In Memoriam: Georg Nicolaus Knauer

(From the UPenn website)

G. N. Knauer, 1926–2018

Georg Nicolaus Knauer, Emeritus Professor of Classical Studies at the University of Pennsylvania, died on October 28, 2018 in Haverford, PA at the age of 92. His long life and career were distinguished by high scholarly achievement and enriched by extensive travel and many friendships. He was also deeply involved in political controversies that were the result of two tragic events that affected so many Germans of his generation: the rise of National Socialism in their youth and the division of Germany into two separate states in their maturity.

Nico, as his friends knew him, was born in Hamburg on February 26, 1926. In 1944, he was drafted into the Wehrmacht and dispatched to the Eastern front at a time when the German defense against the Red Army of the USSR was starting to collapse. Very soon after his arrival, he was almost killed by a land mine, which destroyed most of his right leg. That he even survived is remarkable enough, but his relentless refusal to let this injury limit his activities is in some ways even more so.

After the war, Nico studied Classics at the University of Hamburg with Ernst Zinn, the classicist who also produced that generation’s standard edition of Rilke’s complete works. Nico earned his PhD in 1952 for a dissertation on Psalm citations in the Confessions of St. Augustine, which laid the methodological foundations of his subsequent work. From 1952 to 1954 he was a fellow at the Institute for the Thesaurus Linguae Latinae in Munich, and then from 1954 to 1974 he taught at the Free University of Berlin, rising through the ranks from Assistent to Professor Ordinarius. He is best known for the book that originated as his 1961 Habilitationsschrift on Vergil’s imitation of Homer in the Aeneid, which was published as Die Aeneis und Homer in1964. During these same years, he was a British Council Scholar at the University of London (1957–1958), Visiting Professor at Yale University (1965–1966), Nelly Wallace Lecturer at Oxford University (1969), and a member of the Institute for Advanced Study (1973–1974). In 1975 he moved to Penn, where he remained until his retirement in 1988.Honors continued to accrue: he was in 1978 Visiting Professor at Columbia University, in 1979 a Guggenheim Fellow, in 1984 a Fellow of the National Endowment for the Humanities, in 1985 a Resident of the American Academy in Rome, in 1989 a Resident of the Rockefeller Foundation in Bellagio, and in 1991 and 2002 a Guest Researcher of the Herzog August Bibliothek in Wolfenbüttel.

At the time of his death, Nico had been working for years on a vast project to catalogue and contextualize commentaries on and translations of the works of Homer from antiquity to the Renaissance. Although he was not able to see the project through to publication, he left it very close to completion, along with a substantial archive of research materials on which it is based.  It will be finished and published posthumously, and he made provisions for this to happen.

No remembrance of Nico Knauer could be complete without mention of his wife, Kezia, with whom he shared his personal and professional life from before their wedding in 1951 until Kezia’s death in 2010. Kezia’s real name was Elfriede, and she used that name officially, e.g. as the author of many scholarly publications; but almost no one called her that, and therein lies a tale. Because she and her twin sister, Sybil, were born while their father was away on a business trip, the babies were not actually named until his return. In the interim, a midwife decided to call them Kezia and Keren-happuch after two of Job’s daughters from his second family (cf. Job 42.14). The name Kezia stuck, because everyone hated Elfriede, with the result that many people were unaware what Kezia’s “real” name was. (According to family lore, during a party to celebrate Nico and Kezia’s wedding, Nico’s father answered a phone call from a well-wisher, which caused him to turn to those assembled and ask, in puzzlement and horror, “Is there anyone here named Elfriede?”) Kezia was a classical archaeologist and art historian who specialized in iconography, but became an expert in an astoundingly wide variety of subjects. Perhaps chief among these was the Silk Road as a vector of culture between East Asia and the ancient Mediterranean basin. One result of this interest was that Nico and Kezia spent decades traveling together, he in search of humanist translations and commentaries on Homer (the bulk of them preserved in unpublished manuscripts in European libraries, large and small), she in pursuit of information about all aspects of trade, religion, art and architecture, and especially textiles, in the Middle East, Central Asia, and East Asia. Together, Nico and Kezia were among the last foreigners to visit freely countries like Afghanistan (where they photographed the now-destroyed Buddhas of Bamyan) between the time when that country’s war with the Soviet Union ended and the current American war against the Taliban and Isis began. When the improbable Karakoram highway between Pakistan and Xinjiang province in China was completed, they were on a bus there a few months later, rolling past washouts at high altitudes. They were genuinely indefatigable.

