for Classical Studies 2021 Annual Meeting – January 7-10, Chicago, IL

Organizer: Tedd A. Wimperis (twimperis@elon.edu)

Rhetorical appeals to ethnic or civic identity were a mainstay of political discourse in the ancient Mediterranean. Arguments from cultural heritage and mythical kinship between peoples supported diplomatic negotiation; orators invoked values and traditions inherited from past generations to sway audiences; autocrats wove their personal iconography into the fabric of the “national story” to legitimize and authorize their power. Politically-guided ideations of identity were promoted through literature, art, architecture, coinage, and various forms of performance, and relied on effective appropriations of cultural symbolism and myth. Here and now in our own modern world, these kinds of discourse remain entrenched in political communication, from the extremes of ethno-nationalism to the commonplaces of campaign rhetoric, where appeals to “who we are” and “what our values are” appear explicitly and subtly in televised debates and hearings, tweets, billboards, and bumper stickers.

View full article. | Posted in Calls for Papers on Tue, 02/04/2020 - 8:47am by Erik Shell.

“Koinonia” in Plato’s Philosophy

March 8-12, 2021
Pontifical Catholic University of Peru
Lima, Peru

Plato uses the term “Koinonia” in a wide variety of important ways.  It signifies the relation of the forms with each other as well as the relation we can have with them, but also both relations between individual people and between individuals and the community as a whole.  Although this term has been the object of intense scholarly scrutiny, many issues remain to be explored.  We will consider abstracts on any aspect of the subject, including the metaphysical, epistemological, social, and ethical dimensions of koinonia.

Submission guidelines:

1. Please submit titles and abstracts of 500 words (maximum), double-spaced, 12 point type, formatted for anonymous review

2. Name, Paper Title, Affiliation, Postal Address, Email Address included as an attachment in the email to which the abstract is sent

3. Abstracts can be in any of the IPS’s official languages: English, Spanish, German, Italian, French

4. Abstracts Submission Deadline: July 31, 2020.

5. All abstracts must be sent with the subject "IPS Mid-Term Meeting" to the following address: cef@pucp.edu.pe

View full article. | Posted in Calls for Papers on Fri, 01/31/2020 - 8:58am by Erik Shell.

On January 5, 2020, the SCS Board of Directors approved a name change for the Minority Scholarship in Classics and Classics Archaeology. The scholarships will now be known as the Frank M. Snowden Jr. Undergraduate Scholarships. The name change was recommended by President-Elect Shelley P. Haley and the SCS Committee on Diversity in the Profession.

The new name honors Frank M. Snowden Jr., the renowned black classicist, chair for many years of the Howard Classics Department, and author of Blacks in Antiquity, which won the Charles J. Goodwin Award of Merit in 1973. Prof. Snowden was also a recipient of the National Humanities Medal and was elected by the SCS (then APA) membership to the position of second Vice President, serving in that role in 1983-84. According to the cursus honorum at the time, Prof. Snowden should have become President in 1986. However, he had to step down owing to poor health, which was a huge loss to the organization and the profession. You can read a full biography of Professor Snowden here.   

View full article. | Posted in Awards and Fellowships on Thu, 01/30/2020 - 9:49am by Helen Cullyer.

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