After more than half a century, Nico’s study of Vergil and Homer remains one of the most frequently cited books in the field of Classics, and it enjoys what will probably be a permanent place in bibliographies of Vergil and Latin literary studies generally. Its success is the more remarkable in that not all agree with its premises and methods, which are extremely positivistic and, as such, somewhat out of synch with contemporary notions of imitative, emulative, and allusive relationships among classical poets. Still, there are few serious students of Vergil who have not profited from this work. Indeed, it has advanced the field by inspiring both adaptive imitation of its methods among sympathetic scholars, and committed opposition, revision, and the adoption of methods based on quite different assumptions on the part of skeptics. In addition, despite an approach that looks back to the nineteenth century rather than forward to the twenty-first, the book is in many ways ahead of its time, not only in its firm commitment to the study of what ae now called intertextual relations as a fundamental and immensely creative component of classical Latin poetics, but also in its anticipation of contemporary reception studies. This is especially evident in its first chapter, which traces the growing familiarity with Homer in the early modern period through the gradual discovery by generations of Vergilian commentators of Homer’s extensive and detailed influence on their poet.

Although Nico’s scholarly vision drove him to take on projects of such scope that they would seem to have left him no time for other pursuits, he was deeply committed to the defense of specific social principles. His youthful experience of National Socialism convinced him that, after the end of World War II, it was of the utmost importance that European and, especially, German society be on the alert against any possible recrudescence of similar pathologies. Understandably, he initially expected that the likeliest threat would be from the political right; but his experience of Cold War realities in a divided Germany, and especially in occupied Berlin, convinced him that there was a more imminent danger from the left. Like many other German professors, he found it impossible to teach in the supercharged ideological atmosphere of the late sixties and early seventies. In response, he became one of the founding members and leaders of the Emergency Organization for a Free University (Notgemeinschaft für eine freie Universität) and the Freedom of Science Federation (Bund Freiheit der Wissenschaft). Ultimately, the volatile political situation caused Nico to move to the U.S. and to leave political action, though not strong political beliefs and opinions, behind.

Nico’s personal habits were ascetic and sybaritic in approximately equal measure. When he was hot on the trail of new evidence or the solution to an old problem, he would work long hours in the library without a break, sustaining himself with nothing but occasional spoonfuls of freeze-dried coffee crystals. When he felt he had the time for a proper lunch, he made it an occasion, usually enjoying the company of just one friend at a time, always with a carafe of white wine within reach. In either mode, even younger colleagues found it challenging to keep up with him. His enthusiasm for work and pleasure were equally great. The dinner parties that he and Kezia hosted from time to time in their high-rise apartment, filled with books and overlooking Philadelphia’s Fairmount Park, were memorable events. Nico always cut a dashing figure, with his bow ties (many of them made by Kezia from fabrics collected during their travels), his beret, his scarf (a souvenir from a visiting stint at Corpus Christi College, Oxford), and his silver-handled walking stick. He drove his red VW Golf, specially outfitted to accommodate his injury, like a Formula 1 racer. He especially enjoyed driving in Rome. His Penn students were in awe of both his personal and his intellectual style, recognizing that, through him, they had some contact with scholars like Eduard Fraenkel, Bruno Snell, Otto Skutsch, and many other great names from long ago and far away. He felt keenly the responsibility to pass on what his teachers had given him, insisting that the entire point of our work is to serve “the next generation,” one of his favorite and most often repeated phrases.

Nico Knauer is survived by Dr. Sabine Solf, his close companion during the years since Kezia’s death, a few family members, and many devoted students and colleagues.

---

(Photo: "Candle" by Shawn Carpenter, licensed under CC BY 2.0; picture of Georg Knauer used with permission)   

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Graduate Student Caucus Meeting

Hosted by the SCS Graduate Student Committee

Friday, January 3, 5:00pm-6:00pm, Independence Ballroom Salon C

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Come hear about the Graduate Student Committee’s plans for 2020 and offer your feedback on how best the SCS can serve graduate students.

We hope this meeting can be the springboard for a new level of collective action of North American Classics graduate students.

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This event will be followed by a Social Hour, also hosted by the Graduate Student Committee, which will take place Friday, January 3, 7:00pm-8:00pm on the Mezzanine Level of the Marriott Marquis. Come get your drink ticket while they last!

View full article. | Posted in SCS Announcements on Tue, 12/31/2019 - 4:16pm by Helen Cullyer.

That contingent faculty members make up a significant portion of those teaching on college campuses today is a well-known fact. This fact also holds true in our own fields of study (e.g. Classics, Ancient History, Archaeology and Art History), and over the years much attention has (rightfully) been paid to the many challenges and problems that stem from this reliance on contingent labor. At the same time, and despite these challenges and problems, contingent faculty members have been making important contributions to our fields in the areas of service, teaching, outreach and research, and these contributions have only grown in their significance as the number of scholars working in these positions has grown. As members of the Committee on Contingent Faculty, we believe it is time to acknowledge these contributions and celebrate the accomplishments of faculty who are working off the tenure track in our related fields. While we continue to search for solutions to the problems of contingency and advocate for those in precarious positions, we think it is equally important to bring visibility to some of these exceptional members of our scholarly community. To that end we seek to publish a series of individual profiles/interviews on the SCS blog over the course of the next year featuring some of our NTT colleagues at various stages in their careers, who are making a difference and making their mark in our discipline.

View full article. | Posted in on Tue, 12/31/2019 - 1:50pm by Chiara Sulprizio.
 
The SCS Board is delighted to announce a new prize, which will be awarded for the first time in 2020. The Gruen Prize honors Erich S. Gruen, Gladys Rehard Wood Professor of History and Classics Emeritus at the University of California, Berkeley.  It will be an essay prize for the best graduate student research on multiculturalism in the ancient Mediterranean, and submissions about any aspect of race, ethnicity, or cultural exchange will be considered. 
View full article. | Posted in Awards and Fellowships on Tue, 12/31/2019 - 11:04am by Helen Cullyer.

The SCS is pleased to announce the appointment of Patrice Rankine and Sasha-Mae Eccleston as guest editors of a future issue of TAPA with the theme of race, racism, and Classics. A detailed call for papers will be issued in early 2020, and a timetable for submissions will be provided. This themed issue is likely to appear as TAPA 153:1 in spring 2023.

View full article. | Posted in Websites and Resources on Sun, 12/29/2019 - 7:32pm by Helen Cullyer.

SCS is pleased to be able to offer professional learning units (PLUs) to K-12 teachers in the District of Columbia who attend the AIA-SCS Annual Meeting from January 2-5 at the Marriott Marquis, Washington DC. Forms for PLUs will be available at the SCS booth in the exhibit hall.

View full article. | Posted in SCS Announcements on Sun, 12/29/2019 - 7:12pm by Helen Cullyer.

It might seem that Plato and Xenophon have little in common with heavy metal bands; however, they do share an admiration for those warlords of Laconia: the Spartans. In a word, each expressed a degree of laconophilia. What drew ancient philosophers and heavy metal bands alike to Sparta may be a feeling of disenchantment with their respective mainstreams. Socrates’ pupils were no doubt disillusioned with Athenian democracy following his execution in 399 BCE, and the Spartan alternative arguably inspired in Plato’s Republic and Xenophon’s Constitution of the Spartans was a type of escapist fantasy.

View full article. | Posted in on Fri, 12/27/2019 - 5:55am by Jeremy J. Swist.

The SCS Board is delighted to announce a new prize, which will be awarded for the first time in 2020. The Gruen Prize honors Erich S. Gruen, Gladys Rehard Wood Professor of History and Classics Emeritus at the University of California, Berkeley.  It will be an essay prize for the best graduate student research on multiculturalism in the ancient Mediterranean, and submissions about any aspect of race, ethnicity, or cultural exchange will be considered. 

View full article. | Posted in Awards and Fellowships on Mon, 12/23/2019 - 9:53am by Helen Cullyer.

The 2020 Annual Meeting is less than two weeks away.  Registration numbers continue to be strong, but we are still lagging behind with the reservations at the Renaissance hotel.  We understand that some attendees will opt to stay with local friends or find a less-expensive accommodation, but we rely on hotel reservations to secure the meeting space each year.

View full article. | Posted in SCS Announcements on Sat, 12/21/2019 - 7:03am by Helen Cullyer.

In November of 1897, a review of an English poetry collection titled The Flower of  the Mind was published in literary journal The Academy. In his review of Alice Meynell’s anthology of the great English poems, publisher Grant Richards ruminated on the difficulties, worth, and effects of anthologies as a genre:

Anthologies, these latter years, come thick as Vallombrosa…For the making of an anthology is not merely the prettiest of literary amusements, it is also a delicate and fine mode of criticism. To select is to judge; tacitly, but no less deliberately. Admission or exclusion becomes the last word of a patient investigation, in the course of which, tests for genius are devised, and many an established reputation fails to sustain the ordeal. A history of anthologies would be a curious chronicle of the slow but inevitable determination of greatness.

The invention of literary anthologies, canonical readings, and sourcebooks goes back to antiquity and debates over their construction are perhaps just as archaic. Within the history of western education, the genre is a result of ancient and then medieval teachers and religious figures who privileged the teaching of texts from Homer, Virgil, or Augustine for generations.

View full article. | Posted in on Fri, 12/20/2019 - 8:12am by Sarah E. Bond.

Special tours for AIA / SCS: January 2, 2020, 3:00-5:00 pm
Woven Interiors: Furnishing Early Medieval Egypt and Cotsen Textile Traces Study Center
The George Washington University Museum and The Textile Museum
701 21st Street, NW, Washington, D.C.

Woven Interiors (closing on Jan. 5), co-organized by The Textile Museum and Dumbarton Oaks, presents 45 exceptional interior textiles from the villas, palaces, churches, mosques, and humble homes of late antique and early medieval Egypt (300–1000). Join us for curator-led tours of the exhibition and for a preview of The Cotsen Textile Traces Study Center. Tours will rotate throughout the 2 hour period, so we hope you can join us as your schedules permit. Museum/tour admission free with conference badge or proof of AIA/SCS membership.

The GWUM-TM is located just 1.4 miles from the Marriott Marquis. In addition to walking or taking a taxi/Uber, visitors can use the Metro: from the Mt. Vernon Sq. Station, take the Yellow/Green Metro toward Branch Ave./Huntington, exit at the third stop at L’Enfant Plaza; transfer to Blue/Orange/Silver toward Franconia/Springfield/Vienna/Wiehle-Reston, and exit at the sixth stop at Foggy Bottom-GWU stop; the Museum is just 0.4 miles walk, two blocks east and one block south between H and G Sts. on 21st St. NW. 

View full article. | Posted in SCS Announcements on Thu, 12/19/2019 - 12:06pm by Erik Shell.

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